THE INGREDIENTS USED IN THE PERFORMANCE OF SATANIC MAGIC

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THE INGREDIENTS USED


IN THE PERFORMANCE


OF SATANIC MAGIC


E. The Balance Factor


THE Balance Factor is an ingredient employed in the practice of ritual magic which


applies to the casting of lust and compassion rituals more than in the throwing of a


curse. This ingredient is a small, but extremely important one.


A complete knowledge and awareness of this factor is an ability few witches and


warlocks ever attain. This is, simply, knowing the proper type of individual and


situation to work your magic on for the easiest and best results. Knowing one's own


limitations is a rather odd bit of introspection, it would seem, for a person who should


be able to perform the impossible; but under many conditions it can make the difference


between success and failure.


If, in attempting to attain your goal through either greater or lesser magic, you find yourself


failing consistently, think about these things: Have you been the victim of a misdirected, over-


blown ego which has caused you to want something or someone when the chances are


virtually non-existent? Are you a talentless, tone-deaf individual who is attempting, through


magic, to receive great acclaim for your unmusical voice? Are you a plain, glamorless witch


with oversized feet, nose, and ego, combined with an advanced case of acne, who is casting


love spells to catch a handsome young movie star? Are you a gross, lumpy, lewd-mouthed,


snaggle-toothed loafer who is desirous of a luscious young stripper? If so, you'd better learn to


use the balance factor, or else expect to fail consistently!


To be able to adjust one's wants to one's capabilities is a great talent, and too many people fail


to realize that if they are unable to attain the maximum, "a half a loaf can be better than


none". The chronic loser is always the man who, having nothing, if unable to make a million


dollars, will reject any chance to make fifty thousand with a disgruntled sneer.


One of the magician's greatest weapons is knowing himself; his talents, abilities, physical


attractions and detractions, etc., and when, where, and with whom to utilize them! The man


with nothing to offer, who approaches the man who is successful with grandiose advice and


promise of great wealth, has the alacrity of the flea climbing up the elephant's leg with the


intention of rape!


The aspiring witch who deludes herself into thinking that a powerful enough working will


always succeed, despite a magical imbalance, is forgetting one essential rule: MAGIC IS LIKE


NATURE ITSELF, AND SUCCESS IN MAGIC REQUIRES WORKING IN HARMONY WITH NATURE, NOT AGAINST IT.

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