Growing Up In Quarantineland

Then there were feet. What could be done about feet? Various powders might be used. But, judging from the general classroom aroma, frequently they were not.

The worst thing about the nasty germs that were causing all of these diseases, not to mention smells, was that they were invisible. Nothing is scarier than an enemy you can't see.

Invisible enemies have a long history. In 1693, the New England religious leader Cotton Mather published Wonders of the Invisible World, a defence of his belief in witchcraft and demons. Not long after the 17th century ended, he also supported the introduction of inoculation against smallpox to New England. Demons = invisible. Cause of smallpox also = invisible. It all fits! Inoculation almost got him lynched, as it involved rubbing material from an infected pock into a cut in your arm, which was vigorously counterintuitive for his countrymen at that time.

From inoculation came, eventually, vaccination, and then the hunt was on to identify the pathogens responsible for each of the killer diseases pestering mankind. The microscope made many things possible, and one by one, vaccines for common illnesses were developed. People were born into a world that felt safe from germs, or at least a lot safer than it had ever been. Rather than expecting to get a certain number of illnesses as a matter of course, newer generations now considered themselves exempt. Then along came AIDS and confidence was shaken, but only for a time. Treatments were developed, lives were prolonged and that danger too receded to the level of background noise.

But in the long view, plagues have been a recurring factor in human history. Bacteria and viruses have killed a great many more people than wars ever did. The mortality rate for the Black Death in Europe is estimated at 50 per cent; the death rate from pathogens introduced by Europeans to the inhabitants of the Americas, who had no immunity to them, is estimated at between 80 per cent and 90 per cent. Millions and millions died from the Spanish flu. From the point of view of a virus or a bacterium, you are not a fascinating individual with a memorable life story. You are merely a possible matrix in which a microbe can make more microbes.

In interludes between pandemics, we like to think it's all over. Epidemiologists have never thought that. They're always waiting for the next one.

In 2003, I published Oryx and Crake, which revolves around a lethal pandemic, although a man-made one. (In a sense, all are man-made: if we didn't domesticate animals and eat certain kinds of wild ones, our chances of contracting new, species-leaping viruses would go way down.)

Was I always fated to write such a book? Possibly. My parents had both been through the Spanish flu in 1919 and their memories of it were vivid. In the fifties, when I was supposed to be doing my high-school homework, I was reading sci-fi, such as H.G. Wells's War of the Worlds, in which the invading Martians are defeated, not by warfare, but by microbes from Planet Earth, to which they have no immunity. Or I was reading fantasy, such as T.H. White's The Sword in the Stone, in which good wizard Merlin defeats bad witch Madam Mim in a shape-changing battle by becoming a number of disease germs, which topple Mim's monster dragon. Simultaneously I was reading Hans Zinsser's classic, Rats, Lice, and History, about how outbreaks of disease affect us.

So, when we were studying Byron's poem, The Destruction of Sennacherib, in which an Assyrian army is destroyed overnight, I did not ask myself which Angel of the Lord had been sent. Instead I wondered, "Which disease?" When Ingmar Bergman's classic film The Seventh Seal hit Canadian screens in 1958, I was more than ready for it.

Oryx and Crake did not attract any criticism from biologists telling me not to be silly because such a thing could never happen. They knew it could. Because, in some form or another, it already had.

So here we are again, I thought when the present pandemic began: drowning in Doubt, Ignorance, and Misgivings, surrounded by invisible evil germs that may be lying in wait anywhere, especially on elevator buttons; except that this time they aren't shown in pictures as imps with horns, but as colourful and attractive tufted pompoms. But like those whimsical things that look cute at first but can take over your body in sci-fi films, these pompoms can kill.

What to do? In my 2008 book Payback, I gathered together the six reactions people had to the Black Death while it was unfolding. They were:

1. Protect yourself.

2. Give up and party, which could include drunkenness and theft.

3. Help others.

4. Blame. (Lepers, gypsies, witches and Jews were all blamed for spreading the plague.)

5. Bear witness.

6. Go about your life.

It's not one or the other. I don't suggest No. 2. Or No. 4 – giving up and blaming are not helpful – but protecting yourself, thereby helping others, or bearing witness by keeping a journal, or going about your life as much as you can with the aid of online support systems – these are possible now in a way that they were not in the 14th century.

So plaster a virtual quarantine sign on your door, don't let strangers in, consider yourself a potential plague vector, watch The Invasion of the Body Snatchers (again) or The Seventh Seal (again). And get out the scissors and paste, analogue or digital, or the pen and paper, ditto. If you yourself are not ill, the pandemic may have given you a gift! That gift is time. Always meant to write a novel or take up clog-dancing? Now's your chance.

And take heart! Humanity's been through it before. There will be an Other Side, eventually. We just need to make it through this part, between Before and After. As novelists know, the middle section is the hardest to figure out. But it can be done.