Searching the Universe for Extraterrestrial Life: A Timeline

14 0 0
                                    


Alien dreams have always been powered by the desire for human importance in a vast, forgetful cosmos: We want to be seen so we know we exist. What's unusual about the alien fantasy is that, unlike religion, nationalism, or conspiracy theory, it doesn't place humans at the center of a grand story. In fact, it displaces them: Humans become, briefly, major players in a drama of almost inconceivable scale, the lasting lesson of which is, unfortunately: We're total nobodies. That's the lesson, at least, of a visit from aliens, who got here long before we were able to get there, wherever there is; if humans are the ones making first contact, we're the advanced ones and the aliens are probably more like productive pond scum, which may be one reason we fantasize about those kinds of encounters a lot less than visits to Earth. Of course, when the aliens are the explorers, we're the pond scum.

But a lot of people in the modern world will take that bargain, which should probably not surprise us given how dizzying, secular, and, um, alienating that world objectively is. Most is fueled by a desire to see the universe as ultimately intelligible — the bargain being that things can make sense, but only in pervasive totalitarian malice. Alien conspiracy theory keeps the malice (cover-ups at Roswell, the Men in Black). But rather than benzo comforts like order and intelligibility, it offers the psychedelic drama of total unintelligibility — awe, wonder, a knee-wobblingly deep, mystical experience of existential ignorance. 


Every extraterrestrial era has its own fantasy of consequentiality. Crop circles began as a phenomenon of the English countryside, then spread to the far corners of the onetime British Empire (Australia, Canada) after World War II, when the U.K. was falling unmistakably back in the ranks of nations and when its provincial subjects would have felt some understandable desire to demonstrate that, somehow, their lives really mattered. American encounters were invariably rural as well — typically farmers and ranchers, mostly in the country's interior and the deserts and mountains of the West, in decades the country as a whole spent rapidly urbanizing and then industrializing its farmland so systematically it looked like Monsanto was trying to exterminate the American farmer along with the cotton bollworm.

These incidents, which never occurred in cities, where other witnesses could have verified them, were often reported as horror stories even as they may have expressed secret desires. But the pop culture of the same era introduced another mode: the suburban encounter, often still private and personal but more ooey-gooey New Age than abductions and anal probes. The two major authors were Steven Spielberg, who gave us broken-family theology in Close Encounters of the Third Kind and E.T., and Carl Sagan, who gave us Cosmos and Contact, which, when it was turned into a movie, featured an eerie seascape that was basically a secular heaven, maintained by offscreen aliens explicitly playing the role of gods. Stephen Hawking, who died in March, was also a godfather of a sort, not just a physicist but a sage and guru for a generation of squishy-lefty seekers curious about life beyond Earth; among his last acts was partnering with Yuri Milner, a Russian billionaire building a giant SETI laboratory at UC Berkeley. Americans used to regard the space race with not just national but something like collectivist pride — all those government engineers from the new middle class. Suddenly, it's the rich kids with the cool toys and the keys to the rocket ship.

WE ARE NOT ALONE!!!Where stories live. Discover now