Break Me One More Time [McLen...

By maccaholic

215K 10.3K 13.8K

Paul McCartney has got a chance to change John Lennon's fate. There's a man with magic powers who somehow bec... More

in which paul wakes up
in which we are introduced to barney
in which paul is adjusting
in which barney returns
in which john has a nightmare
in which there are casualties
in which john and paul have an anniversary
in which paul is uncertain
in which they're not okay but they're fine
in which john is wasted
in which john's nightmares return
in which paul finds linda
in which paul likes john too much
in which paul is ready
in which all you need is love
in which john is a snowstorm
in which they're headed for the top
in which george does not like to fly
in which shadows rise
in which they are home
in which everyone's on edge
in which paul sees something he wishes he hadn't
in which paul is questioned
in which someone survived
in which stuart knows
in which it's okay that stuart knows
in which john sulks
in which paul has a nightmare
in which paul sings to john
in which we are introduced to tessa
in which tessa returns
in which paul is in trouble
in which paul needs to work on his conversation skills
in which george hurts his hand
in which they visit mimi
in which barney is in trouble (part I)
in which barney is in trouble (part II)
in which paul gets recognized
in which barney and tessa meet
in which george and ringo find out
in which george and ringo already knew
in which paul receives a warning
in which there is a secret weapon
in which yoko and tessa talk
in which barney goes out to get some milk
in which paul and yoko play a game
in which the shadows make a deal
in which it becomes frighteningly obvious that paul doesn't really have a plan
in which paul gets mad
in which paul and yoko have a chat
in which we take a look a marbella and darren's past
in which john sees something he shouldn't have
in which paul is having a bad couple of months
in which the butterfly effect comes into play
in which brian is depressed
in which brian is improving
in which paul sings a song
in which yoko likes abbey road
in which george sleeps over
in which george has a nervous breakdown
in which someone gets engaged
in which it is the summer of '69
in which paul is questioned again
in which george is questioned
in which life still goes on
in which the beatles are really busy
in which the beatles meet the princes of the universe
in which paul has a blue christmas
in which 1975 goes by in a blur
in which the FHO is getting suspicious
in which paul deserves a break
in which yoko is back
in which time is fleeting
in which it is december 8, 1980
in which john finds out
in which we take a closer look at george
in which paul and john finally talk
in which george explains some things
in which paul says his goodbyes
in which they go to war
in which paul is in danger (but when is he not?)
in which barney gets back on track
in which paul reunites with some friends
in which it all ends here
in which we remember barney
in which they tie up some loose ends
in which they go on one more adventure
1981-1991 (epilogue i)
1991-2001 (epilogue ii)
2001-2015 (epilogue iii)
a letter from your author

in which paul remembers

1.7K 67 79
By maccaholic


Author's Note: A shorter chapter, but I wanted to get something up. I'm trying to pass Physics right now so bare with me, y'all. Thank you for your continued support!

~~~

Paul remembered dreaming of Linda before he woke up in 1961. Fitting, he supposed, that he got to dance on a dream with Linda one last time before he fell in love with John Lennon.

Paul remembered a lot of things. Paul remembered John confessing his love, and Paul remembered waking John from screaming nightmares, and Paul remembered curling up with John and Martha in bed. And Paul remembered dancing with John in Paris...

But how often do you remember a dream so vividly, and for so long?

Paul remembered dancing with Linda.

***

John's eyes focused in on the gunman for some reason. He was running away. He couldn't fathom why he was watching the man run away. Shock, probably. He was in shock.

John, he said to himself, you're in shock.

He had heard five gunshots.

Everything was going so slow. Somewhere someone said, "That wasn't Chapman." John didn't know what that meant. He couldn't place the voice.

He had heard five gunshots.

Everything was going so slow. His gaze fell, next, upon the doorway he'd just exited the building through. Stuart hurried through the doorway, looking confused beyond belief, shouting, "What's going on?!" and his words took a long time to reach John's ears.

John, he said to himself, you've been shot. That wasn't registering to him. You've been shot. It still wasn't registering to him.

John looked down at his arm, the blood dripping from it.

He had heard five gunshots.

John touched his arm, and he counted, One. He looked around and spotted the window, shattered, glass scattered everywhere upon the ground, and he counted, Two. Then he ran his hand along his torso, and it was wet with blood.

He squeezed his eyes shut, and thought hard. He needed his brain to catch up.

His arm was throbbing, but his torso wasn't in pain at all. It started to click. The blood was splattered on his clothing. The only thing that wasn't quite clicking was how it got there —

"Paul!"

That was George's voice.

"Paul!"

How was George there? How was Paul there?

Shit. Paul.

Time caught up with John all of a sudden and he looked down, fell to his knees at Paul's side. "Fuck," he said. "Fuck, Paul, why'd you do that?"

"It's okay," Paul gargled out.

"No, it's not," John said, voice shaking. He pulled Paul into his arms, causing Paul to wince in pain, but then Paul relaxed into John's embrace. "Paul, you've been shot."

"I know," Paul said, and he sounded sort of relieved, and that didn't make any sense to John whatsoever.

Stuart stood behind John, looking down over his shoulder. "Oh my god," he said. "Oh my god."

"Paul," George came running up.

"George," John said, "how — how — why are you both here?"

"Long fucking story," George said, dropping to his knees on Paul's opposite side.

"John, you — you need to run," Paul said, mouth wet with blood.

"I'm not going anywhere," John said. "I'm staying right here with you."

"Oh, god, Paul," a new voice said, one that John did not recognize.

John looked up to see a blond man standing with Yoko, looking down in concern at Paul.

"Wha— I —" John stared around at all the people surrounding him, and he couldn't even begin to comprehend how they had gotten here. He shook his head, looked down, focused on Paul. "Paul, I'm not going anywhere. I'm staying right here with you, okay? We're going to get you help."

"You — you can't help me," Paul said breathlessly. He tried to shake his head, but it hurt him to do so.

"We need to get out of here," Barney said.

"We need to get him an ambulance!" Stuart exclaimed.

"You had to — to do this all a-alone," Paul said. "I can do that — I can — for you." His eyes were growing heavy.

"Paul, stay with me," John said. "What does that mean, Paul? Talk to me. What does that mean? What did I have to do all alone?"

"I — I love you," Paul breathed out, closing his eyes.

"We need to go now," Yoko said.

"Yeah," said the man that John didn't recognize. He sounded like he was American.

"The ambulance must be coming soon," John said. "Someone in one of these buildings must've called a —"

"Mr. Lennon, my name is Barney Lynch," said the stranger. "I'm going to help you out, okay? And Mr. McCartney is going to be just fine."

"Wh-what?" John said.

"Okay, George," Barney said, "take his hand," he said, pointing to Paul. "Keep holding onto him, Mr. Lennon, and, Mr. Sutcliffe, if you could please go round and take his legs. Thank you. Yoko, take my hand, and —" he leaned down and grasped Paul's shoulder. "Ready?"

"For what?" Stuart asked. "What's happening?"

"What are we doing?" John asked.

But George nodded. "Yes," he said.

"Do it," Yoko said.

"Right," Barney sighed. "Here goes nothing."

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