Music theory + Composition Te...

By OfficialKJCatterall

2.6K 51 4

This book contains information on basic music theory for those wanting to introduce themselves to music and c... More

Lesson One: Note Names & Staff
Lesson Two: Sharps and Flats.
Lesson Three: Basic Intervals
Lesson Four: Basic Triads
Lesson Five: Advanced Triads
Lesson Six: The Seven Seventh Chords
Lesson Seven: Time Signatures
Lesson Eight: Triplets
Lesson Nine: Musical Keys
Lesson Ten: Relative Major and Minors
Lesson Eleven: Harmonic and Melodic Minors
Lesson Twelve: Inversions
Lesson Thirteen: Suspended Triads
Lesson Fourteen: Harmony
Lesson Fifteen: Chord Progressions
Lesson Seventeen: Modes
Lesson Eighteen: Advanced Chords
Lesson Nineteen: Circle of Fifths
Composition Technique; Introduction
Composition Technique One: Durations
Composition Technique Two: Rhythm
Composition Technique Three: Pitch
Composition Technique Four: Tempo
Composition Technique Five: Dynamics
Composition Technique Six: Moods/Tones
Composition Technique Seven: Subterms (Used with other terms)
Composition Technique Eight: Articulation & Ornament
Composition Technique Nine: Lines.
Composition Technique Ten: Bass and SATB
End.

Lesson Sixteen: Modulation

34 0 0
By OfficialKJCatterall

Modulation is the changing of musical keys within one composition. There are a few ways to perform modulation without it failing horribly, but we will be using the dominant chord method.

When modulating, it is best to use keys similar to each other. For example, the key of C major has zero sharps and zero flats, whilst the key of G major has one sharp and zero flats, so C and G major are similar keys. If you know the circle of fifths, you can find similar keys easily (I'll provide some insight onto the circle of fifths later on)

How to perform dominant modulation:

If we are writing in the key of C major, and want to modulate to G major, we do these two steps:

1) Create tension by going to the dominant chord of the key you want to modulate too (So if you want to go from C major to G major, you'd first go to the V chord of G major, which is Dmaj)

2) Resolve the tension on the tonic of the key you want to modulate too (So, in this case you'd go "insert C major chord here" -> Dmaj -> Gmaj)

Here's an example of some modulation, labelled:

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