shiver (FEATURED) | ✓

By stardust24601

360K 19.9K 5.4K

**CURRENTLY A FEATURED STORY** highest ranking: #11 in Science fiction ❝true happiness is only achieved with... More

shiver
an intro
cast + trailer
file | subject 0097(F)
epigraph
- ooo | prologue
ooo
oo1
oo2
oo3.1
oo3.2
oo4
oo5
oo6
oo7
oo8
oo9
o1o
o11
o12
o13
o14
o15
o16
o17
o18
o19
o2o
o21
o22
o23
o24
o25
o26
o27
o28
o29
o3o
o31
o33
o34
o35
o36
o37
o38
o39
o4o
o41
o42
o43
o44
o45
o46
o47
o48
o49
epilogue
that's all, my friends.
cover help
fan submissions
other work
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o32

1.8K 154 26
By stardust24601


vance

Phase 3 has begun.

It leaves the offices beneath our meeting room half-empty, as groups of tested units are taken and sent to the government and security sector of the bureau for a series of lengthy procedures. Those who test negative for the serum's effects are admitted to a specialised ward in the medical bureau to be 'fixed'. Nobody knows quite what happens there- but we know, of course. Discontinued genetic experiments, neuroscientists manipulations and brain alterations. Most don't come back, but everyone pretends not to notice.

For the greater good, we've been told. For the greater good.


Adamík is slowly becoming suspicious of me; he throws me looks, asks me too many questions, remains distant. The warmth of our friendship is gradually dissipating, and it bothers me immensely. I need him at my side. He comes to me every morning still with coffee and news on how the subjects of Phase 2 are processing, and his loyalty to everything around himself is almost troubling. Loyalty, trust, - trust in the system- it's all important and good. I know it has to be so, and yet... Are we perhaps exerting too much control?

"There is no such thing as too much, Vance. There is only control and the less knowledgeable and fortunate."

It's something my father would say.

As of now, the statistics of Phase 2 have proven to be relatively successful- but the burning question remains.


"What do you think they do to them? The ones that don't pass the serum?" I feel idiotic for doing so, but I voice itinerary morning as I watch Adamík slide a cup of coffee towards me.

"They?" Is his immediate answer.

"We." I correct myself instantly. "We."
"I don't know." He leaves it at that and begins work, focusing on what is before him, and not on what could be. Three drone cameras have shut themselves down; seven have broken down, but there are tens of them out there. We are gold not to bother with sending something out to collect their metallic remains.

Our council meetings become fewer as Phase 3 of Project Chrysalis progresses, taking over schedules, and soon enough, my only human contact becomes Adamík. Slowly, his complaints spill out, his thoughts, his mind spills itself out to me, and I realise I no longer need to be afraid of his loyalty.

Deception is always a bad thing, I was told. Always. Always, unless it is a necessary evil conducted by a higher power.


Jonathan has become that higher power. Tetrahmon has.


"Look at your masterpiece, son," he tells me one late afternoon as we stand raise one another in the council room at the window, the doors closing behind the last member to exit the room. Repulsion engulfs my other emotions at his address and I step away from him; a slight shuffle to the right. He pretends not to notice and winds an arm around my shoulders. "Look," he repeats.

I ought to be proud, I think to myself as I lift my head to stare outside. A Father congratulating his son- I should be proud of what I've accomplished- with Adamík's help, of course. All I feel is emptiness.

The foul air of trickery envelops Jonathan, envelops the entire governmental bureau- candour and honesty are valued, and yet so are lies. They pile up on top of each other, not stopping until they drown everything.


I feel like I'm drowning.


I receive a clap on the shoulder for it. The skyline of the other side of Tetrahmon is visible now, where the sky is clear, where the buildings are silhouetted in front of the orange sun, half-obscured behind the corner of a building, sending a flare of light streaming across the city. Buildings are reflected in the glass panes of others; distorted, curved, irregular depictions of themselves.


The sky is ugly, colourful, poetic, painted with parallel, accentuated strokes of light and darkness.


The glass infrastructure of the city stands erect over the horizon, the wall barely visible, but there. All along the streets, there are hovercars that pass here and there, blue lights throw pools of illumination onto the grey stone streets. Life thrives where fundamental humanity does not. In Tetrahmon, it is almost everywhere so.

And amongst this linear, glossy cacophony of buildings and glass and straight lines come fine, circular instruments, littered with blinking white and red lights, black in colour, each the size of my head and each armed with sophisticated weaponry and beta technology.

The drones.


I turn to look at Jonathan as one flies by the window, smooth in its line of flight, unwavering, certain, robotic.

"I don't understand."

"Naturally not." The smug expression on his face is unnerving. "I couldn't tell you, of course. An idle mind is the devil's playground, my boy," he quotes.

"Did Adamík know?" I ask. My Father, mistrusting me? Perhaps he knows my secret- his affirmative 'no' calms me down.

"By working with inputting several specific coordinates, you've both initiated an algorithm that has set every single drone on a surveillance route. Each drone is assigned a specified sector of Tetrahmon to watch over. Isn't it splendid?" He's not expecting an answer, and so he gets none.

"This is how we will rule the city," he tells me. "This is how it will be done. Control. Happiness. Non-freedom, and intelligence." He's beaming as he stares outside. I don't see how there's anything that needs smiling about. All of it feels wrong.

"What do you mean, 'we'?" I demand of him.

"President Diana Malcom and I, of course." His tone is sickly sweet and uncomfortably reassuring.


"I'll see you tomorrow," I say stoically as I turn my back to the window and straighten my tie, fear gripping me. I don't want to look at the terror I've helped created. I take my briefcase and exit before Jonathan has the opportunity to say anything.


The coloured dreams re-visit me that night with ghostly whispers.

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