If I live a thousand years, I can never forget the intense emotion with which I regarded this figure. It was that of a female, the most exquisite I had ever beheld. The face was so far turned toward the stage that, for some minutes, I could not obtain a view of it -- but the form was divine; no other word can sufficiently express its magnificent proportion -- and even the term "divine" seems ridiculously feeble as I write it.
The magic of a lovely form in woman -- the of female gracefulness -- was always a power which I had found it impossible to resist, but here was grace personified, incarnate, the of my wildest and most enthusiastic visions. The figure, almost all of which the construction of the box permitted to be seen, was somewhat above the medium height, and nearly approached, without positively reaching, the majestic. Its perfect fullness and were delicious. The head of which only the back was visible, rivalled in outline that of the Greek , and was rather displayed than concealed by an elegant cap of , which put me in mind of the ventum textilem of . The right arm hung over the balustrade of the box, and thrilled every nerve of my frame with its exquisite symmetry. Its upper portion was draperied by one of the loose open sleeves now in fashion. This extended but little below the elbow. Beneath it was worn an under one of some frail material, close-fitting, and terminated by a cuff of rich lace, which fell gracefully over the top of the hand, revealing only the delicate fingers, upon one of which sparkled a diamond ring, which I at once saw was of extraordinary value. The admirable roundness of the wrist was well set off by a bracelet which encircled it, and which also was ornamented and clasped by a magnificent of jewels-telling, in words that could not be mistaken, at once of the wealth and taste of the wearer.
I gazed at this queenly apparition for at least half an hour, as if I had been suddenly converted to stone; and, during this period, I felt the full force and truth of all that has been said or sung concerning "love at first sight." My feelings were totally different from any which I had hitherto experienced, in the presence of even the most celebrated specimens of female loveliness. An unaccountable, and what I am compelled to consider a magnetic, sympathy of soul for soul, seemed to rivet, not only my vision, but my whole powers of thought and feeling, upon the admirable object before me. I saw -- I felt -- I knew that I was deeply, madly, irrevocably in love -- and this even before seeing the face of the person beloved. So intense, indeed, was the passion that consumed me, that I really believe it would have received little if any abatement had the features, yet unseen, proved of merely ordinary character, so is the nature of the only true love -- of the love at first sight -- and so little really dependent is it upon the external conditions which only seem to create and control it.
While I was thus wrapped in admiration of this lovely vision, a sudden disturbance among the audience caused her to turn her head partially toward me, so that I beheld the entire profile of the face. Its beauty even exceeded my anticipations -- and yet there was something about it which disappointed me without my being able to tell exactly what it was. I said "disappointed," but this is not altogether the word. My sentiments were at once quieted and exalted. They partook less of transport and more of calm enthusiasm of enthusiastic repose. This state of feeling arose, perhaps, from the -like and matronly air of the face; and yet I at once understood that it could not have arisen entirely from this. There was something else- some mystery which I could not develope -- some expression about the countenance which slightly disturbed me while it greatly heightened my interest. In fact, I was just in that condition of mind which prepares a young and susceptible man for any act of extravagance. Had the lady been alone, I should undoubtedly have entered her box and accosted her at all hazards; but, fortunately, she was attended by two companions -- a gentleman, and a strikingly beautiful woman, to all appearance a few years younger than herself.
I revolved in my mind a thousand schemes by which I might obtain, hereafter, an introduction to the elder lady, or, for the present, at all events, a more distinct view of her beauty. I would have removed my position to one nearer her own, but the crowded state of the theatre rendered this impossible; and the stern decrees of Fashion had, of late, imperatively prohibited the use of the opera-glass in a case such as this, even had I been so fortunate as to have one with me -- but I had not -- and was thus in despair.
"The Spectacles" (1850) A great little comedy about love at first sight
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