After her first year at Keaton being ended by being in a car accident, Talia Marlowe is solely focused on recovering so she can dance again. But when new boy Beckett Bradstreet joins the scene, will she be distracted or will he help her improve?
Ups! Tento obrázek porušuje naše pokyny k obsahu. Před publikováním ho, prosím, buď odstraň, nebo nahraď jiným.
My first year at Keaton School of Art was adventurous, one would say. From starting as a dancer to getting hit by a car, my second grade is most likely going to be spent with my best friends Vanessa, Carly, Jenna and Sasha, helping with choreography while in a wheelchair slash crutches if I have the energy to hold myself up long. And with our funishments from setting the sprinklers off to stop Julie being humiliated being as time consuming as they are, I barely have time to work on my music projects anymore.
It's physiotherapy, choreo, detention, physio. Nothing in between but homework for my usual classes. I do miss actually dancing, I guess, but how can you miss something that caused you to become injured. I was rushing to my Juilliard audition when I got hit. It was a hit and run. Ms Helsweel came to visit me, telling me I was her most promising student and that I had to work to get back up there. That was the nicest thing I'd ever heard her say.
In the accident, I broke my knee and fractured my back. It hurt. But I survived. And now, I'm back at Keaton for my second year. And I'm going to be back in the Primas when I recover. If I recover.
