In The Flesh

In The Flesh Part 23

"This is where I leave you, Hon." Talia laid a gentle hand on mine, and there was a tingle that felt a great deal like sympathy. "She won't welcome a spectator, and I'm not all that keen on being one." She squeezed my hand and turned back toward the tunnel. I stood for a second gathering my courage. The rain had stopped, but the forest was shrouded in mist and though there were bright bursts of light coming from inside the bothy, the surrounding fell side was sunk in false twilight.

I could smell heat, almost like a forge before I approached the bothy, but the place was icy cold. There was no smoke rising from the roof. In fact, the place felt deserted, in spite of the trail in the high grass which, to my surprise, was littered on each side with a complete menagerie of stone garden sculptures – woodland creatures of all sorts from mice and voles, to rabbits, rats, even a fallow deer, many nearly lost in the high grass, and all so realistic that the deer and the fox both startled me before I realized the grey in which they slunk was not shadow, but the stone from which they were carved. Walking softly through the wet, recently flattened grass, perhaps on some unconscious level fearing I'd startle the stone creatures, but more than likely because, no matter how much I wanted to clear the air with Magda Gardener, I really wasn't looking forward to the woman's company – especially after my conversation with Talia.

The closer I got to the door of the bothy, the colder I got. Though the ice I felt in the pit of my stomach had nothing to do with the temperature, which was rather mild under the circumstances, the temperature around the bothy, however, appeared to be its own little microclimate, for which I knew the Lake District was famous, but this was no valley, no dale, this was a place of magic. My breath came in icy clouds as I drew nearer and, in spite of the scent of heat and the flashes of pale light from within, the grass and the stone creatures nearest the entrance were coated in hoarfrost, hoarfrost that I felt coating my lungs as I breathed, chilling me in places that had never known cold before. In spite of the chill, the bothy door was wide open. In fact there was no door at all and, yet, I had the very distinct feeling if I were not invited to enter, the lack of a door would not have mattered. I would have been forced to wait outside for eternity.

"Come in, Susan." As though she had read my thoughts, I heard Magda's voice before I actually saw her. But as I stepped across the threshold, my whole body shivered as though I'd just walked through a very large spider web and, though the room was icy cold, the smell of hot metal grew stronger as did the dance and glare of bright light.

Magda Gardener stood with her back to me in the company of dozens more stone carvings so realistic it was as though she had somehow frozen the toad in mid leap, the wood pigeon in mid preen, the hare in mid hop. There were birds, mice, even several butterflies with stone wings so thin, I wondered at the skill of the artist. They all looked as though the stone from which they were carved would suddenly warm to flesh, and they would all go on about their business oblivious of their recent stone prisons.

"These are amazing," I said, reaching out to touch a badger that looked as though he would startle at my movement and scurry away.

"They're just stone," she said, her voice nearly as cold as the room. For a moment, I thought the woman was welding. She stood with her back to me, bathed in bright flashes of light from which I raised a shielding hand to my eyes. But there was no hiss of acetylene, no sparks from the torch, and she wore no welding mask. She was hunched over a wooden workbench strewn with stone chips and sculpting tools. I could hear the chink, chink of metal against stone, and the smell of heat was acrid enough to make my eyes water, in spite of the cold. I pulled the succubus' jacket tighter around me, surprised that Magda worked in a loose-fitting shift that appeared to be made of unbleached cotton. It hung mid-calf, moving and flowing with her efforts. As I stepped closer I saw she was barefoot.