Yuffie's Writing How-To's

By YuffieProductions

3.4M 46.5K 13.1K

A story isn't just a bunch of words slapped onto a page. It's a living, breathing manifestation of your imagi... More

Author's Note
How to make a MEMORABLE PROTAGONIST
How to do WORLD BUILDING
How to write ROMANCE
How to write PHYSICAL FIGHTS/WEAPONS
How to SHOW vs. TELL & DESCRIPTION
How to tackle LGBTQ themes
This deserves a chapter all for itself.
How to STICK WITH A STORY
How to write VILLAINS
How to be a WRITER
How to write CLICHES
Awesome Quotes
How to DESCRIBE CHARACTERS
How to START THE STORY
How to (not) CHEAT THE NARRATION
How to make your stories REALISTIC
How to choose POINT OF VIEW and TENSE
How to write POETRY (Guest speaker!)
How to write BACKSTORY
How to create THREE-DIMENSIONAL CHARACTERS
Something every aspiring author needs to read
How to make NON-CLICHE VILLAINS
How to CREATE A PLOT
How to write DIALOGUE
How to write BADBOYS AND BADASSES
How to NAME YOUR CHARACTERS
How to make COVERS
How to overcome PLOTBLOCK
How to write ROMANCE pt. II
How to write a STORY BLURB/QUERY
How to choose a STORY TITLE
How to make a LIKABLE CHARACTER (pt. 1)
How to make a LIKABLE CHARACTER (pt. 2)
How to make a LIKEABLE CHARACTER (pt. 3)
How to write REAL WORLD SETTINGS
How to WRITE STORY NOTES
How to make your CHARACTERS CHANGE
How to create 3D CHARACTERS (pt. 2)
How to write THE HERO'S JOURNEY
How to manipulate SENTENCE STRUCTURES
Why Romeo and Juliet is a SATIRE, not a romance!
How to portray DEPRESSION
How to write DEEP POV
The Most Important Rule of Writing
How to write ORGANIC PROSE
How to create a CALENDAR
How to GET OUT OF A WRITING SLUMP
How to Write ROMANCE SCENES
Bringing out the wet fish again.
WHAT IS LOVE?
Need Constructive Criticism?
This needs to be repeated.
Do You Have the Fire to be a WRITER?
How to COME UP WITH IDEAS
How to make your VILLAIN COMPLEMENT THE HERO
How to INJURE THE HUMAN BODY
What is a FLAW?
How to write HEALTHY vs. UNHEALTHY RELATIONSHIPS
How to ADD PLOT TWISTS
How to find the MEAT OF YOUR PLOT
How to PLOT
How to ORGANIZE YOUR SCENES
How to CRITIQUE
More on FIRST CHAPTERS
How to KEEP YOUR WRITING FOCUSED
How to use SEMICOLONS
How to SHOW EMOTIONS
How to SHOW EMOTIONAL STATES
How to create an EMOTIONAL ROLLERCOASTER
How to IMPROVE YOUR GRAMMAR & VOCABULARY
How to BATTLE STEREOTYPES
How-To Mini Series: Movies to Books
Movies to Books: Warm Bodies
This is LOVE
How to REDUCE # OF SUPPORTING CHARACTERS
How to TURN OFF YOUR INNER EDITOR
How to DETAIL
How to write LOVE TRIANGLES
How to write SUBTLE ROMANCE
How to write HEROIC TRAITS AND THEIR FAULTS
How to write PIRATES
How to use BODY LANGUAGE
The VISUAL DICTIONARY
Movies to Books: Pacific Rim
How to be MORE CRITICAL OF WRITING
TV to Books: Avatar: The Last Airbender
How to create SUPERSTITIONS
TV to Books: Attack on Titan
Incredible Inspiration
The Power of Predictions!
College majors
How to write good shit.
A Reminder
How to create CONTINUITY
How to write the INCITING INCIDENT
How people turn EVIL
BACKGROUND NOISE
TV to Books: Arrow
How to DESCRIBE TOUCH
On posting writing online
How to WIPE OUT HUMANITY
121 Cliched Dialogues
How to PLOT pt. 2
TV to Books: Once Upon a Time
On ORIGINAL VISIONS for your story
Romantic Dynamics
Movies to Books: Frozen
Movies to Books: Thor: The Dark World
How to write a KILLER THRILLER
If you're stuck...
How to write KIDNAPPER ROMANCES
Movies to Books: Frozen (pt. 2)
How to differentiate the ____PUNK GENRES (Guest speaker!)
Should you write in order or skip around?
How to write BIG AGE GAPS
How to SYMPATHIZE WITH THE DEAD
The Bechdel Test
How to END YOUR NOVEL
How to write PLATONIC LOVE
How to write FEMALE VILLAINS
How to make your plot more COMPELLING
How to write a COMIC RELIEF CHARACTER
Things that REALLY BUG ME
How to make your character HEROIC
How to add a DEADLINE
Got a cool idea for a story? Now break it.
Anti-procrastination websites
How to be MORE CRITICAL OF WRITING Pt. II
How to write TIMESKIPS
Basic Checklist for Your Story
Thoughts on (lack of) conflict
How to TIGHTEN YOUR WRITING
How to write ACCENTS AND DIALECTS
How to make a DEATH SADDER
On Writing: UNASKED QUESTIONS
How to write SACRIFICES
How to make your CHARACTERS RELATABLE
How to write THE CHOSEN ONE & PROPHECIES
Brandon Sanderson's Lectures on Writing!
How to write STRONG FEMALES
More on Filtering!
Why we need DIVERSITY
How to write DIVERSITY -- ADDENDUM
TV to Books: Legend of Korra
How to write FOILS
BACK UP YOUR WRITING
How to RESEARCH
How to vary SENTENCE LENGTHS
How NOT to be MYSTERIOUS
How to write MAGIC SYSTEMS
How to write Mentor/Mentee tropes
How to KILL OFF A CHARACTER
Sympathy Without Saintliness
My Story Litmus Test
How to MAKE YOUR CHARACTERS DIFFERENT
How to AVOID ROMANTICIZING BAD THINGS
How to come up with MOTIVATIONS
How to create CHARACTER GROWTH (TV to Books: ATLA pt. 2)
Movies to Books: Big Hero 6
Sexism in Literature
How to write VILLAINS (pt. 2)
How to write MENTALLY DISORDERED VILLAINS - Guest Lecturer: Mo!
How to write VILLAINS (pt. 3) - Guest lecturer: Mo!
How to write NON-OFFENSIVE THINGS
How to write UNHEALTHY RELATIONSHIPS
How to write UNHEALTHY RELATIONSHIPS - ADDENDUM
How to write a ZOMBIE APOCALYPSE
How to write ROMANCE SCENES (pt. 2)
How to PUT IT ALL TOGETHER
How to avoid the WOMAN IN REFRIGERATOR TROPE
How to REVISE YOUR STORY
How to CHOOSE YOUR PROTAGONIST
On WRITING GENRES
How to add in SUBPLOTS
How to write a SERIES
How to TURN A BAD CHARACTER GOOD
How to decide on CHAPTER LENGTHS
Internet to Books: TWITCH PLAYS POKEMON
How to do WORLDBUILDING - pt. 2
How to OUTLINE YOUR NOVEL
How to write BACKSTORIES -- pt. 2
More INSPIRATION for you!
Writing Masterpost
Narcissism in Today's Fiction?
Evidence that this guide means nothing
Trailers to Books: Black Widow
How to write INTENSE EMOTIONS
How to FALL FOR THE ENEMY
Topic Suggestions
How to structure PLOT and PACING
My beef with BEAUTIFUL CHARACTERS
Why characters act ILLOGICALLY
How to write HARD vs. SOFT MAGIC
How to MAKE YOUR OWN WRITING PROMPTS
How to write FANTASY LANGUAGES
#distractinglysexy
I don't understand arranged marriage stories
How to add SUSPENSE
Why you should READ OUT OF YOUR GENRE
More on BAD BOYS
How to write DIVERSITY pt. 2
How to write RACE IN FANTASY
Chuck Wendig, Ladies and Gentlemen
How to write UNRELIABLE NARRATORS
How to GET POPULAR ON WATTPAD
How to write MORAL DILEMMAS
How to structure PLOT AND PACING pt. 2
How to INCREASE READING SPEED
Is GETTING THE GIRL SEXIST?
How to write a WAR
REISSUE: How to make your work ORIGINAL vs. FANFICTION
How to CLEAN UP YOUR WRITING
How to find your CHARACTER'S VOICE pt. 2
Movies to Books: Cinderella (1950)
How to Plot pt. 3
Why The Hunger Games fails at worldbuilding
How to READ LIKE A WRITER
On SELF-INSERTION CHARACTERS
Uhh.... WHAT?!!???!?!?!?
The Role of Women
How to write the OPPOSITE GENDER'S POV
SELF-PUBLISHING & How to PUBLISH YOUR FANFICTION
Parting Words

How to create a CAST OF CHARACTERS

34.3K 479 77
By YuffieProductions

If you need a cast of characters, there's one basic trick to it: never give two characters the same personality. Even if they're twins or triplets, they'll be different.

Really, it's that simple. I'll say it again: NEVER give two characters the same personality.

Oh, and one more important thing: Give EVERY character a goal. Even the minor ones, even the background extras--give all of them something to work for. Now, these goals don't have to be explicitly mentioned in the story, but keep them in mind, and your characters will automatically become more 3D. 

Here's an example. Your main character is going to a fancypants party, so he needs to get his shoes shined.

Situation #1: He goes and gets his shoes shined. The shoeshiner is mentioned only as crouching down and whipping a rag across the main character's shoes until they are polished like a mirror.

Situation #2: The shoeshiner's goal could be to strike it big as a singer, so he starts belting out show-tunes as he shines the shoes, calming our protagonist's nerves a bit.

Which situation is more interesting? (Hint: #2) Now ask yourself why. In the first situation, the shoe shiner is just there, just like a fog hanging around the story, not really interesting or prominent. But in situation #2, he has a goal. Do you notice how he becomes more prominent in our minds even if he's only mentioned for a line or two in the story? He becomes more developed, just by having a goal, a motive, something to drive them to do what they do, and it makes the entire story more vivid and real.

Now, back to your cast of characters. How do you form it? While you can just write down different personality types, throw them into a hat, and blindly pick out a few, there is a very systematic way you can create the perfect blend of personalities that will stimulate your story and keep it interesting.

Basically, each major character (and even some minor ones) should fullfil certain roles. Here are the 16 roles to fill. There should be a character who:

1) PURSUEs the goal and ... 2) one who AVOIDs the goal.

3) one who HELPs someone's efforts and ... 4) one who HINDERs someone's efforts

5) one who tries to get someone to CONSIDER a course of action and ...6) one who tries to get someone to RECONSIDER a course of action

7) one who seeks a course or explanation that is LOGICally satisfying and ...8) one who seeks a course or explanation that FEELs emotionally fulfilling

9) one who exhibits self-CONTROL (focuses on one task or area to the exclusion of everything else) and...10) one who appears UNCONTROLled (tries to juggle or reacts to many things at once)

11) one who makes an appeal to CONSCIENCE and ...12) one who makes an appeal to TEMPTATION

13) one who SUPPORTs (speaks in favour of) any effort and ...14) one who OPPOSEs (speaks out against) any effort

15) one who expresses FAITH (confidence something is true, despite lack of proof) and ...16) one who expresses DISBELIEF (confidence something is false, despite lack of proof)

(This is quoted from http://www.how-to-write-a-book-now.com/archetypal-characters.html It comes from a writing theory called Dramatica, which you can Google. It's really helpful in planning your story, so it's worth a look.)

Don't think you need 16 different characters. A single character could fullfil several of these roles, but never have a character be two of the opposing ones such as self-control and uncontrol, or support and opposes. Even if they're conflicted, make them lean heavily toward one or the other. A character could, on the other hand, be logical, self-controlled, and opposes any effort. Mix and match these to come up with a unique set of characters.

These opposites create depth in the story. Look at Harry Potter as an example. Hermione would scold Harry for not studying, but Ron would tell her to chill. Hermione was the voice of logic and reason, whereas Harry did a lot of impulsive and stupid things. Hagrid was very emotional, Snape was emotionless. There were very strict professors, then there were light-hearted and fun ones. 

Opposites create conflict, and conflict drives the plot. Conflict is the reason stories are interesting, so do all you can to create as much conflict as possible. If you have one character who is very hot-headed, have their best friend be very calm and laid back. If one is very childish and aloof, make another one mature and responsible. One character could always meticulously plan everything out, but their friend just rushes in and plans on the fly.  BALANCE out the traits. Do not have an entire cast be hot-headed and emotional. Yes, this will ultimately create conflict, but the characters themselves will all be muddled together. In our minds, they'll all look the same, which is very bad. You want your characters to be very distinct from one another, and these opposing personality traits are the best way to do that apart from physical appearance (which, remember, should mirror their personality as closely as possible).

I can give you examples from SpongeBob: SpongeBob is very happy and fun-loving and immature, but Squidward is dull and gray and mature. Mr. Krabs is really cheap and money-minded, but his daughter, Pearl, has the typical teenager mindset with shopping and friends and parties. Patrick is an idiot, and Sandy is a scientist.

In the movie, The Avengers: Thor is hot-headed, but Bruce Banner is calm and mousy. Tony Stark is a genius and doesn't take orders from anyone, Steve Rogers barely knows what electricity is and believes he has to follow orders and give due respect to his overseeing officers.

Look at your favorite book, TV show, or movie, and you'll find characters with a plethora of opposing traits. The possibilities are endless, so find the traits that work for the story you want to tell. Once you've got a basic set of opposing traits you'd like to work with, now you should fine-tune each character's personality.

I'm sure many of you have heard of the Jung and Briggs Myers personality test. (Google it if you don't know about it!) I'm not sure if it's accurate, but what you should take away from it are the personality profiles. They are really awesome and detailed, and they can be an invaluable asset to you when creating characters. In the External Link to a wonderful website that goes into GREAT DETAIL about each personality type. You absolutely MUST check this out.

Continue Reading

You'll Also Like

119K 18.2K 86
Translation novel Unicode only Zawgyi users များ page မှာဖတ်လို့ရပါတယ်ရှင်
163K 10.6K 43
عادةً ما تأتي العائِلة أولاً، بضجيجها، وحِسها، وحروبِها الدائِمة رغماً عن أمانِها المُستقر، جيشك المُتصدي، محطة إيصالك، ملجأك الدائِم، ويقينك الوحيد،...
25.7K 52 18
just my thoughts tyy for 20k reads in just over a week BTW MY INSTA USERNAME IS NOW @yum1kim_
156K 7.7K 16
ABHIMANYU RATHORE is 28 years old. He belongs to Royal family. He is the oldest son in Rathore family. He is the CEO of Rathore Enterprise. He is the...