Why Are You My Remedy? [Book 1]

38

The roads are packed with pedestrians trying to escape. Luka and I hide our guns in the waistbands of our pants, but our wild eyes and jerky movements seem to give us away. Everyone stays away from us, darting in opposite directions, some squeaking, shouting, crying, dropping the things in their hands. But for all the people, I don't see a single car in sight. They must be hard to come by, especially in this area.

Luka pushes me to the ground just as a bullet flies past my head. He shoots down another door and we run through the ruins toward another exit, trapped in the maze of what used to be a clothing store. Gunshots and footsteps are close behind. There must be at least a hundred soldiers following us through these streets, clustered in different groups, dispersed in different areas of the city, ready to capture and kill.

But I know they won't kill me.

It's Luka I'm worried about.

I try to stay as close as possible to his body because I'm certain Agreste has given them orders to bring me back alive. My efforts, however, are weak at best. Luka has enough height and muscle to dwarf me. Anyone with an excellent shot would be able to target him. They could shoot him right in the head.

Right in front of me.

He turns to fire two shots. One falls short. Another elicits a strangled cry. We're still running.

Luka doesn't say anything. He doesn't tell me to be brave. He doesn't ask me if I'm okay, if I'm scared. He doesn't offer me encouragement or assure me that we'll be just fine. He doesn't tell me to leave him behind and save myself. He doesn't tell me to watch his sister in case he dies. He doesn't need to. We both understand the reality of our situation. Luka could be shot right now. I could be captured at any moment. This entire building might suddenly explode. Someone could've discovered Nino and Juleka. We might all die today. The facts are obvious.

But we know we need to take the chance just the same.

Because moving forward is the only way to survive.

The gun is growing slick in my hands, but I hold on to it anyway. My legs are screaming against the pain, but I push them faster anyway. My lungs are sawing my rib cage in half, but I force them to process oxygen anyway. I have to keep moving. There's no time for human deficiencies.

The fire escape in this building is nearly impossible to find. Our feet pound the tiled floors, our hands searching through the bleak light for some kind of outlet, some kind of access to the streets. This building is larger than we anticipated, massive, with hundreds of possible directions. I realize it must have been a warehouse and not just a store. Luka ducks behind an abandoned desk, pulling me down with him.

"Don't be stupid, Couffaine-you can only run for so long!" Someone shouts. The voice isn't more than 10 feet away.

Luka swallows. Clenches his jaw. The people trying to kill him are the same ones he used to eat lunch with. Train with. Live with. He knows these guys. I wonder if that knowledge makes this worse.

"Just give us the girl," a new voice adds. "Just give us the girl and we won't shoot you. We'll pretend we lost you. We'll let you go. Agreste only wants the girl."

Luka is breathing hard. He grips the gun in his hand. Pops his head out for a split second and fires. Someone falls to the floor, screaming. "COUFFAINE, YOU SON OF A-"

Luka uses the moment to run. We jump out from behind the desk and fly toward a stairwell. Gunshots miss us by millimeters. I wonder if these two men are the only ones who followed us inside.

The spiral staircase winds into a lower level, a basement of some kind. Someone is trying to aim for Luka, but our erratic movements make it almost impossible. The chance of him hitting me instead are too high. He's unleashing a mass of expletives in our wake.

Luka knocks things over as we run, trying to create any kind of distraction, any kind of hazard to slow down the soldier behind us. I spot a pair of storm cellar doors and realize this area must've been ravaged by tornadoes. The weather is turbulent; natural disasters are common. Cyclones must have ripped this city apart. "Luka-" I tug on his arm. We hide behind a low wall. I point to our only possible escape route.

He squeezes my hand. "Good eye." But we don't move until the air shifts around us. A misstep. A muffled cry. It's almost blindingly black down here; it's obvious the electricity was disconnected a long time ago. The soldier has tripped on one of the obstacles Luka left behind. Luka holds the gun close to his chest. Takes a deep breath. Turns and takes a swift shot.

His aim is excellent.

An uncontrolled explosion of curse words confirms it.

Luka takes a hard breath. "I'm only shooting to disable," he says. "Not to kill."

"I know," I tell him. Though I wasn't sure.

We run for the doors and Luka struggles to pull the latch open. It's nearly rusted shut. We're getting desperate. I don't know how long it'll be until we're discovered by another set of soldiers. I'm about to suggest we shoot it open when Luka finally manages to break it free.

He kicks open the doors and we stumble out onto the street. There are 3 cars to choose from.

I'm so happy I could cry.

"It's about time," he says.

But it's not Luka who says it.