Epic Fantasy

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by briandonaldwright

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by briandonaldwright

Heroic. Majestic. Impressively great. So reads one definition of the word "epic." Simple and concise, these three modifiers together provide a useful frame upon which we can define one of the great traditions of literature: epic fantasy.

The roots of fantasy stretch as far back as storytelling itself. Who could argue, after all, that the Odyssey or Beowulf, with their majestic heroes, supernatural entities, and sweeping settings, are anything other than early seeds that germinated into today's fantasy epics. Reaching back even further, fantasy-like tales of great beasts, gods, and noble protagonists have populated fireside mythologies and oral histories since the inception of language.

What is it about these stories that grips the human psyche? Is it that the archetypal heroes common to epic fantasy represent an ideal to which we all can aspire? Is it that epic fantasy is, in many ways, the superlative expression of human imagination in storytelling?

Perhaps the answer is even simpler. Perhaps fantasy is merely the most thorough example of pure escapism: a complete turn away from the "real" world to a place where anything that can be dreamt is possible.

 Perhaps fantasy is merely the most thorough example of pure escapism: a complete turn away from the "real" world to a place where anything that can be dreamt is possible

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No discussion of modern fantasy, especially epic fantasy, is complete without a nod to J.R.R. Tolkien and his pioneering work, The Lord of the Rings. It is to this keystone example which all modern enthusiasts owe their allegiance. The Lord of the Rings established much of the literary etiquette that still defines the genre: comprehensive settings, exhaustive world-building, thematic majesty, stakes with universal implication, massive battle campaigns, and larger-than-life heroes. At a time when Modernists like Ernest Hemingway were reaching their apogee, Tolkien dared to conceive something entirely different: a tale so fresh and inventive the trajectory of fiction was forever changed.

In the ensuing years after Tolkien's 1958 seminal work, other grand-masters have maintained and built upon the epic fantasy tradition. Each with his or her unique influence, these greats stood on the shoulders of titans and pushed the genre in fresh and exciting directions. Writers such as Robert Jordan with The Wheel of Time, and Terry Brooks with The Sword of Shannara are pillars propping the roof of the epic fantasy castle. Others like Bradon Sanderson, Stephen R. Donaldson, and Tad Williams (among others) have played their part, setting the bar for what is possible and enjoyable in the genre.

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