Relationships & Partners and...

By Lumna10

1.5K 338 82

Here I give my opinion on my favorite characters and their relationship with others both as friends and some... More

Who should Sofia & Amber Be With?
Desmond's Appearances in the Sofia the First Series
Favorite Sofia The First Episode Record
Favorite Sofia The First Episode Record P3-P4
Favorite Sofia The First Episode Record P5
How I Fell In Love With Aunt Tilly
A Couple Disney Reasons To Live
Higgledly Piggledy
Bloom's Döppleganger on Andros and Meditation Lessons
Buttercups Episode Sofia The First
FYI Pets of Sorcerers Errors in Sofia The First Wiki Fandom
Hildegarde A Princess Butterfly
Enchancia Top Language is British
Bad Backdrop Lightning Affects
An Opinion That Doesn't Agree with Wikki Fandom Of Sofia The First
Sofia The First Once Upon A Royal Knight
James and Jade Ship The Double J Couple & Some Major Edit Specials
More Edits of Sofia The First Princess Butterfly
Hocus Crocus Not A Made Up Flower
Praline's Male Voice Actor isn't A GOOF and Not GENDER BENDING AT ALL
Love and Respect Go Hand In Hand
Winx Club Season 4: Episode 10 Analysis On Aisha, Bloom, and Stella.
Stella & Brandon Couple Weakness
Musa & Riven Couple Romance Weakness
Simple by Leanna Crawford Christian Music + 1 more Song
Aisha & Nabu Romance Weaknesses
Bloom's and Sky's Couple Weakness
Flora's and Helia's Couple Weakness
Tecna's and Timmy's Couple Weaknesses
Star Wars Luke and Winx Club Musa Are Similar Characters
Star Wars Luke and Winx Club Musa Are Similar Characters P2
Star Wars Luke and Winx Club Musa Are Similar Characters P3
Star Wars Luke and Winx Club Musa Are Similar Characters P4
Star Wars Luke and Winx Club Musa Are Similar Characters P5
Star Wars Luke and Winx Club Musa Are Similar Characters P6
Star Wars Luke and Winx Club Musa Are Similar Characters P7
Star Wars Luke and Winx Club Musa Are Similar Characters P8
Star Wars Luke and Winx Club Musa Are Similar Characters P9
Star Wars Luke and Winx Club Musa Are Similar Characters P10
SW Luke and WC Musa Musa Are Similar Characters P11
SW Luke and WC Musa Musa Are Similar Characters P12
SW Luke and WC Musa Musa Are Similar Characters P13
SW Luke and WC Musa Musa Are Similar Characters P14
SW Luke and WC Musa Musa Are Similar Characters P15
SW Luke and WC Musa Musa Are Similar Characters P16
SW Luke and WC Musa Musa Are Similar Characters P17
SW Luke and WC Musa Musa Are Similar Characters P18
SW Luke and WC Musa Musa Are Similar Characters P19
SW Luke and WC Musa Musa Are Similar Characters P20
SW Luke and WC Musa Musa Are Similar Characters P21
SW Luke and WC Musa Musa Are Similar Characters P22
SW Luke and WC Musa Musa Are Similar Characters Finale P23
Barbie As Rapunzel's Wrongly Claimed Goof Mistakes
Please Go To Fandom Central Wiki FandomWebsite and Report This Barbie Mod
Chantal Strand's Voice Acting in Barbie Movies.
I'm Never Ever Returning To The Fandom Website Again.
On A More Positive Note: How To Correct A Poorly Written Antagonist
My Eldest Brother's Favorite Barbie Movie as A Child
On A More Positive Note: How To Correct A Poorly Written Antagonist P2
On A More Positive Note: How To Correct A Poorly Written Antagonist P2
Quotev. Com is Now Available for Iphone As an App Yippee!
Plus One At An Amish Wedding
The Share Feature is Universally The Same One Web Browsers
A Secret Amish Love by Rebecessa Kertz
The Best Moment of Princess Stella is Season 6, Episode 21's ending
Stella's Romantic Moment with Brandon and Why It Works
Stella's Romantic Moment with Brandon and Why It Works P2
Stella's Romantic Moment with Brandon and Why It Works P3
Stella's Romantic Moment with Brandon and Why It Works P4
Hey Guys, don't trust this Guy on Wattpad!
Fixing Musa's Flaw of Miscommunication and Passive Agressive Character Attitude
Character Arcs In Famous Trilogies
Character Arcs In Famous Trilogies P2
Character Arcs In Famous Trilogies P3
Writing Villian Arcs
Plot Holes To Watch Out For: The Obvious Solution Is Ignored
Plot Holes To Watch Out For: Off-Screen Solution That's Ignored
Plot Holes To Watch Out For: Continuity Issues Plot Hole
Plot Holes To Watch Out For: Inconsistent Magics, Tech
Plot Holes To Watch Out For: Characters Acting Out of Character
Plot Holes To Watch Out For: Abandoned Subplots
What Is Plagiarism?!
Defining What Is "Girly?"
Best & Worst Story Twists Discussions
5 Worst Villain Cliches
5 Best Villain Cliches
Good Vs. Bad Dialogue Issues & How To Fix Them
Good Vs. Bad Dialogue Issues & How To Fix Them P2
Good Vs Bad Dialogue Round 2
Good Vs Bad Dialogue Round 3 Is About To Begin
Good Vs Bad Dialogue Round 3 P2
Letting Characters Learn To Spell
Continuation of What It Means To Annotate: Examples Below P2
Continuation of What It Means To Annotate: Examples Below P3
Continuation of What It Means To Annotate: Examples Below P4
Continuation of What It Means To Annotate: Examples Below P5
Continuation of What It Means To Annotate: Examples Below P6
Continuation of What It Means To Annotate: Examples Below P7
Continuation of What It Means To Annotate: Examples Below P8
Continuation of What It Means To Annotate: Examples Below P9
Continuation of What It Means To Annotate: Examples Below P10
Continuation of What It Means To Annotate: Examples Below P11
Continuation of What It Means To Annotate: Examples Below P12
Continuation of What It Means To Annotate: Examples Below P13
Continuation of What It Means To Annotate: Examples Below P14
Continuation of What It Means To Annotate: Examples Below P15
Continuation of What It Means To Annotate: Examples Below P16
Continuation of What It Means To Annotate: Examples Below P17
Continuation of What It Means To Annotate: Examples Below P18
Continuation of What It Means To Annotate: Examples Below P19
Continuation of What It Means To Annotate: Examples Below P20
Continuation of What It Means To Annotate: Examples Below P21
Continuation of What It Means To Annotate: Examples Below P22
Continuation of What It Means To Annotate: Examples Below P23
Continuation of What It Means To Annotate: Examples Below P24
10 Character Flaws of A List of 100 Character Flaws
Character Flaws 11-21 out of 100 Character Flaws
Character Flaws 22-32 out of 100 Character Flaws
Character Flaws #33-43 out of 100 Character Flaws
Character Flaws 44-54 out of 100 Character Flaws
Good & Bad Dialogue Round 4 PointersSpecifically for Fantasy
Character Flaws 55- 65 out of 100 Character Flaws
Character Flaws 66- 76 out of 100 Character Flaws
Character Flaws 77- 87 out of 100 Character Flaws
Character Flaws 88- 100 out of 100 Character Flaws
Foreshadowing Techniques
Flash-Forwards And Flashbacks
Adding Supense and Withholding Information
Flat And Round Characters
Round Characters P2
Minor and Round Character Differences P3
What's A Major Character?
Lecture 3 from this book being How Are Characters Different From People
Lecture 4 Fictional Characters Imagined and Observed
Lecture 5 How To Properly Introduce A Character
Lecture 8 Integrating Dialogue within A Narrative.
Lecture 7 The Mechanics of Dialogue
Lecture 7: The Mechanics of Dialogue P2
Punctating Dialogue Editing
Clash About Point Of Views From Two Writing Guides
Clash About Point Of Views From Two Writing Guides P2
Lectures 16: I, Me & Mine First PersonPoint of View
Lectures 16: I, Me & Mine First PersonPoint of View P2
Lecture 17: He, She, & and It-Third Person Point of View
Lecture 17: He, She, & and It-Third Person Point of View P2
Temporal Distance?! Is It Really A Point of View? I Don't See It.
Dialogue Lecture Lesson by Gabriel Arquilvech
Word Choice: The Antidote To Vocabulary-Gabriel Arquilvech
Wordiness and Word Economy
Prefixes, Roots & Suffixes
Word Choices: Adjectives & Adverbs
Word Choice: Verbs
Dialect And Slang
Onomatopoeia & Alliteration
Prepositions & Prepositional Phrases
Transition Words Lesson
Punctuations: Colons & Semicolons
Punctuation: Parentheses & Dashes
Fragmente & Run-ons
Parallel Construction
Misplaced & Dangling Modifiers
Repetition Vs Repetitious
Sentence Combining
Sentence Variety
Stream of Consciousness: Medicine For Writers
Simile Vs Metaphors
Clichés
Tone
I will Get Back To Gabriel Lectures But TheseDontsWithRomanceBuilding
Answer Key For Some Correct Examples
Lecture On Style of Writing
Writing A Boring Piece Lesson
Copying To Annotate An A Response
Paragraphs-TheBuildingBlocksofComposition
Brainstorming & Outlining Lecture
Setting Lecture
Lessons On Creating Plots For Stories
Plotting with the Freytag Pyramind Lecture 10
Lecture 18: Evoking Setting & Place In Fiction
Lecture 2: Building Fictional Worlds Through Evocation
Lecture 20: Building Scenes
Lecture 13: How To Start A Plot
Lecture 14: How To End A Plot
Lecture 12: Narrative Without A Plot
Write The First Draft-Gabriel
Lecture 21: Should I Write In Drafts?
Lecture 19: Pacing In Scences and Narratives
Lecture 9: Turning Story Into Plot
Thirty Minute Essay & Beginning Drafts-Gabriel
Free Verse Poetry & Group Poem Lesson -Gabriel
Writing A Sonnet -Gabriel
Writing A Limerick -Gabriel
Writing Song Lyrics -Gabriel
The Art of Imagery-Writing Haiku -Gabriel
Writing A Blank Verse -Gabriel
Lesson On Line Breaks -Gabriel
Writing A Sestina The Final Challenge -Gabriel
Things To Decide Before Your Writing Hobby Begins
This Book Is Closed

What Are The Character Arcs?

15 3 2
By Lumna10

Character arcs measure how a character changes or doesn't change.
And it always expresses some point of the story's continuing theme.

I can give you a character right now who is completely flat who doesn't change no matter how many times she gets challenged by Princess Amber, Princess Sofia and Princess Clio.

Princess Hildegarde of the Sofia the First show has never changed she is still the same stubborn want-it-all Princess she was in the beginning show to the very end of it. Unlike many characters who don't change we do get a bit of a back story for her but once the episode happens she instantly slides back into her old ugly ways. She is a flat character that goes through a know-it-all want-it-all negative arc and nothing other characters say make her change her ways does not even bother to listen to her best friend either after she said she would be open to it she goes back on her word there too also.

Tip of this writer's advice is to take the inner personality of your characters and put the one personality that is encompassed with the flaw in the before and the one that has overcome or broken through that flaw in the after slot.
This doesn't mean a character has to completely change into a better version of themselves by the end of your story.

Sometimes you will have a story where your character will be miserable at the beginning and happy at the end.
In Winx Club Season 1 Stella's quite miserable at the being one from dealing with news of her parents divorce and being chased for the sake of her scepter, Stella is technically our protagonist at the start of Season 1 while Bloom quickly becomes a hero's companion of hers, Bloom is miserable too at the beginning of her life but because she wasn't in danger she was helping fight the danger she is not our protagonist she is a side character within the first few episodes of Season 1.
Musa is miserable in Season 1 & 2 and even we all know why, it's obvious.
Only Flora & Tecna aren't the ones miserable.
In Season 2 Aisha and Bloom become both our protagonists
Season 2 Aisha has a flat arc against Darkar meaning she is completely fearless and unafraid of him. This results right out of her refusal to quit.
At the ending Half of Season 2 Bloom does become our protagonist because she's finally in danger whereas the others weren't.

Now There are other storylines that will gives us oh the characters miserable at the beginning and they get to the end almost or maybe completely dying off.

Believe it or not Bloom nearly made it to the worst result twice in Season 1 even as a side character. A Mary Sue/Gary Stu would never stoop down that low because in their character progression there is no character growth or progression. A Mary Sue character is a character who will not change because they're not meant to.

Side characters do need their own arcs.
What are our arcs?

The first arc that nearly all heroes fall into play is the positive change arc.

The Positive Change Arc

A character or characters overcome their flaws and develop strengths in the process.
I'll be honest here Luke has way more than one arc: he has two
Luke: Goes from Self Doubt to Self Acceptance when being accepted into the Rebel Alliance as a great pilot.
Flat arc: he is very selfless in the A New Hope Movie he is constantly ready to do the right thing which if it means convincing Hans to rescue a princess or come back and join a fight to help save people in need that need his skills. He sticks to his gut and says it straight to other people's face this is one of the best things we have ever gotten from Luke in The Original Trilogy of Star Wars.

Enchantix in Season 3 makes all our protagonists goes through a positive change arc   of selflessly sacrificing someone because of this you cannot say the Winx afterwards are all zombies because it just doesn't work and it doesn't fall within the theme of Season 3 nor does it follow the Zombie official criteria we've been told time and time again that zombies are created by accidents because of someone not planning ahead for a failed plan in their head: this is the reason why this fan theory sucks and should stay dead, honestly. But those of you who think about that know that I think you are all psycho chaotic nerds with delusional brains and your ideas ruin the real meaning of the Winx Show in Season 3 for real fans of regular stories so keep your mouth shut and especially don't talk to me, because I won't listen to you and your out of this world crazed ideas, because as a Christian I will always prefer a story with selfless sacrifice compared to an accidental sacrifice, Skylights. That is the truth reason why I like Harry Potter Series and the Chronicles of Narnia Series books are full of selfless sacrifice, and same with The Lord of the Rings also filled with selfless sacrifice.

The only other character in the solely movie of  A New Hope who had a positive change arc is Han Solo and he's a side character.
His Positive change arc is going from Selfishly greedy to selflessly humanely care for Luke after Luke is being a real friend by challenging Hans' moral by saying. "Well, take care of yourself, Hans, I guess that's what you're best at anyways."

The second arc change for characters is A Negative Change Arc.

Anakin is the best example of this which in turn does actually foreshadow that after awhile one of his own later descendants would fall victim to the same thing he did once. It's not explained as well in the Prequel Trilogy, or The Clone Wars tv show as it in the Kenobi show just by one line of Obi Wan's. "Your need to prove yourself and win a victory is what is blinding you," that is Anakin's true flaw in all of Star Wars, and it is something that Luke gets caught up in later, and we get a glimpse into it in Return of the Jedi from Luke himself.
Anskin from The Movie of the Clones all the way to the end of A New Hope Movie he is always wanting to win to prove he can be the top jedi knight of them all and as the story rolls on he just gets more caught up in any and all of his successes and eventually those lead to trouble even while training his apprentice that was one of Ahoska's flaws too she wasn't trying to be over obsessed with winning some battles but it still happened because it was something her master got obsessed with from time to time so she also learned it.

Then there's our third most flexible arc to work around the Flat Arc

Companions in A New Hope that never change:
R2D2-He's incredibly loyal, C3Po is also loyal yet skittish, and Chewbacca is also loyal those are normal side character hero companions with flat arcs

Leia has a flat arc but it is way more impressive in A NEW Hope than Anywhere else except for the Kenobi show.
Leia has always been incredibly fearless solely within A New Hope movie and that is also because she has this strong spirit of refusal to quit. Leia's never been a quitter and she's quite cool headed even while standing face to face within the face of her enemies.
Obi Wan also has the flat arc treatment because he is a wise and responsible teacher solely not just to Luke in A New Hope but he also manages to teach Han a few things as well, Skylights.

A Flat arc is an arc that contains a main character or a side character that has a strength/strengths or flaw/flaws that don't usually ever change. It has to be one of the other there are not both of these extremes. Thd flat arc cannot have both strength and flaws. Captain Marvel is a flat character with all her strength portrayal that is her sole purpose as a superhero to be physically stronger than the rest this is why yes you can deliberately call her a superhero Mary Sue  in that sense she instantly makes me think of Drax I  mean come on really she's the female hunan version of him really and I really thought Marvel couldn't sink low enough to rip off their own superheroes.

Musa in Winx Club in Season 1-6 Musa has a Flat Negative Arc. Why is it flat? She never loses an inch of her passive aggressive attitude towards Riven that's why it is a flat arc and it is a negative arc because Musa succumbs to this flaw she keeps using it everyday without trying to fight it off every now and then, Skylights.


How to Do Side Character Arcs Right. . .

Acknowledge side characters take up less screen time/page time compared to the heroes/villains less time to develop them even.

There will be less room growth and far fewer growth beats for your side characters than your  main heroes and villains, Skylights.
And Last but not least make sure your side character in some way whether it is said by them in a re enforcing way or not or just said by their stance make sure they fit the big picture theme of your story whether it be a film a or a book.

And the ify rule Story length determines how long your side character arcs will be and how much could be dedicated to them. Pyrix_Fairy

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