TEASER
OVER BLACK.
FADE IN:
EXT. SAN FRANCISCO - NIGHT
LIGHTS ON ALL OVER THE CITY. A beautiful night covers the city.
CUT TO:
EXT. SOMEWHERE IN SAN FRANCISCO - STREET - NIGHT
Junior is driving his motorcycle. A girl is with him. He STOPS the motorcycle in front of a house. Junior and the girl get off the motorcycle and take off their helmets.
JUNIOR
It's here, am I right?
SUSAN
You are. Thanks for driving me home. I really had a good time tonight. I loved the P3. I've never been there before.
JUNIOR
I'm glad you liked it. P3 is great. Did I tell you that it's owned by my cousin?
SUSAN
You did.
(pauses; shy)
Will you call me again?
JUNIOR
(smiles)
Sure.
They smile. A SCREAM IS HEARD. They look around trying to figure out where it came from.
SUSAN
Oh no!
JUNIOR
What was that?
SUSAN
It's the haunted house down there.
She points in the house's direction.
SUSAN (CONT'D)
There are new tenants there. It's always the same. They get scared and the day after they leave the house.
JUNIOR
(confused)
Sorry, I got lost when you said haunted house.
SUSAN
No one can live there more than a week. People leave the house saying that it's haunted. Obviously, it's their imagination.
(makes fun of it)
Haunted houses... yeah, right!
Junior looks seriously at Susan.
SUSAN (CONT'D)
You don't believe it, do you?
JUNIOR
You would be surprised if I'll tell you what I believe in. I need to go.
Junior kisses Susan quickly and then he puts on his helmet, gets up in his motorcycle and drives down the street.
SUSAN
(to herself)
I had a beautiful night too...!
She looks at Junior driving away and heads into her house.
CUT TO:
EXT. HAUNTED HOUSE - NIGHT
Junior stops the motorcycle in front of the house and stares at it.
JUNIOR
Haunted house, huh?!
He hears another scream from inside the house. A couple comes out in pajamas.
JUNIOR (CONT'D)
(to the couple)
What's going on?
ABBY
(scared)
This house is haunted!
ZACK
Really, dude! There's a ghost inside, we saw it!
JUNIOR
(interested)
A ghost?
(heads to the house)
Wait here, I'll check it out.
The couple glances at him as he walks into the house.
ABBY
I won't put my feet in there again!
CUT TO:
INT. HAUNTED HOUSE - LIVING ROOM - NIGHT
He comes into the living room, looks around but no one is in there. He walks out of the living room.
CUT TO:
INT. HAUNTED HOUSE - BEDROOM - NIGHT
Junior COMES IN and no one is in there either. He is about to leave the room, but when he turns around he SEES someone looking at him. The ghost of a man looks to Junior. The ghost starts throwing things, TeLEKINETICALLY, towards Junior. Junior uses TELEKINETIC ORBING to throw things back to the ghost but it's useless. The objects pass through the ghost without hurting him.
CUT TO BLACK.
END OF TEASER
***
ACT ONE
OVER CREDITS.
FADE IN
EXT. SAN FRANCISCO -DAY
SUN SHINES ALL OVER THE CITY. CAMERA SHOWS the Golden Gate Bridge, Port of San Francisco and some others places.
CUT TO:
INT. PRUE'S FLAT - LIVING ROOM / ENTRANCE - DAY
Prue is heading to the door to leave, but Jackson ORBS in front of her.
PRUE
(surprised)
Jackson? What are you doing here?
JACKSON
(sweet)
I came to kiss you good morning.
Jackson kisses Prue's lips, fondly.
PRUE
(smiles)
After this, evil beings can try to screw my day, but they won't succeed!
Both smile.
PRUE (CONT'D)
I really love that you came here but I have to go. I'm going to do some shopping with Mel.
(kisses him)
Is our dinner still up?
JACKSON
Of course, it is.
Jackson kisses Prue goodbye and ORBS out. Prue leaves the flat.
CUT TO:
INT. MATTHEWS-MITCHELL MANOR - TWINS' BEDROOM - DAY
It's a double bedroom but each twin has her own single space. The twins are getting dressed. Pandora gets into Tamora's half.
PANDORA
Tam, are you going to wear that flowery top you bought the other day?
TAMORA
(brushing her hair)
Why?
PANDORA
I could borrow it...!
TAMORA
(cuts her off)
Pan, you have so many clothes in your closet and you are always wearing mines!
PANDORA
I've worn all of my clothes.
TAMORA
So you decide to wear mine now?
PANDORA
You could let me wear it. We've worn each other's clothes forever.
TAMORA
Yeah, and seems like we are going to keep doing it till the end of times.
PANDORA
(raising her voice, mad)
You know what?! Keep it, I don't want it anymore!
Pandora leaves Tam's half of the bedroom and gets into her own space.
TAMORA
(upset)
You may wear it but don't think is going to be like this forever. Don't be surprised when people confuse you with me. Of course it happens, you wear my clothes!
Junior knocks at the door and comes in.
JUNIOR
I can hear you two fighting from my room!
TAMORA
Your sister started!
PANDORA
I didn't. You were the one who didn't want to borrow me the damn top!
JUNIOR
You both know how to start the day, did you know that?
Tamora realizes that Junior looks off.
TAMORA
Are you OK, bro? Did you sleep well?
JUNIOR
(sitting on Tam's bed)
Actually, I didn't.
PANDORA
A bad date?
JUNIOR
It was great.
PANDORA
So?
JUNIOR
When I left the girl at home I found out that one of her neighbors is a ghost living in a haunted house.
TAMORA
(surprised)
A haunted house?
JUNIOR
Yeah!
TAMORA
With a ghost?
JUNIOR
A male ghost. I have to find out something about him. Apparently, nobody stays there for over a week.
PANDORA
It smells to me that you have a magical business on hands. Good luck, bro. Bye, bye, jealous sister!
TAMORA
Hey, I'm not jealous. Wear the damn top!
Pandora leaves the bedroom.
JUNIOR
(to Pandora)
Wait, Pan???
Pandora doesn't come back.
JUNIOR (CONT'D)
(to Tamora)
Who's going to help me on this?
Tamora takes her bag from her bed.
TAMORA
Well, bro, I would love to but I've to go to college. This is an important class, cannot miss it.
(walking out of the bedroom)
Bye, Bye!
Tamora leaves the bedroom.
JUNIOR
(to himself)
Perfect! I guess I always can knock the neighbors' door.
Junior leaves the room.
CUT TO:
INT. HALLIWELL MANOR - MAIN HALL / STAIRS / DINING ROOM - DAY
Wyatt is coming downstairs. Prue comes into the manor.
WYATT
So early and here? Demons' issues?!
Prue smiles ironically.
PRUE
(sarcastic)
Good morning to you too!
(stares at him)
No, there are no demons around. I'll go shopping with Mel.
WYATT
Hum, you haven't been here lately... you should be very busy with your new "sweetheart."
Wyatt emphasizes the last word.
PRUE
I'm in a good mood today so I don't want to argue with you. You know, tonight I'll have a dinner with my new "sweetheart" and nothing, absolutely nothing, is going to screw my good mood.
Piper comes in from the kitchen.
PIPER
Don't say that! When someone says that, something always happens!
PRUE
Hi Aunt Piper!
PIPER
Hello sweet! Wyatt, are you going to the Bay Mirror?
WYATT
I'd better!
Wyatt goes towards the front door and opens it. Junior is about to knock but when Wyatt opens the door he comes in.
WYATT (CONT'D)
(surprised)
Junior?!
JUNIOR
I need help!
PRUE
Is everything OK?
JUNIOR
Not actually!
PIPER
Magical issues?
JUNIOR
That obvious?
Piper nods yes.
JUNIOR (CONT'D)
Exactly!
PIPER
(to Prue)
What did I just say?
Prue looks to Piper.
WYATT
(to Junior)
What happened?
JUNIOR
A ghost!
(looks from Wyatt to Prue)
Who is going to help me?
PRUE
I could...
WYATT
(cuts her off)
I don't mind helping you.
(to Prue)
Prue, you have to go shopping, right?
PRUE
I can do that later.
WYATT
(sarcastic)
No way. You have an important dinner date tonight. I'll take care of this.
PRUE
I could say thanks to you for that but I know you. But it's OK, take care of this. I'll go shopping.
WYATT
(sarcastic)
Oh, Thank you, Prue!
(to Junior)
I have to go to the Bay Mirror but I'll be back as soon as possible. Do you know who the ghost is?
JUNIOR
I don't.
WYATT
Find out. I'll be back. Bye, mom! Bye Prue!
Wyatt leaves the manor.
JUNIOR
Well, I'd better get going. See you later!
Junior leaves the manor. Melinda comes downstairs.
MELINDA
Prue, you're here! Good! I'm ready. We can go.
PRUE
(kisses goodbye)
OK. Bye, Aunt Piper.
MELINDA
(kisses goodbye)
See you mom!
Prue and Melinda leave the manor. Piper goes towards the kitchen.
CUT TO:
INT. SOUTH BAY SOCIAL SERVICES - DAY
Pandora is coming into her job place. She is still a little bad-tempered. She goes towards her desk.
PANDORA
(to herself)
Gosh! I don't know what her problem is!
DORA (36), her boss, approaches her.
DORA
Good morning, Pan. Are you OK?
PANDORA
(upset)
I could be better but my sister... gosh!!!
DORA
Did you fight?
PANDORA
Kinda.
DORA
I understand you.
PANDORA
Problems with your sister too?
DORA
I have brothers. But, no, my kids are the problem. The Principal called from their school saying that I had to go for them because they were suspended!
PANDORA
What did they do?
DORA
They fought. Worse, to one another.
PANDORA
Why?
DORA
I don't know. This is happening lately. They should be closer... they're twins!
PANDORA
That doesn't mean anything. Siblings are siblings, twins or not!
DORA
I'm going to pick them at school.
Pandora looks at her boss as Dora leaves the place.
PANDORA
(to herself)
Siblings!
Pandora shrugs and sits down at her desk.
CUT TO:
INT. SAN FRANCISCO'S MALL - DAY
Prue and Melinda are inside a female clothing shop. Prue is trying some clothes while Melinda awaits outside the changing room.
MELINDA
So?
Prue comes out. She is wearing a long black dress with a small neck.
PRUE
(turning)
And? How do I look?
MELINDA
Everything looks gorgeous on you but...
PRUE
But what?
MELINDA
I don't know, Prue. I think you should wear something more...
PRUE
More what?
MELINDA
Sexier!
Prue shots her a "seriously?" look.
MELINDA (CONT'D)
C'mon Prue, what's the problem? You always wear sexy clothes not only on special occasions, so...
PRUE
Yeah, but too sexy can give the wrong impression!
MELINDA
Wrong impression?
(beat)
You and Jackson haven't...?
Prue nods negatively.
MELINDA (CONT'D)
(surprised)
Prue!!! You haven't been with someone since you broke up with Eric and that was...
PRUE
A year and a half ago.
MELINDA
Whoa! That's a long time!
PRUE
Look who's talking!
MELINDA
It's different!
PRUE
No, it's not.
MELINDA
Yes, it is. You're a cupid.
Melinda says that a bit too loud.
PRUE
(sarcastic)
I think that the blond girl over there didn't hear you.
Melinda looks at the blond girl who is near them. Then looks at Prue.
MELINDA
Prue, the thing is that you are more outgoing and spicy than me.
PRUE
It has nothing to do. It took me a long time to put Eric out of my mind.
MELINDA
Yeah, but you have been having some affairs. How is possible that you...
PRUE
Do you want me to do that with all the guys I date?
MELINDA
Of course not!
PRUE
So?
MELINDA
I think is time for you to move on.
(roguish)
Besides, Jackson is so hot!
PRUE
You should date someone too. I don't know a boyfriend of yours lately.
MELINDA
I like to take it easy.
PRUE
You are too picky. I thought you and Peter were dating.
MELINDA
It was just a friends' date. It wouldn't work. Let's get back to shopping.
Melinda takes a sexy short red dress from the hanger and gives it to Prue.
MELINDA (CONT'D)
Try this one!
Prue takes the dress a little against her will and gets into the changing room.
CUT TO:
INT. BAY MIRROR - WRITING ROOM - DAY
Wyatt is talking about a report with a colleague.
WYATT
It's just my opinion. I think you should focus on this and not too much in the details. But your report, your decision.
MATT
No, Wyatt, you are right. I'm giving too much emphasis in something that's not that important.
WYATT
It's what I think.
MATT
Thanks.
WYATT
Any time.
Wyatt goes towards his office room but JOYCE (24), a colleague of him, calls him.
JOYCE
Wyatt!
Wyatt turns around.
JOYCE (CONT'D)
I want to talk to you.
WYATT
What is it?
JOYCE
(smiling, slightly shy)
Well, I was thinking... it's being a while since we talk about going out someday, but we never talked about it again...
WYATT
Yeah, I remember. Sorry, but I have been a little busy lately.
JOYCE
I've realized that. Well, I maybe we could hang out tonight...
WYATT
I can't tonight. I have some things to do.
JOYCE
(disappointed)
Really? OK... it's OK.
Joyce goes back to her desk and Wyatt heads to his office but then he thinks twice and approaches Joyce.
WYATT
Joyce?!
She turns around.
JOYCE
Yes?
WYATT
Thinking twice, tonight would be great.
Joyce smiles and gets back to work. Wyatt enters his office.
CUT TO:
EXT. SOMEWHERE IN SAN FRANCISCO - STREET - DAY
Junior is on the same street he was the night before. He stops his motorcycle in front of the haunted house. The couple is bringing out some things from the house.
JUNIOR
What are you guys doing?
ABBY
(slightly rude)
What do you think we are doing? I don't want to stay in this house.
ZACK
We didn't say thanks to you for showing up last night.
JUNIOR
It's OK. Actually, I didn't do anything.
ABBY
But you saw that ghost, didn't you?
JUNIOR
Ghost? Do you believe in ghosts?
ZACK
We don't know exactly what we saw.
ABBY
Yes, we do. It was a ghost.
JUNIOR
Well, let me introduce myself.
(extends his hand)
I'm Henry Mitchell Junior.
ZACK
I'm Zack Norton and this is my wife Abby.
JUNIOR
Nice to meet you. Listen, I think I can help you to get rid of that ghost.
ABBY
So, do you believe us?
JUNIOR
Through my whole life, I have seen a lot of things. Believe me, ghosts are nothing!
ZACK
How do you think you can help us?
JUNIOR
Well, first I need to know everything you can tell me about the previous owner of this house.
ABBY
It had a big number of owners before us.
JUNIOR
You don't happen to know who was the first owner, do you?
ZACK
No, but the last owner may know. Let me give you his phone number.
Zack looks for a piece of paper in the middle of his things and a pen and writes the number down. Then he hands the piece of paper to Junior.
ZACK (CONT'D)
Take it.
JUNIOR
(taking the piece of paper)
Thanks. I'm going to talk to him.
Junior says goodbye, turns on the motorcycle and leaves.
CUT TO:
INT. SOUTH BAY SOCIAL SERVICES - DAY
Dora comes in followed by her twin kids.
DORA
(to the kids)
I hope you two know how to behave here. I don't have anyone else to take care of you two.
(points to a couple of chairs)
Sit down here and don't play tricks. Think about what you both did at school. Oh, and there is no TV for a month, no computer no video games!
TWIN #1
(protesting)
But mom...
DORA
No buts. Stay here and that's it!
The twins sit down looking ashamed at the floor. Dora approaches Pandora.
DORA (CONT'D)
Pandora, can you give a look after my little demons, please?
PANDORA
Sure, Dora. No problem.
DORA
I have a meeting with a host family and I can't postpone it.
PANDORA
(smiling)
Don't worry. I take care of them.
DORA
Thanks.
Dora goes towards her office.
PANDORA
(to herself)
Maybe I can give a hand to make these two little demons become two little angels... in the last case, of course!
CUT TO:
INT. NORRIS'S HOUSE - LIVING ROOM- DAY
Junior comes into the living room followed by a 40 years old couple, Mr. and Mrs. Norris.
JUNIOR
Thanks for accepting to talk to me, Mr. and Mrs. Norris.
MR. NORRIS
We got intrigued by your call, Mr. Mitchell.
JUNIOR
Please, call me Junior.
MRS. NORRIS
(curious)
So Junior, what happened?
JUNIOR
I know you were the last owners of that house. I would like to know if something happened while you lived there.
Mr. and Mrs. Norris exchange glances.
MRS. NORRIS
Do you believe in supernatural things, Junior?
Junior looks seriously at Mrs. Norris.
JUNIOR
Do you?
MRS. NORRIS
Until I moved to that house, I didn't. There I learn to believe in paranormal things.
JUNIOR
Mrs. Norris, Mr. Norris, what did make you leave that house?
MR. NORRIS
The first night we sleep there, we heard some weird noises.
JUNIOR
How weird?
MRS. NORRIS
It was like throwing chains on the ground.
MR. NORRIS
The nights after, it was the same noise.
MRS. NORRIS
My husband used to get up trying to find out what was causing that sound but he didn't find anything until...
JUNIOR
Until?
MR. NORRIS
The day before we left, I did try to find out something. The noise was unbearable.
(pauses)
Suddenly, the noise stopped. I turned around and I saw...
JUNIOR
(really curious)
You saw what?
MR. NORRIS
Junior, no one believed us before. The estate agency never mentioned this.
JUNIOR
Mr. Norris, what did you see exactly?
MR. NORRIS
You are not going to believe it, Junior.
JUNIOR
Try me...
Mr. Norris takes a deep breath.
MR. NORRIS
I can swear I saw a ghost.
All three of them look to one another seriously.
MRS. NORRIS
Of course, you don't believe us, Junior.
JUNIOR
Mrs. Norris, you would be surprised if I told you what I believe in. Just one more thing...
MRS. NORRIS
What?
JUNIOR
Do you know who the first owner of that house was?
MR. NORRIS
Unfortunately, we don't. But if you really want to find out what is happening in that house you should talk with the man who sold it to us.
JUNIOR
That's exactly what I am going to do.
Junior says goodbye to the couple and leaves the house.
CUT TO BLACK.
END OF ACT ONE
***
ACT TWO
FADE IN:
INT. BAY MIRROR - WYATT'S OFFICE - DAY
Wyatt is in his office when his cell phone rings. Wyatt picks it up.
WYATT
Chris, where the hell are you?
CUT TO:
INT. UNDERWORLD - CAVE - DAY
CHRIS
Exactly in the hell.
CUT TO:
INT. BAY MIRROR - WYATT'S OFFICE - DAY
WYATT
When I said hell I was being ironic. What are you doing down there?
CUT TO:
INT. UNDERWORLD - CAVE - DAY
CHRIS
Tracking a demon.
CUT TO:
INT. BAY MIRROR - WYATT'S OFFICE - DAY
WYATT
(sarcastic)
Swear it! You, following demons? That's new! What happened?
CUT TO:
INT. UNDERWORLD - CAVE - DAY
CHRIS
Wyatt, I don't need a lecture from you. I just want you to come up with something to justify why I'm not at work.
CUT TO:
INT. BAY MIRROR - WYATT'S OFFICE - DAY
WYATT
Why didn't you call Aunt Phoebe?
CUT TO:
INT. UNDERWORLD - CAVE - DAY
CHRIS
Because I don't need a lecture from her either!
CUT TO:
INT. BAY MIRROR - WYATT'S OFFICE - DAY
WYATT
Did that demon attack you?
CUT TO:
INT. UNDERWORLD - CAVE - DAY
CHRIS
Do I need them to attack me first?
(something gets him surprised)
Sorry Wyatt, I have to go. Talk to Aunt Phoebe.
Chris turns off the phone.
CUT TO:
INT. BAY MIRROR - WYATT'S OFFICE - DAY
WYATT
Chris, wait... Damn!
Wyatt looks at his cell phone then he takes the phone and dials a number.
WYATT (CONT'D)
(on the phone)
Aunt Phoebe, I already know why Chris is not in here.
CUT TO:
INT. SOUTH BAY SOCIAL SERVICES - DAY
Pandora is writing on her laptop. She looks at the twins for a while then gets back on her laptop. The twins are doing some homework. Suddenly, they start fighting.
TWIN #2
(to Twin #1)
Give me that back, it's mine!
TWIN #1
No way! Now it's mine.
Pandora gets up and approaches them.
PANDORA
C'mon boys. Stop it.
TWIN #2
He stole my pencil.
PANDORA
You can share. You are brothers!
TWIN #2
The pencil is mine.
PANDORA
(to herself)
Tamora is not the only jealous twin.
(to the twins)
C'mon kids...!
TWIN #1
Now I have the pencil
The twins are fighting even louder. Dora comes out from her office.
DORA
What's happening?
(looks at the twins)
You two! I leave you alone for a while and you start fighting!
TWIN #2
He stole my pencil.
PANDORA
Dora, take it easy...
DORA
(mad)
Take it easy? Pandora, how can I take it easy? These two are driving me crazy!
Pandora looks seriously at Dora. Then she leaves her and the twins. She goes towards an empty conference room.
CUT TO:
INT. SOUTH BAY SOCIAL SERVICES - CONFERENCE ROOM - DAY
Pandora comes in.
PANDORA
(to herself)
I have to help Dora with the kids... If problems doesn't have a natural solution... a little magic help would be okay.
She gets a pen and paper and writes something down. Then she casts a spell.
PANDORA (CONT'D)
(chanting)
"Same blood, same face, denying their race. Make them think, to these unfriendly twins, they are just one thing".
CUT TO:
EXT. SAN FRANCISCO CAMPUS - DAY
Tamora is sitting in the campus' garden reading a book. Suddenly, she fells something and DISAPPEARS surrounded by blue lights.
CUT TO:
INT. SOUTH BAY SOCIAL SERVICES - CONFERENCE ROOM - DAY
PANDORA
(to herself)
Did it work?!
She hears a familiar voice.
TAMORA (O.S.)
(mad)
I don't know what you did, but I hope this is not what you wanted to do and I hope you have a solution for this... for your own good!
Pandora looks to her right side and she gets scared when she sees Tamora STUCK on her. The spell made them Siamese twins stuck by Pandora's right arm and Tamora left arm.
PANDORA
How do you...?
TAMORA
(mad)
The question is, what did you do, Pandora Katherine Mitchell?!
Pandora can't hide the guilty look in her face. Tamora, on the other hand, looks nothing but mad.
CUT TO:
INT. PRUE'S FLAT - LIVING ROOM / ENTRANCE - DAY
Prue and Melinda come in with some shopping bags.
MELINDA
I'm tired.
The girls land the bags on the sofa.
PRUE
I love shopping but it's tiring!
MELINDA
But we brought a lot of beautiful things.
PRUE
I still think I should have taken the black dress instead of the red one.
MELINDA
Prue, give me a break. You can break everybody's heart with the red one!
Melinda imitates the image of a heart breaking with her hands.
PRUE
Yeah!
At that moment, some BLUE ORBS appear in the middle of the living room.
MELINDA
Someone is coming...
Pandora and Tamora ORB in, stuck to one another.
TAMORA
(desperate)
Thank God, you both are here!
PANDORA
We need your help!
PRUE
(surprised)
What the hell...?
MELINDA
(surprised)
... happened?
PANDORA
Oh no, hell has nothing to do with this.
TAMORA
Yes, it has.
(sarcastic)
Wait, it's worse than that. A little demoniac girl who is always using magic without thinking twice!
Prue and Melinda exchange glances.
TAMORA (CONT'D)
My sister, of course!
PANDORA
I said I'm sorry, Tam!
TAMORA
(angry)
Sorry??? Pan, I'm stuck to you! We are twins but this is too much!
PANDORA
I just wanted to help...
TAMORA
(raising her voice)
... Dora with her twins, blah, blah, blah... look what you did!
PRUE
(bossy)
OK girls, take it easy...
TAMORA
Take it easy? How? I should be at college right now, but instead I'm stuck, literally, to my sister.
PANDORA
Sorry!
MELINDA
Let's calm down. Can one of you explain to us what happened?
TAMORA
Pandora cast a spell.
PRUE
(to Pandora)
Did you cast a spell to get stuck to Tam???
PANDORA
No one was supposed to get stuck. I just wanted to help Dora with the twins. They are fighting a lot lately.
MELINDA
And you two ended up stuck to one another!
TAMORA
Could you stop giving emphasis on word?
Prue and Melinda laugh.
TAMORA (CONT'D)
You are having so much fun, aren't you?
MELINDA
Sorry, but this is fun.
TAMORA
(laughing sarcastically)
Ha ha, let me laugh too!
(stops laughing)
This wouldn't be happening if my dear sister, Pan, would have kept her wickedly nose inside the closet.
PANDORA
I just wanted to help.
(to Tamora)
You are not an angel either.
TAMORA
In case you haven't noticed, I am! Maybe you did this to make me pay for what happened early today!
PANDORA
(slightly offended)
Of course not! It was an accident.
PRUE
Well, well, let's stop this arguing thing and try to fix it.
MELINDA
Yeah, before you kill each other.
PRUE
We need the spell you cast, Pan.
Pandora gives the piece of paper with the spell to Prue.
PANDORA
Here.
MELINDA
(to Prue)
Should we try to undo the spell?
PRUE
Yes.
Prue looks for a pen in her bag and then she writes something down in the paper. It only takes her a few moments to get it done.
PRUE (CONT'D)
OK, let's go.
Prue and Melinda read the spell.
PRUE AND MELINDA
(reading)
"Twins got mad, they did indeed. Undo what was done, and get them back, to what they were, right now and then".
TAMORA
(sarcastic)
Twins got mad? Really?
Prue shrugs. Nothing happens.
TAMORA (CONT'D)
Why didn't it work?
PRUE
I think this needs more than a simple spell.
TAMORA
Wait. We could try the Power of Three.
MELINDA
I think is not going to work.
TAMORA
We are the Charmed Ones.
PRUE
Yeah, but I agree with Melinda.
PANDORA
We can't be stuck forever.
TAMORA
You should have thought about that before, sis!
MELINDA
Maybe we could use a few potions and combine them with the spell.
PRUE
Let's go to the manor. I'm running out of potions' ingredients in here.
TAMORA
We can't go to the manor.
MELINDA
Why not?
PANDORA
Mom can show up there.
PRUE
And...?
PANDORA
She would kill us if she finds out.
TAMORA
If she has to kill someone that would be you, not me.
PANDORA
Tamora, please...
TAMORA
Look sis, this is your fault!
PRUE
Okay kids, could you please stop it? I already know why the spell turned against the witches!
TAMORA
Yeah? Why?
PRUE
You are always arguing against one another. Maybe is because of that it turned against you two.
MELINDA
You are like a dog and a cat when they fight.
PRUE
Let's go to the manor and that's it!
MELINDA
If Aunt Paige shows up there, we'll come up with something.
Prue BEAMS OUT taking Melinda. The twins ORB OUT.
CUT TO:
INT. HALLIWELL MANOR - ATTIC - DAY
Prue BEAMS in bringing Melinda while Tamora and Pandora ORB in.
PRUE
Hands to work!
MELINDA
Let me see if there is somebody at home.
PRUE
Okay.
Melinda walks out of the attic. Prue starts looking for stuff to prepare potions in the shelves.
TAMORA
How can we help, Prue?
Prue shots the twins a look.
PRUE
You two? Well, you can help me a lot if you stay quiet. Sitting without saying a single word!
Tamora and Pandora look seriously at Prue.
CUT TO:
INT. UNDERWORLD - CAVE - DAY
Chris is walking through the corridors of the underworld trying to find out something or someone. A demon SHIMMERS in behind him.
DEMON #1
Are you looking for me?
Chris turns around.
CHRIS
What gave me away?
Chris throws a potion to the demon. The demon BLOWS up.
CHRIS (CONT'D)
(pleased)
Done!
But the demon reappears with a clone.
CHRIS (CONT'D)
(shocked)
What the...?!
DEMON #1
Kill one... two reappear... are you surprised?
CHRIS
(surprised indeed)
Actually, I am.
Chris WAVES his hands and uses his TELEKINETIC power to throw the demons against a wall. The demons get up and create a FIREBALL each.
DEMON #2
You'll pay for that, witch!
The demons throw the FIREBALLS against Chris. Chris ORBS out before being hit.
CUT TO:
INT. ESTATE AGENCY - DAY
Junior comes in and gets close to the estate agent, WARRICK DAVIES (36).
JUNIOR
Good afternoon. I'm looking for Warrick Davis.
WARRICK
That's me. What can I do for you?
JUNIOR
Mr. Davis, can you tell me who the first owner of this house was?
Junior hands him a paper with the haunted house address. Warrick looks seriously at Junior.
WARRICK
This house belonged to an ancestor of mine. Why do you want to know?
Junior looks seriously at Warrick.
CUT TO:
INT. HALLIWELL MANOR - ATTIC - DAY
Prue is brewing a potion. The twins are sitting in a sofa. Melinda comes in with some bottles.
MELINDA
I brought a few things to help us.
PRUE
Anybody at home?
MELINDA
No one. What are you doing?
PRUE
Potions.
MELINDA
Nothing in the book?
PRUE
Do you think that any of our ancestors would make such a crazy thing?
MELINDA
Not actually!
TAMORA
The crazy thing was made by Pan. I have nothing to do with it.
MELINDA
Yes, you have. If you were nice to one another nothing of this would be happening.
PRUE
Now I understand why Aunt Paige bound your powers when your were kids.
PANDORA
(desperate)
How many times do I have to apologize?!
TAMORA
Look at the mess you've created!
PRUE
It's going to start again!
Pandora gets up taking Tamora with her.
TAMORA
Outch!
PANDORA
(mad now)
Prue, you have no right to lecture us. Look at you and Wyatt. You both spend your days arguing.
PRUE
That's different!
PANDORA
How?
PRUE
(calm)
We are not siblings!
MELINDA
Let's stop this fight and find a solution.
TAMORA
(to Melinda)
I do mine your words.
Wyatt comes in.
WYATT
(to Melinda and Prue)
What are you two doing in here? It wasn't shopping day?
MELINDA
It was but now we have a little problem between hands.
Melinda points to the twins. Wyatt is amazed.
WYATT
What the...?
TAMORA
(cuts him off)
It was the same thing I asked!
MELINDA
A spell that went wrong...
WYATT
Who...?
PRUE
(cuts him off)
Pandora.
WYATT
(to Pandora)
What did you do?
PANDORA
Do I have to repeat the whole story?
PRUE
(to Wyatt)
Short version. Pandora wanted to help a mother to control her sons and ended up stuck with her sister, literally.
WYATT
(to Pandora)
Don't you know you can't use magic without thinking twice?
PANDORA
Don't give me a lecture, Wyatt. Prue and Mel already did.
WYATT
Why did the spell turn against you two?
TAMORA
According to Prue, this happened because we are always fighting.
WYATT
That's true.
TAMORA
Stop it right there, mister!
Wyatt shrugs and goes towards the Book of Shadows.
PRUE
(to Wyatt)
Ghost?
WYATT
Yeah. Junior called and gave me some info. He should be arri...
Junior ORBS IN the attic.
WYATT (CONT'D)
...ving.
JUNIOR
Hi everyone!
Junior doesn't see his sisters.
JUNIOR (CONT'D)
(to Wyatt)
Have you already found the spell?
WYATT
I just got here. But tell me, why is Casper still in this world?
JUNIOR
Little Casper's name is Jonathan Davis. He lived in that house back in the 20's. Before his death, he put his wife and kids out of the house because he thought she had betrayed him and the kids wasn't his kids. Warrick Davis, a descendant, told me that he had received a letter, minutes before his death, from the supposed lover of his wife, saying they never had anything. Jonathan had a heart attack and died.
PANDORA
Are you going to help him find the light like Melinda Gordon?
JUNIOR
Who's Melinda Gordon?
Junior realizes his sisters' presence and their situation. He looks amazed at them.
PANDORA
That woman from the TV show mom used to watch.
Junior is still amazed.
JUNIOR
What...?
TAMORA
Pan cast a spell... went wrong... we ended stuck...
JUNIOR
Does mom know?
PANDORA
Are you crazy? She'd kill us!
TAMORA
You mean, she'd kill you!
PRUE
(bossy)
Enough! You two stop it. I have a date tonight and I don't want to be late.
Wyatt tries to annoy Prue.
WYATT
(sarcastic)
Oh yeah, the special date...
MELINDA
(rolls her eyes)
Oh no, now these two!
PRUE
Yes, the special date...
WYATT
Make good use of it!
PRUE
I will, believe me. Unlike you...
WYATT
Unlike me...?!
PRUE
Yes. How long has been since I saw you hanging out with one of your girlfriends?
WYATT
Since...
Wyatt thinks for a while.
WYATT (CONT'D)
(thinking)
The last one was...
PRUE
A long time ago...
WYATT
It was not that long. The last one was before my mom's birthday.
PRUE
More than a month ago. That's a long time for you.
WYATT
I have been busy with demon's things. I am not like you that can find someone to date in the middle of a fight.
(pauses)
Besides, I have a date tonight.
PRUE
(wickedly)
Who's the victim?
WYATT
You have nothing to do with that!
Prue smiles ironically.
PRUE
Book!
Prue extends her hands like if she is waiting for the book to orb in her hands but nothing happens. She looks at the book while Wyatt looks at her. Then, TELEKINETICALLY, channeled through her eyes, Prue brings the book towards her hands.
WYATT
Hey, watch out!
PRUE
What's the problem?
WYATT
You could blow the book up!
PRUE
Just for you to know, I have this power under control...
(pauses)
... Kinda!
WYATT
Nice. But I need the book now.
Wyatt ORBS the book back to him. He smiles ironically to Prue.
MELINDA
Would you mind stopping this stupid fight or should I put you both stuck to one another?
PRUE
We stop. I don't want to be stuck to him.
Junior gets closer to Wyatt and looks at the page where the book is opened.
JUNIOR
Is that the spell?
WYATT
Yeah.
Chris ORBS in.
TAMORA
This house is like a bus stop!
PANDORA
He lives here.
Chris looks at everybody but the twins.
CHRIS
There is a meeting here and no one told me?
WYATT
We all have work to do. Junior and I, ghost!
PRUE
Melinda and I, twins!
CHRIS
(confused)
Twins?
Prue and Melinda point to the twins. Chris looks at the twins.
PANDORA
Don't ask! Long story.
CHRIS
Does Aunt Paige...?
TAMORA
No!
JUNIOR
She could kill them.
WYATT
(to Chris)
Did you take care of your business?
CHRIS
Not really!
JUNIOR
You could help us.
CHRIS
Me?
Chris seems weird.
MELINDA
Something's wrong, bro?
CHRIS
Not, but...
WYATT
(bossy)
But nothing, Chris. Help us with this ghost.
CHRIS
OK, but I need to change my clothes.
MELINDA
You do indeed.
(looks Chris up and down)
Where have you been?
Chris' clothes are really dirty.
CHRIS
Underworld.
Chris leaves the attic. Prue heads to the attic's exit.
MELINDA
Prue, where are you going?
PRUE
I'll be right back.
Prue walks out of the attic. Melinda keeps brewing the potions.
CUT TO:
INT. HALLIWELL MANOR - CHRIS' BEDROOM - DAY
Chris comes in followed by Prue.
CHRIS
Nothing is happening, Prue.
PRUE
You look weird. What's going on?
CHRIS
Prue...
PRUE
Chris, I know you!
Chris takes a deep breath.
CHRIS
Andrea is coming back next week.
PRUE
Really? That's good, right? I mean, she's your girlfriend and has been out for over six months!
CHRIS
Yeah, I know.
PRUE
So?
CHRIS
It's just... Well, with all those demons showing up...
PRUE
Are you afraid that something happens to her?
CHRIS
It's not just that...
PRUE
Chris, have you ever thought of telling her everything?
CHRIS
Are you crazy? She could freak out!
PRUE
Or maybe not...
CHRIS
Why didn't you tell everything to Eric?
PRUE
That's different.
CHRIS
How different?
PRUE
Eric and I weren't destined for each other. We broke up.
CHRIS
But you didn't know that, right? That you two could break up?
PRUE
I have premonitions, but no, I didn't. But don't compare both situations. I wanted to tell Eric, but when I was about to tell him, he told me he was leaving to Europe.
CHRIS
If you had told him you could have visited him in Europe.
PRUE
At what point did the conversation turn out to be about me?
CHRIS
Prue, I can't tell Andrea that I'm a witch with active powers.
PRUE
It's your decision to make, but if I were you I would think about it.
Wyatt comes in.
WYATT
What's going on?
PRUE
Andrea is coming back next week.
WYATT
Is that bad?
PRUE
He doesn't know if he should tell her about our little secret.
CHRIS
(determined)
I'm not going to tell her. That's it.
WYATT
Chris, if you want to spend the rest of your life with her you should tell her.
PRUE
That's what I told him, using other words, of course.
CHRIS
You two are agreeing? What a surprise!
PRUE
(to Wyatt)
Talk to him. I have to get the twins apart.
Prue walks out of the bedroom.
CHRIS
Don't say anything!
Chris starts looking for some clothes in his closet.
WYATT
Chris, she's your girlfriend.
CHRIS
I don't know how she's going to take it.
WYATT
You could test her...
CHRIS
How?
WYATT
You're a smart guy, you'll figure something out. Now let's go catch that ghost. Junior is finishing the potion.
CHRIS
Potion?
WYATT
Yeah, we have dirty work to do... we are going to the cemetery!
CHRIS
(surprised)
Say what?
WYATT
We have to throw the potion to his bones.
CHRIS
Where is he buried?
WYATT
That's something we still have to find out...
CUT TO BLACK.
END OF ACT TWO
***
ACT THREE
FADE IN:
INT. HALLIWELL MANOR - ATTIC - DAY
Melinda, the twins, and Junior are still in there. The twins are walking from one side to another. Junior and Melinda are making potions.
TAMORA
Ghost...! Thank God we are free of that!
(to Pandora)
Pan, stop, please!
Pandora stops.
JUNIOR
I never saw one till now.
MELINDA
Are you guys going to exhume the dead guy?
JUNIOR
If he is buried, yes. I have to talk to his great-grandson to ask him where he is.
TAMORA
Awful!
Pandora starts walking from one side to another again. Tamora is pulled by her.
PANDORA
We are going to be dead if we can't solve this.
MELINDA
Slow down. This potion is almost done.
Melinda fills a bottle with the potion. Prue comes in.
PRUE
News?
MELINDA
Potion done!
PRUE
Great. Let's see if it works.
The twins take place before Prue and Melinda.
MELINDA
(to Prue)
You or me?
PRUE
Be my guest...
Melinda throws the potion. Nothing happens. The twins are still stuck.
PANDORA
Why didn't it work?
PRUE
Maybe because something is missing in the potion.
MELINDA
I added everything you wrote down, Prue.
PRUE
I must have missed something. Maybe because I never prepared a potion to separate bodies before.
JUNIOR
If mom finds out about this...
TAMORA
Don't say that!
Wyatt and Chris come in.
CHRIS
(to the twins)
Are you still stuck to each other?
They shrug. Wyatt approaches Prue.
WYATT
(to Prue)
A hard one, huh?
Prue smiles ironically.
PRUE
Never happened something like this before in our family.
WYATT
It doesn't seem like you, little cousin.
Prue looks upset at Wyatt. Junior ends the potion and puts it in a bottle.
JUNIOR
Done!
WYATT
Let's go. We have to ask his great-grandson where is the ghost buried.
The boys ORB out.
MELINDA
Thankfully we are out of that!
CUT TO:
EXT. SAN FRANCISCO CEMETERY - DAY
Wyatt, Chris and Junior ORB in. They look around.
JUNIOR
Why don't we orb to catch Warrick instead of waiting for him out here?
WYATT
The man already knows about ghosts. It would be too much to know about magic.
JUNIOR
Yeah.
CHRIS
We could look for the grave.
The boys start walking through the graves.
JUNIOR
So, you have a date tonight, Wyatt?
CHRIS
(surprised)
Really? It's been a while since the last time you dated someone!
WYATT
(upset; to Chris)
Really? Are you keeping track of my dates?
CHRIS
You used to show up with a different girl every week.
JUNIOR
(slightly sarcastic)
He is growing up... probably.
Chris and Junior laugh.
WYATT
You think this is funny? Seriously, I don't know why I said yes to Joyce.
CHRIS
Joyce? From Bay Mirror?
WYATT
That Joyce.
CHRIS
Who knew!
JUNIOR
What's the problem, Wyatt?
WYATT
I think I'm going to cancel the date.
CHRIS
Who are you and what did you do to my brother?
Chris and Junior laugh again.
WYATT
(sarcastic)
You are so funny!
Wyatt stops before a vault.
WYATT (CONT'D)
(serious)
Stop joking. I found the man.
Wyatt points to the vault. The name DAVIS is on it.
CUT TO:
INT. HALLIWELL MANOR - ATTIC - DAY
Prue is finishing another potion.
PRUE
This potion has much more ingredients. It could work.
PANDORA
It has to.
TAMORA
Yeah. I'm sick of being stuck to her.
PANDORA
Me too.
MELINDA
Let us know if you are going to start the fighting thing again.
Prue fills a bottle with the potion and lands it in the table.
PRUE
Mel, let's throw this potion and cast the spell at the same time.
Melinda takes the piece of paper. Prue gets closer to the twins without grabbing the potion.
MELINDA
OK, let's go.
(to Prue)
Prue, throw the potion.
PRUE
Potion.
Prue extends her left hand waiting for the potion to orb in it. Nothing happens.
MELINDA
Prue? You don't call things. That's a whitelighter power.
Prue smiles to Melinda. Melinda looks at her. Prue moves the potion, TELEKINETICALLY, from the table to her hand.
PRUE
Done!
Prue throws the potion at the twins foot then she and Melinda cast the spell.
PRUE AND MELINDA
"Twins got mad, they did indeed. Undo what was done, and get them back, to what they were, right now and then."
The twins are still stuck to each other.
MELINDA
Nothing!
PRUE
I don't know what else to do. I think it would be better to cancel my date. I'm not leaving early anyway.
PANDORA
Don't do that, Prue.
MELINDA
No way! You have to go on that date. We have time.
TAMORA
Don't do that to help us. I mean if you can unstick us that would be nice.
MELINDA
Yeah, Prue, remember what we talked earlier today.
TAMORA
What did you talk about?
PRUE
It doesn't matter.
MELINDA
Prue and Jackson haven't you know what yet.
PANDORA
(surprised)
Say what???
TAMORA
What do you mean?
MELINDA
"IT" hasn't happened yet.
TAMORA
(surprised)
I can't believe it!
Prue looks seriously at Melinda.
PRUE
(to Melinda)
Thanks a lot!
PANDORA
Is there something wrong, Prue?
PRUE
Nothing is wrong. It's just hasn't happened yet.
TAMORA
If I were you, that hot man wouldn't escape from me.
PRUE
Thankfully, you are not me.
TAMORA
Sorry, but that man is hot!
PRUE
Well, let's change the subject and try to solve this twins troubles.
PANDORA
Twins troubles?
PRUE
That's the name I'll put in the Book of Shadows when I'll find out a solution.
TAMORA
(smiles)
Something in the Book of Shadows about us? Cool!
Prue and Melinda look seriously at the twins.
CUT TO:
INT. HALLIWELL MANOR - ENTRANCE / MAIN HALL / STAIRS - DAY
Paige COMES IN.
PAIGE
(out loud)
Is there anybody at home? Hello!
No one answers.
CUT TO:
INT. HALLIWELL MANOR - ATTIC - DAY
The girls HEAR someone's voice.
PANDORA
(frightened)
Did you hear that?
CUT TO:
INT. HALLIWELL MANOR - STAIRS - DAY
Paige goes upstairs.
PAIGE
(out loud)
Anybody?
CUT TO:
INT. HALLIWELL MANOR - ATTIC - DAY
TAMORA
I hope to be wrong, but it sounds like mom's voice.
PANDORA
We are done!
TAMORA
(to Prue and Melinda)
You have to stop her from coming here.
Prue and Melinda look at one another.
MELINDA
(to Prue)
Go. I wouldn't know what to say to her.
PRUE
And do I know?
MELINDA
You are the eldest.
PRUE
It has nothing to do!
Melinda looks at Prue. Paige's voice is heard even closer.
PRUE
Okay, I'll see what I can come up with!
Prue looks at the twins.
PRUE (CONT'D)
You'll pay me for that.
Prue walks out of the attic. The twins and Melinda look at one another.
CUT TO:
INT. HALLIWELL MANOR - FIRST FLOOR HALLWAY - DAY
Paige looks in the bedrooms.
PAIGE
(out loud)
Piper? Melinda?
Prue comes downstairs from the attic.
PRUE
Aunt Paige! What are you doing here?
PAIGE
Prue! What are you doing here?
Both laugh.
PAIGE (CONT'D)
There's no one else at home?
PRUE
Eh, eh, no, I mean yes.
PAIGE
Yes or not? Which one is going to be?
PRUE
Eh, yes. Just Mel and I.
PAIGE
You came from the attic, right? Demon's things? Do you need help?
Paige goes towards the stairs. Prue gets in front of her and stops her.
PRUE
It's not necessary, Aunt Paige. We have no demons between hands. The boys are dealing with a ghost.
PAIGE
All three of them?
PRUE
Yeah.
PAIGE
And what are you two doing in the attic?
PRUE
We? Well, we are... talking.
PAIGE
Okay. And where's Piper?
PRUE
She should be at the restaurant. You know how it is, too much work these days.
PAIGE
Yeah, of course. Well, I have to go.
Paige goes towards the stairs but she turns around.
PAIGE (CONT'D)
Prue?
PRUE
Yes?
PAIGE
Have you seen the twins, by the way?
PRUE
The twins? Well, I haven't... not today.
PAIGE
Okay!
Paige goes downstairs.
PRUE
(to herself)
They'll pay me!
CUT TO:
INT. HALLIWELL MANOR - ATTIC - DAY
Prue comes in and approaches the twins.
PRUE
You two don't know what you just made me do!
TAMORA
Dear Prue, thank you very much. You're our savior.
A voice is heard.
PAIGE (O. S.)
No, she's not.
Paige ORBS in the middle of the attic and looks at her daughters.
PAIGE (CONT'D)
(upset)
You two have a lot to explain to me, my little girls!
The twins look at their mother.
PRUE
Aunt Paige...
PAIGE
(to Prue)
And you are not safe either, Prudence Brianna Johnna Halliwell.
(to Melinda)
Not even you Prudence Melinda!
Prue and Melinda exchange looks.
CUT TO BLACK.
END OF ACT THREE
***
ACT FOUR
FADE IN:
INT. MAUSOLEUM - NIGHT
The boys walk into the mausoleum.
JUNIOR
Here we are.
WYATT
There's no need for Warrick to come here.
Chris gets close to one of the graves.
CHRIS
It's this one. Jonathan Davis. Died in 1925.
WYATT
Let's open it.
JUNIOR
We can move it telekinetically, right?
CHRIS
Good idea!
Wyatt starts moving the stone, TELEKINETICALLY. Jonathan's ghost appears.
JONATHAN
(mad)
What are you doing?
They look at Jonathan's ghost.
CHRIS
What is he doing here? Shouldn't he be stuck in that house?
WYATT
Not exactly.
JONATHAN
Go away. Leave me alone, in peace.
WYATT
Mr. Davis, the thing is that you are not in peace.
JONATHAN
What do you know, witch?
Warrick comes into the mausoleum.
WARRICK
(astonished)
What...?
Warrick gets scared and passes out.
CUT TO:
INT. HALLIWELL MANOR - ATTIC - NIGHT
Paige is giving a lecture to her daughters.
PAIGE
(really mad)
Irresponsible. That's what you two are. How did you do something like this and brought your cousins into it?!
TAMORA
It was Pan's fault.
PAIGE
I don't want to know who did it. You don't learn anything from your mistakes. I should bind your powers for good!
PANDORA
(frightened)
No, mom, please don't.
PAIGE
How is that possible? You look like little girls!
PRUE
Aunt Paige, it was a little spell that went wrong.
PAIGE
(serious)
A little spell that went wrong? Do you call it a little spell?
PRUE
(slightly smiling)
No, actually I call it Twins Troubles.
Paige looks seriously at Prue.
PRUE (CONT'D)
I'll keep my mouth shut.
PAIGE
Let's solve this. Even knowing that you deserve to stay like that for a very long time.
TAMORA
No, mom, don't do that, please.
PAIGE
(to Prue)
Prue, go to the kitchen and bring me garlic and powder black beetle.
PRUE
Right.
PAIGE
Ahh, and laurel too.
PRUE
Laurel?
PAIGE
Yes.
Prue shrugs.
PRUE
Okay!
Prue walks out of the attic.
TAMORA
Garlic and laurel, huh? Can we make potions using that?
PAIGE
My dear, if you had paid attention in potions' classes, you would know it.
MELINDA
But the Laurel thing is new.
Paige shots Melinda a look.
CUT TO:
INT. HALLIWELL MANOR - KITCHEN - DAY
Prue comes in and starts looking for the ingredients.
PRUE
(to herself)
Okay, garlic...
She opens a locker and there they are.
PRUE (CONT'D)
In its usual place.
(takes the garlic)
Laurel...
She opens another locker.
PRUE (CONT'D)
Well, this is no longer in its usual place.
Prue opens another locker.
PRUE (CONT'D)
I found it.
(takes the laurel)
Now powder black beetle should be...
She opens another locker.
PRUE (CONT'D)
In here... In its usual place.
She goes towards the door of the kitchen but then she gets back and lands the bottle of powder black beetle on the table.
PRUE (CONT'D)
"Powder black beetle."
She looks at the bottle and extends her right hand but nothing happens.
PRUE (CONT'D)
C'mon! "Powder black beetle."
Nothing. Paige comes in.
PAIGE
What are you trying to do?
PRUE
(surprised)
Aunt Paige?! Eh, nothing.
PAIGE
Are you trying to orb that?
PRUE
Me? No!!!
PAIGE
Prue...!
PRUE
Okay! Yes, I was trying to beam it.
PAIGE
Why?
PRUE
Well, I thought that once the whitelighters of this family can combine telekinesis with orbing why couldn't I combine my telekinesis with beaming?!
PAIGE
That could work.
PRUE
It doesn't. I tried a lot.
PAIGE
(curious)
Why do you want to make it work?
PRUE
Do you remember that trick with the lights you used when me, my sisters and cousins were kids? You used photokinesis to create orbs of light.
PAIGE
I do.
PRUE
I would like to know how to do it but once I don't have that power I could combine beaming and telekinesis to make lights flow with a pinch of pink bubbles.
PAIGE
That sounds interesting.
(approaches Prue)
Let's try. First, you have to concentrate on your goal.
PRUE
Concentrate, right!
PAIGE
Are you concentrated?
PRUE
Yes.
PAIGE
Call for it.
PRUE
"Powder black beetle."
Nothing happens.
PRUE (CONT'D)
(giving up)
It doesn't work. It's useless.
PAIGE
Actually, I never saw a cupid combining telekinesis with beaming.
PRUE
Maybe because my telekinesis power came from my witch side... I just thought it could work once I can beam people it could work on objects too. But apparently, it doesn't.
PAIGE
Don't give up.
PRUE
Let's go and try to get the twins unstick.
PAIGE
Your cousins!
Both walk out of the kitchen.
CUT TO:
INT. MAUSOLEUM - NIGHT
The boys are there. Junior is trying to wake Warrick up.
WYATT
Mr. Davis, your place isn't in this world anymore.
JONATHAN
I have some issues. I have to speak to my wife.
CHRIS
Your wife is not between us. She died a long time ago.
Jonathan gets upset.
JONATHAN
No!!!!
Jonathan gets into Chris' body and uses Chris' powers. He waves his hand and throws, TELEKINETICALLY, Wyatt against a tomb. Wyatt loses his senses.
JUNIOR
Wyatt!!!
(to the ghost in Chris' body)
Mr. Davis, let's talk.
CHRIS / JONATHAN
I want to see my wife.
Warrick wakes up.
WARRICK
What happened?
Jonathan, using Chris' body, waves his hand to throw Junior, TELEKINETICALLY, but Junior ORBS out and ORBS back in behind Chris / Jonathan.
JUNIOR
Mr. Davis, you have to hear us.
Chris / Jonathan turns around to face Junior.
JUNIOR
(pointing to Warrick)
He's your great-grandson.
CHRIS / JONATHAN
(surprised)
What?
JUNIOR
Yes, your descendant. Your great-grandson.
WARRICK
(astonished)
Granddad Jonathan?
CHRIS / JONATHAN
(really astonished)
Granddad?!
WARRICK
I'm Warrick. I heard a lot about you.
CHRIS / JONATHAN
Where's Marta?
WARRICK
She left a long time ago.
Wyatt is waking up.
JUNIOR
It's been a long time since she died.
CHRIS / JONATHAN
She's dead! How?
WARRICK
She was old. She knew that you knew she never betrayed you.
Jonathan leaves Chris' body. Chris is a little confused. Wyatt gets up.
CHRIS
What did happen?
WYATT
(to Chris)
You were possessed, bro.
Chris looks at Jonathan.
JONATHAN
(to Chris)
Sorry!
WARRICK
Granddad, you should follow the light.
JONATHAN
You are my descendant. Do I have many offspring?
WARRICK
You do. We are a big family. But now you need to leave.
Jonathan looks at Wyatt, Chris, and Junior.
JONATHAN
Sorry if I hurt you.
JUNIOR
It's Okay.
JONATHAN
I should go. Marta must be waiting for me.
Jonathan looks at Warrick.
JONATHAN
(smiling)
My great-grandson. It was a pleasure to meet you.
WARRICK
(smiling)
Me too.
Jonathan's spirit rises and leaves.
WYATT
Mission accomplished!
CHRIS
And it happened thanks to Junior.
WARRICK
Boys, thanks for everything.
JUNIOR
Warrick, now you can tell to the Nortons they can move back to the house.
WARRICK
I don't know if they would want to.
JUNIOR
Maybe if you promise to lower the price...
They all laugh.
WYATT
We should go home.
WARRICK
I don't know who are you but you can be sure your secret is safe with me.
CHRIS
Thank you, Warrick.
WARRICK
Oh, and remember, if you need to buy a house someday, you know where to find me.
They all laugh.
CUT TO BLACK.
END OF ACT FOUR
***
ACT FIVE
FADE IN:
INT. HALLIWELL MANOR - ATTIC - NIGHT
Paige is finishing the potion. Prue is helping her.
PRUE
Will it work?
PAIGE
I don't know dear. But it's almost done.
The potion makes a slight explosion.
PAIGE (CONT'D)
Done! Let's try it.
The twins get closer to their mother.
PAIGE (CONT'D)
Prue, the spell.
PRUE
I don't know where I put it.
MELINDA
It's over the Book of Shadows.
PRUE
Okay. Let me take the spell, then.
As when she says the word "spell", the piece of paper over the Book of Shadows is surrounded by a pink light and BEAMS out and BEAMS back in Prue's hand.
PANDORA
(surprised)
What was that?
PRUE
(open-eyed)
I did it! Aunt Paige, I did it! And I wasn't even thinking about it.
PAIGE
Things happen when we are not expecting them.
MELINDA
But she doesn't orb... or beam things.
PAIGE
Seems like she does.
TAMORA
Another new power?
PAIGE
Maybe an old one. Maybe she has it since she was born but never found it. Who knows!
PRUE
Amazing!
TAMORA
I would like to have new powers once in a while.
PAIGE
Well, sweetie, If you stop making so many mistakes in magic, you would.
TAMORA
I did nothing this time. It was Pan!
PANDORA
(mad)
Did you hear her? It's always me! You never do anything!
TAMORA
(out loud)
You are still upset because I didn't let you wear my top.
PANDORA
(louder)
I don't know what would the problem be if you had done that.
TAMORA
(even louder)
Once in a while, it's okay, but you do that all the time.
Paige, Prue, and Melinda look at the twins.
PANDORA
(mad)
I'm just tired of that!
PAIGE
(out loud)
Enough girls! Apologize to one another right now or...
PANDORA
But mom...
PAIGE
...I'll let you like you are right now and I'll bind your powers.
The twins look at each other and shrug.
TAMORA
We look like kids!
PANDORA
Tell me about it.
TAMORA
No more fights?
PANDORA
We can fight once in a while but not all the time. Will you let me wear your clothes?
TAMORA
Once in a while.
PANDORA
I really don't like to be upset with you. You are my sister.
TAMORA
Neither do I. Besides, mom could get really mad someday.
PANDORA
That would be really bad.
TAMORA
Friends again?
PANDORA
Sure.
At that moment, bright lights surround the twins and they get apart.
TAMORA
(to her mother and cousins)
What did you do?
PAIGE
We did nothing. You both did.
PRUE
You were serious, right?
PANDORA
Of course.
PAIGE
No more fights?
PANDORA
There's no miracles, mom. We are sisters.
TAMORA
And sisters can argue.
They smile. Piper enters in the attic followed by Charlotte and Cassandra.
PIPER
What is this reunion about?
PAIGE
You don't want to know.
CASSANDRA
Demons?
MELINDA
It was more like angels!
PANDORA
And Prue has got a new power.
CHARLOTTE
Another one?
PAIGE
Maybe it's an old one and just showed up now.
CHARLOTTE
What do you mean?
PRUE
Aunt Paige can explain to you. I have a dinner date!
PIPER
Good luck!
PRUE
Thanks, Aunt Piper.
MELINDA
Prue...?
PRUE
Yes?
MELINDA
Don't forget what we talked.
Both smile. Prue leaves the attic.
PIPER
What's her new power, anyway?
PAIGE
Telekinetic beaming. She was able to combine her telekinesis with the beaming thing.
CASSANDRA
Cool! Maybe I have it inside too.
CHARLOTTE
From all cupids powers that's one that we haven't got yet.
PIPER
You two are still young. Maybe you get it someday.
Cassandra smiles.
PAIGE
Have you heard of the boys?
PIPER
They just got home.
MELINDA
The ghost?
PIPER
I think he moved on or something like that.
MELINDA
Aunt Paige, we need to write what happened in the Book of Shadows.
PAIGE
Sure we do. Let me do it. We have to advise the future generations about twins.
Paige gets closer to the book.
PAIGE (CONT'D)
I name it...
PANDORA
Prue already named it.
PAIGE
What's the name?
TAMORA
Twins Troubles.
PAIGE
I couldn't get a better one.
Paige starts writing in the Book of Shadows.
CUT TO:
INT. HALLIWELL MANOR - LIVING ROOM - NIGHT
The boys are sitting on the sofa.
CHRIS
What a day!
WYATT
We helped a ghost to move on.
JUNIOR
I could never imagine that it would be like that.
Prue comes in.
PRUE
How was it?
JUNIOR
You should have seen it.
CHRIS
We helped him move on.
WYATT
We didn't need to vanquish him.
PRUE
Great! Well, I have to go. Don't you have a date tonight, Wyatt?
Wyatt looks at Prue. They both look at each other, deeply.
WYATT
I do.
PRUE
Good luck!
WYATT
You too.
Prue smiles and leaves. They heard Prue closing the manor's front door.
CHRIS
(to Wyatt)
Didn't you cancel the date?
Wyatt gets up and picks his cell phone up.
WYATT
I did.
Wyatt walks out of the living room. Junior and Chris hear him talking to someone on the Phone. They shrug.
CHRIS
(getting up)
Well, I still have some demons to take care of.
JUNIOR
Do you need help?
CHRIS
Actually, I do.
CUT TO:
INT. UNDERWORLD - CORRIDORS - NIGHT
The two demons Chris faced before are talking. Chris and Junior ORB in behind a wall.
JUNIOR
What now?
CHRIS
When I say do it, throw the potion.
JUNIOR
Okay.
Chris and Junior come out.
CHRIS
Were you waiting for me?
The demons look at Chris and Junior. One of the demons creates a FIREBALL.
CHRIS (CONT'D)
Junior, do it!
Junior throws the potion against the demons and Chris throws another potion. The demons are surrounded by flames that consume them completely.
JUNIOR
Did it work?
CHRIS
Looks like it did. If it didn't we would be seeing four of them.
JUNIOR
What kind of potions were them?
CHRIS
The one you threw was anti-duplication. Mine was a simple potion to vanquish.
They laugh.
CUT TO:
INT. MATTHEWS-MITCHELL MANOR - TWINS' ROOM - NIGHT
The twins are there.
PANDORA
Are you going to use that black top you bought the other day?
TAMORA
Are you starting?
PANDORA
Tam!
TAMORA
I'm kidding! Wear it, but don't get used to.
Both sisters laugh.
TAMORA (CONT'D)
Hurry up! Prue is not at P3 tonight.
CUT TO:
INT. HALLIWELL MANOR - CHRIS' BEDROOM - NIGHT
Chris comes in and sits over his bed. Then he takes the picture which is over the night table. He looks to the girl in it, thoughtful.
CUT TO:
INT. P3 - NIGHT
Wyatt comes in. The place is full. He looks for someone and finally sees Joyce by the bar. He approaches her.
JOYCE
I thought you were not coming anymore.
Joyce smiles. They look at each other.
CUT TO:
INT. PRUE'S FLAT - BALCONY - NIGHT
Jackson and Prue are having dinner. She is wearing the red short dress.
JACKSON
(smiling)
Everything is wonderful, Prue.
PRUE
(smiles shy)
Thanks. Thankfully I didn't get my mom's culinary skills.
They laugh.
JACKSON
You are amazing, Prue.
Jackson kisses her.
PRUE
I have to show you something.
Prue waves her right hand.
PRUE (CONT'D)
"Lights."
Some pink light BEAM in all over them.
JACKSON
(surprised)
How did you do that?
PRUE
(smiling)
Oh, it's just a little trick I learned from Aunt Paige.
They both kiss again.
CUT TO BLACK.
END OF THE EPISODE