Yandere Toons x Reader: An Anthology of Headcanons and Scenarios

Henry Bowers (Platonic & Romantic Headcanons) (Stephen King's It)

WARNING: child abuse and neglect (physical and emotional), intense violence, death, bullying, implied alcoholism, reference to divorce, emotional manipulation, toxic mindset.

PLATONIC:

As soon as his father drinks himself into unconsciousness or throws him out the door, Henry stalks down the street to where he thinks his friend might be. Explaining nothing of his sullen demeanour, he places himself in the middle of whatever they are doing, dragging them into a more private area if their current activity is too public or not to his liking. From there, the hope is that his friend will act in a way that comforts him without him having to ask for it and risk further humiliation.

There are two possible outcomes here, depending on how his friend treats him and who else gets involved. If they accept his presence without prying, Henry will shut down and remain silent for a while, riding out the emotional storm around someone he now has a reasonable chance of trusting. If they stonewall him or others interrupt, Henry will revert to his hostile bully persona and never mention the event again, as it has become a new source of shame for him.

Henry reveals a watered-down version of the truth when pressed for answers, but even then, he refuses to tell the whole story out of a desire not to relive it, not to be seen as a whiner, and not to show how profoundly it has affected him. After all, a history of cruel reactions from his father and the small-town mentality of Derry have taught him that emotional vulnerability is a dangerous mistake of the stupid and weak.

Despite this, it becomes increasingly clear that Henry is stalling for time when the subject of going home creeps up on him. He would much rather stay out all day and night with his friend and the gang, cruising town with Belch at the wheel, forgetting what awaits him when he sets foot on the family farm. But Henry knows only too well that Butch's wrath will double if he has to go looking for him.

Henry will threaten and, if sufficiently provoked, maim anyone who shows an interest in his friend. His worldview is more than a little misanthropic, as his good memories are few and far between, and his father and the community at large have taught him to hate anyone who challenges his idea of the norm. As such, he sees this as a favour to his friend, ridding them of all the scumbags who would inevitably trap them in an unwanted relationship.

But deeper down, in the places that have never quite healed, the places he never talks about, Henry is afraid of powerlessness. He despises the thought that his friend would abandon him because of someone else, as his mother did, so he does not give them that option. Anyone who tries to plant the idea in their head that they should cut ties with him, or worse, leave town, he beats as if it might save his life.

As far as Henry is concerned, no one offers a better source of companionship than he. He is fond of yelling this supposed fact and more at his friend when they refuse to drop everything and join him at a moment's notice. Seeing this as an affront to his authority as well as a personal insult, Henry cannot take it, especially when it happens in front of people, and tries to hector them into submission.

If any of Henry's accomplices disagree with his methods, none will be too honest about it. Henry displays an unabashed willingness to hurt anyone and everyone who comes between him and his friend. Other bullies have required stitches courtesy of Henry and learned to turn tail at the sight of him or them, and the last concerned citizen to intervene was left with a concussion.

Although Henry is a little more lenient with his gang, he still has rules about what kind of interactions are acceptable. Some of these rules go unspoken until one of the other boys crosses a line he did not know had been drawn. On the first day, Patrick Hockstetter lost his right to be alone with Henry's friend and incurred a death threat from Henry after Patrick made advances towards them and asked if they would like to share Henry with him.

Spending time with other people sounds like a waste of energy to Henry, but spending time with the Losers is so inexcusable that he expresses it in the only language he knows: violence. His need to anticipate his father's unstable emotions has made him sensitive to any sign of displeasure in others, which Henry receives in abundance from one of the Losers, Richie Tozier. Tozier calls him an obsessive freak when he cuts one of the kids for staring at his friend.

ROMANTIC:

His only frame of reference is his parents' disastrous marriage, now separated, and the couples at school he enjoys breaking up with shoves and jibes. Henry can be demanding in everything he asks of his partner, putting them in the untenable position of bearing the brunt of his emotional hunger. It is an overwhelming and confused mess of mixed signals and frustration that has built up over years.

Much of Henry's attention-seeking behaviour and unpredictable aggression stems from the fact that he is both ashamed of his struggles and less and less successful at repressing them. When he still tries, it manifests itself in violent outbursts and, in the context of this relationship, defensive anger when his partner does not immediately and completely fulfil his needs.

There are few things Henry would hate more than being compared to his father, so he refrains from using this level of violence with his partner. However, he retains a distinct bullheadedness in the many arguments that do break out, usually over Henry's desire for them to give up any part of their life that distracts from him.

Under no circumstances is Butch to know that Henry has a partner, let alone meet them. He would rather die than have them see what a so-called coward he becomes around his father, and the thought of them being caught in the crossfire of one of his father's explosions makes him want to stick the knife in Butch's throat a little sooner.

At the first sign of Butch's approach, Henry pulls away from his partner and tells them that if things get heated, they should go with Victor and wait for him at a distance. Victor is disturbed by Henry's extreme view of the relationship but is wise enough not to say so to his face.

Watching his partner suffer abuse at the hands of a family member ignites a rage in Henry that stems from his unfulfilled desire to take revenge on his father. He flashes back to when Butch similarly hurt him, reopening the last wound he tried to numb by avoiding his home and seeking out his partner. Every punch Henry lands, every slash with the knife, is almost like getting back at his father for all the scars he gave him.

Henry refuses to feel remorse for those he attacks, as Butch would never apologise for the damage he inflicts and once even rewarded Henry for his violent actions. After making his partner drop a science project in the hallway, the child he forced to eat dirt had it coming. The classmate who sat next to his partner at lunch - a seat reserved for Henry, regardless of whether anyone else knows it or whether he feels like taking it that day - deserved to be thrown to the floor and humiliated in a way that will haunt them forever.

Competition, real or imagined, is unforgivable and will be met with swift, if not disproportionate, retaliation. The first line of defence is a barrage of verbal abuse, escalating to physical assault unless the pest flees the scene and swears an oath never to speak to his partner again. From there, Henry will order his cohorts to hold the person still while he carves, stones, drowns and breaks whatever he finds most offensive.

Part of a community that frowns upon physical closeness between friends, Henry seeks in this relationship the emotional intimacy and affection that his father never provided. He denies having such needs when anyone suggests otherwise, insisting that he only stays with his partner for superficial reasons and would not miss them if they were to disappear one day.

Despite his claims of indifference, Henry displays a violent resentment towards those who befriend his partner, perceiving these individuals as a threat to his importance in their life. This fear speaks to his underlying insecurity of not being in control, the same insecurity that drives him to suspect the worst in people and defend or assert himself accordingly.