cartoon on the back door of a children's feeding centre in managua

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"cartoon on the back door of a children's feeding centre in managua"

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"cartoon on the back door of a children's feeding centre in managua"

She stood there,

a cartoon drawn on a plywood door,

visible beneath a thin coat of white paint,

already dirty.

Breasts out sideways like

shoulders, arms extending

from them, her head a single eye

perched atop a thick-lined neck,

eyelashes for hair.



˗ˏˋ・。☆.・゜✭・.
AUTHOR'S NOTES
✫・゜・。.・。. ✭

I was a Canadian teenager with the distinct privilege of sharing with a young family
a small, dirt-floor shack made of scavenged lumber and zinc sheeting that had surely blown off someone else's roof in some long-forgotten windstorm. By night, we slept on cardboard mats and ragged cots. By day, it was an "olla comunales", a "communal pot" where my host family strove to offer some basic nutrition (a bit of rice, protein where they could scrounge it) to a neighbourhood's worth of malnourished kids and toddlers who could not get enough at home.

One morning there was great rejoicing. A smelly diesel panel truck had pulled up on threadbare wheels to donate leftover fish heads from the market. Together, the family, children, and I all feasted like kings on fish head soup - the brains struck me as a delicacy but the lenses of the eyeballs scratched the back of my throat, causing me to gag. Eyes rolling in my bowl, I could sense the ghosts of that morning's catch judging me all the way down.

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