Poor Mary

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Poor Mary sits a-weeping,
A-weeping, a-weeping,
Poor Mary sits a-weeping
On a bright summer's day.

Why are you weeping,
Weeping, weeping,
Why are you weeping,
On a bright summer's day?

I'm weeping for a loved one,
A loved one, a loved one,
I'm weeping for a loved one,
On a bright summer's day.

Stand up and choose your loved one,
Your loved one, your loved one,
Stand up and choose your loved one,
One a bright summer's day.

Shake hands before you leave 'er,
You leave 'er, you leave 'er,
Shake hands before you leave 'er,
On a bright summer's day.

.

When the wind blows around campus, it carries with it the scent of pumpkin bread baking. Of star anise and cloves. Of cold nights and mist. It bears the sounds of crackling fires and crunching leaves. The taste of apple cider. When it blows through Tom, it brings him a quiet sort of thrill. Anticipation. The leaves around him turn, and with them, he feels a changing.

Slowly but surely, Tom can feel himself creeping his way into Ximena's exclusive circle. So exclusive that, as far as he knows, he is the only one in it--The only one worth noting anyways. Her talks and answers have evolved from being vaguely helpful to generally helpful. The eye contact and acknowledgement is accompanied by her asking how his day is fairing. She still pushes him to do research for himself, but now she gives him the tools he needs. Titles of chapters, authors, manuscripts. Sections of the library, teachers, dates...There's seemingly no end to her encyclopedic knowledge, though she does occasionally stumble in remembering. Memory problems until the end.

Sadly, she has yet to perform magic in front of him since the duel. Hedwig told him she was skilled, so obviously she knows something. More than him. Her talents, what it felt like to be at the receiving end of her spells...Tom asks Ximena himself what spell it was that she used against Hedwig, and why she hadn't taught it to her yet. He got that same look of hesitation and discomfort that she gave the pint-sized witch just over a week ago.

"It's...Not for her to use." She clears her throat. "Some magic is personal. In the blood."

About to ask if she could teach it to him, he manages to stop himself. Something tells him she would say the same. It's not for him. He can't do it. Forbidden.

Naturally, the thought does nothing to kill his want. In fact, it only makes it stronger.

Tom doesn't give up, however: he asks about proper wrist movements and spells he learned from both Hedwig and Yami in the hopes of seeing her cast again. Or at least, see her peculiar wand. Of course, rather than doing exactly what he wants, she demonstrates using a breadstick. Or a napkin roll. And once, a very long fondue fork-- 'I can't risk accidentally casting in the middle of school like this, we have to be safe.' Damn.

And then, one day: victory.

It is on a very lucky day that Professor Merrythought asks for a student to deliver a few assorted documents and books to the Second Year Charms classroom just up a floor. She doesn't trust magic on its own to deliver them, thanks to reports of intercepting students looking for answer keys or an excuse to steal property--And of course, the concerning number of crows gathering on the school grounds (they have a taste for paper, it seems). Tom, an upstanding student and boy, volunteers the moment the offer leaves Merrythought's mouth.

Serpentine [T.M. Riddle]Where stories live. Discover now