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﹢➜﹒𝗦𝗣𝗜𝗖𝗘 .
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Digital Cover
❱❱ .﹢𝗥𝗘𝗟𝗘𝗔𝗦𝗘𝗗, May 18, 2020 ❱❱ .﹢𝗥𝗘𝗖𝗢𝗥𝗗𝗘𝗗, 2020 ❱❱ .﹢𝗚𝗘𝗡𝗥𝗘, K-Pop, EDM, Tropical House, Trap, Future Bass, Pop, Moombahton, Synthwave, Dark Pop, Dream Pop, Hip-hop, Electro Pop, Bubblegum Pop, Acid House, Disco ❱❱ .﹢𝗟𝗘𝗡𝗚𝗧𝗛, 34:26 ❱❱ .﹢𝗟𝗔𝗡𝗚𝗨𝗔𝗚𝗘, English, Korean ❱❱ .﹢𝗟𝗔𝗕𝗘𝗟, YG Entertainment ❱❱ .﹢𝗥𝗘𝗟𝗘𝗔𝗦𝗘 𝗧𝗬𝗣𝗘, Studio Album ❱❱ .﹢𝗦𝗢𝗡𝗚 𝗡𝗨𝗠𝗕𝗘𝗥, 10 ❱❱ .﹢𝗦𝗜𝗡𝗚𝗟𝗘, Loco ❱❱ .﹢𝗕-𝗦𝗜𝗗𝗘, More & More, Psycho, Hwaa, Weapon, PTT, MITM, Ladida, Wannabe, I Can't Stop Me ❱❱ .﹢𝗖𝗥𝗜𝗧𝗜𝗖𝗔𝗟 𝗥𝗘𝗦𝗣𝗢𝗡𝗦𝗘, Positive ❱❱ .﹢𝗧𝗢𝗧𝗔𝗟 𝗪𝗜𝗡𝗦, 20 ❱❱ .﹢𝗔𝗥𝗧𝗜𝗦𝗧, Yamaguchi Yskaella - Ella
﹑→ ．𝗖𝗥𝗜𝗧𝗜𝗖𝗔𝗟 𝗥𝗘𝗖𝗘𝗣𝗧𝗜𝗢𝗡 .
﹢ʬ﹗Professional Ratings - Aggregate Scores
Source • Rating
Metacritic | 74 : 100
﹢ʬ﹗Professional Ratings - Review Scores
Source • Rating
AllMusic | 4 Stars The Guardian | 3 Stars IZM | 4.5 Stars Pitchfork | 7.1 : 10 Rolling Stone | 4.5 Stars Spin | 8 : 10 The 405 | 7 : 10
spice received positive reviews from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 74, which indicates "generally favorable reviews". Neil Z. Yeung from AllMusic gave the album four stars out of five stating that "catchy and powerful, spice is Ella at a dominant and powerful peak, cohesive enough to feel like it was conceived in one particular period". Blanca Méndez of Spin stated that "spice's genre-hopping sounds like the she is simply having a good time". Sheldon Pearce of Pitchfork wrote that the album "formula is a slick, loosely thematic album about love, society and loss, with a stronger focus" and that "it aims for cohesion and produces fun, prismatic songs in the process." Jess Lau of The 405 noted that "spice shows off each of Ella's qualities fairly and acts as a well-structured introduction to a wider global audience that is all too eager to pick out negatives". Elias Leight from Rolling Stone stated that "Ella' spice is K-Pop with genre-hopping panache" and noted that "throughout it all, she affect melodic sincerity, singing with intensity and melisma, rapping in tones that show her effort and strain, as if caring never went out of style". Caitlin Kelley from Billboard described the album as "one of her most thematically cohesive yet sonically varied albums, with maximalist production erupting against lyrics about emptiness".
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