Myths and Mortals (Greek Mythology)

Athena

In Greek religion and mythology, Athena or Athene (/əˈθiːnə/ or /əˈθiːniː/; Attic: Ἀθηνᾶ, Athēnā or Ἀθηναία, Athēnaia; Epic: Ἀθηναίη, Athēnaiē; Ionic: Ἀθήνη, Athēnē; Doric: Ἀθάνα, Athānā), also referred to as Pallas Athena/Athene (/ˈpæləs/; Παλλὰς Ἀθηνᾶ; Παλλὰς Ἀθήνη), is the goddess of wisdom, courage, inspiration, civilization, law and justice, strategic warfare, mathematics, strength, strategy, the arts, crafts, and skill. Minerva is the Roman goddess identified with Athena.

Athena is portrayed as a shrewd companion of heroes and is the patron goddess of heroic endeavour. She is the virgin patroness of Athens. The Athenians founded the Parthenon on the Acropolis of her namesake city, Athens (Athena Parthenos), in her honour.

Veneration of Athena was so persistent that archaic myths about her were recast to adapt to cultural changes. In her role as a protector of the city (polis), many people throughout the Greek world worshiped Athena as Athena Polias (Ἀθηνᾶ Πολιάς "Athena of the city"). The city of Athens and the goddess Athena essentially bear the same name (Athena the Goddess, Athenai the city) while it is not known which of the two words is derived from the other.

Etymology of the name and origins of the cult

Athena is associated with Athens, a plural name, because it was the place where she presided over her sisterhood, the Athenai, in earliest times. Mycenae was the city where the Goddess was called Mykene, and Mycenae is named in the plural for the sisterhood of females who tended her there. At Thebes she was called Thebe, and the city again a plural, Thebae (or Thebes, where the 's' is the plural formation). Similarly, at Athens she was called Athena, and the city Athenae (or Athens, again a plural).

Athena had a special relationship with Athens, as is shown by the etymological connection of the names of the goddess and the city. According to mythical lore, she competed with Poseidon and she won by creating the olive tree; the Athenians would accept her gift and name the city after her. In history, the citizens of Athens built a statue of Athena as a temple to the goddess, which had piercing eyes, a helmet on her head, attired with an aegis or cuirass, and an extremely long spear. It also had a crystal shield with the head of the Gorgon on it. A large snake accompanied her and she held Nike, the goddess of victory, in her hand.

In a Mycenean fresco, there is a composition of two women extending their hands towards a central figure who is covered by an enormous figure-eight shield and could also depict the war-goddess with her palladium, or her palladium in an aniconic representation. Therefore Mylonas believes that Athena was a Mycenaean creation. On the other hand, Nilsson claims that she was the goddess of the palace who protected the king, and that the origin of Athena was the Minoan domestic snake-goddess. In the so-called Procession-fresco in Knossos which was reconstructed by the Mycenaeans, two rows of figures carrying vessels, seem to meet in front of a central figure, which is probably the Minoan palace goddess "Atano".

In Mycenaean Greek, at Knossos a single inscription 𐀀𐀲𐀙𐀡𐀴𐀛𐀊 A-ta-na po-ti-ni-ja /Athana potniya/ appears in the Linear B tablets from the Late Minoan II-era "Room of the Chariot Tablets"; these comprise the earliest Linear B archive anywhere. Although Athana potniya often is translated Mistress Athena, it literally means "the Potnia of At(h)ana", which perhaps, means the Lady of Athens; any connection to the city of Athens in the Knossos inscription is uncertain. We also find A-ta-no-dju-wa-ja (KO Za 1 inscription, line 1), in Linear A Minoan; the final part being regarded as the Linear A Minoan equivalent of the Linear B Mycenaean di-u-ja or di-wi-ja (Diwia, "divine"). Divine Athena also was a weaver and the deity of crafts (see dyeus). Whether her name is attested in Eteocretan or not will have to wait for decipherment of Linear A.