Freen, ever the diligent researcher, spent the next few days analyzing the data collected from their art gallery visit. Becky's strong, illogical aversion to the installation piece remained a prominent anomaly in her meticulously organized notes. It challenged her initial hypothesis that all emotional responses could be traced back to discernible stimuli and logical associations. This prompted a new line of inquiry: the exploration of Becky's non-rational, intuitive emotional landscape.
Her next data-gathering session was, in typical Freen fashion, meticulously planned to address this new variable. She decided on a visit to a live music performance at a small, local venue.
Her reasoning was twofold: music often evokes strong emotional responses, and observing Becky's reactions to different musical styles and lyrical content might offer insights into her deeper emotional triggers. Furthermore, the social dynamics of a live performance setting would provide additional data on her interpersonal preferences.
Becky, however, was simply excited for a night out. She enjoyed live music and looked forward to experiencing it with Freen, even if Freen's approach to "experiencing" things tended to be… unique.
The venue was dimly lit and buzzing with energy. The opening act, a folk singer with a melancholic voice, strummed softly on his guitar. Freen observed Becky intently, noting her relaxed posture and the gentle sway of her head to the music.
"Ms. Armstrong," Freen murmured, leaning closer to be heard over the soft melody, "what specific elements of this musical composition elicit your current physiological and emotional state?"
Becky closed her eyes for a moment, seemingly lost in the music. "It's… soothing," she said softly. "The melody is kind of sad, but in a comforting way. And his voice… it just feels honest, you know?"
Freen made a note: "Physiological response: relaxed posture, gentle swaying. Emotional response: 'soothing,' 'comforting.' Subjective interpretation of 'honesty' in vocal delivery. Further analysis of lyrical content required to identify potential emotional triggers."
The next act was a high-energy rock band. The volume increased significantly, and the crowd around them began to move and cheer. Freen observed Becky’s reaction shift. Her earlier serenity was replaced by a wider smile, and her foot tapped energetically to the beat.
"Notice the change in your physiological response," Freen observed, raising her voice slightly. "The increased tempo and amplified volume appear to correlate with a more energetic state."
Becky laughed, her eyes bright with the excitement of the music. "Yeah! This is great! It just makes you want to move!"
Freen diligently wrote: "Physiological response: increased motor activity (foot tapping), elevated facial expression (wide smile). Emotional response: 'great,' induces desire for physical movement. Hypothesis: higher tempo and rhythmic complexity correlate with increased energy levels."
As the band launched into a particularly enthusiastic guitar solo, Freen, in a moment of uncharacteristic impulsiveness driven by her desire to understand Becky’s enjoyment, leaned closer and asked, "Could you quantify your current level of enjoyment on a scale of one to ten, with ten being the highest level of positive affect?"
Becky turned to her, a surprised but amused expression on her face. "Uh… maybe an eight? It's really good!"
Freen nodded, making a note. "Subjective enjoyment level: 8/10. Further investigation into the specific musical elements contributing to this rating is warranted."
During the intermission, as they stood in line for drinks, a street performer with a violin began playing a surprisingly virtuosic classical piece. Becky stopped, her head tilted, a look of quiet appreciation on her face.
"This is beautiful," she murmured, her gaze fixed on the violinist.
Freen, who had been about to analyze the beverage options based on their sugar content, paused and listened. The complex melody and intricate harmonies were undeniably impressive. For a moment, the analytical part of her brain took over, dissecting the musical structure and the violinist’s technical skill.
Then, she looked at Becky. Her face was soft, her eyes filled with a quiet emotion that Freen couldn't quite categorize. It wasn't the energetic joy she'd displayed during the rock performance, nor the relaxed contentment of the folk singer. It was something deeper, something… resonant.
An unbidden question escaped Freen's lips, a question that wasn't part of her carefully constructed protocol. "What does this music… make you feel, Becky?"
Becky turned to her, a small, almost wistful smile on her face. "It makes me think… of old things. Of stories without words. It feels… important, somehow."
Freen simply nodded, her pen still. For the first time since their "study" began, she didn't immediately try to analyze or categorize Becky's response. She simply observed the soft light in her eyes, the quiet intensity of her expression. In that moment, amidst the cacophony of the crowded venue, a different kind of data point was being collected – one that couldn't be quantified on a scale of one to ten, and whose significance transcended logical analysis.
It was a fleeting glimpse into the intricate and often inexplicable world of Becky's emotions, and for a brief moment, Freen felt a flicker of something within herself that resonated with it, a silent understanding that went beyond the realm of pure logic. The algorithm of affection, she was beginning to suspect, might involve more than just numbers and notes.
YOU ARE READING
The Algorithm of Affection: A Pre-Nuptial Study!
FanfictionThe air in the Chankimha estate hummed with the polite anticipation of a long-standing friendship blossoming into family. Mr. Chankimha and Mr. Armstrong exchanged satisfied nods, envisioning a harmonious future for their daughters. Becky Armstrong...
