One Hundred Fantasy Clichés T...

By Timegear33

164K 8.6K 3.4K

From the same writer that pointed out some of the worst tropes in popular culture in A Hundred Clichés That N... More

Fantasy; The Flawed Yet Fun Genre In Fiction
#1: Being Human is a Bad Thing
#2: Zombies Completely Wipe Out Humanity
#3: A Princess Must Always Be The Damsel In Distress
#4: The Evil Wizard
#5: Vampires Going Out During The Day
#6: De-Wolfied Werewolves
#7: The Clueless Parents
#8: The Brave, Always Successful Knight
#9 The Evil Queen
#10: All The Characters Are Eye Candy (Hot)
#11: Mermaids Are Pure Creatures
#12: A Lack of Creature Diversity
#13: The Main Character Must Die
#14: Romance Everywhere
#15: The Brooder Always Dies
#16: Animals Are Reserved Only for Kid's Books
#17: The Wicked Witch
#18: Unoriginal Twins
#19: A Lack of Family Dynamics
#20: The Lonely Guardian
#21: Endless Ammo
#22: Immunity to the Virus
#23: Too Much Action
#24: Humor is a Bad Thing
#25: Never Do Fan Fiction
#26: Always Create a Prologue
#27: Give The Main Character a Love Interest
#28: Turn the Main Character Into a Villain
#29: Secondary Characters Are Not Important
#30: The Secret Sibling
#31: The Fake-Out Death
#32: The Over-Powered Character
#33: The Surprise Villain
#34: Tonal Shifting
#35: Milking Out the Story
#36: Killing Off a Character
#37: Too Much Information Too Fast
#38: The Power of Friendship
#39: Plot Formulas
#40: Copycat Work
#42: The Last Man Standing
#43: The Bland Main Character
#44: Wizard Stories
#45: Fast Weaponery Mastery
#46: Children are Annoying Secondary Characters
#47: A Small Cast
#48: The Hero is Always in the Right
#49: Humanity are Monsters
#50: Your Idea Will Never Catch On
#51: Status Quo
#52: Edgy Characters
#53: The Heroic Sacrifice
#54: The Runaway Princess
#55: Mistranslated Words
#56: Forbidden Love
#57: The Creator's Pet
#58: The Chosen One
#59: The Ex Machina
#60: The Forced Apology
#61: Long As Heck Character Descriptions
#62: The Animal Sidekick
#63: The Always Pure Princess
#64: Time Travel
#65: Multiple Universes
#66: The Mutant Minority
#67: The Body Swap
#68: Shoving Morals Down the Audience's Throat
#69: The Emotionless Loner
#70: Innocent Fairies
#71: The Warriors Effect
#72: All Supernatural Creatures Are Immortal
#73: The Name of the Monster is Frankenstein
#74: The Typical Werewolf Pack
#75: Edgy Scarred Characters
#76: Mistaken Identity
#77: Plot Holes
#78: Violence is Necessary
#79: The Skyler Perspective
#80: The Gary Sue and Mary Sue
#81: Historial Inaccuracies
#82: Love Triangles
#83: The Genocide Route
#84: The Mindless Zombie
#85: Actions Do Not Have Consequences
#86: The Tragic Backstory
#87: Be Afraid of Risks
#88: The Betrayal
#89: The Villain is Entirely Wrong
#90: The Reformed Villain
#91: Blood is Everything
#92: Not Finishing What You Have Started
#93: The Goody Two-Shoes Character
#94: Unbreakable Weapons
#95: The Villainous Protagionist
#96: The Hero Versus Villain Dynamic
#97: A Limited Target Audience
#98: Every Story Idea Has Been Done
#99: The Dark Half
#100: The Imagination Quota
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#41: Depressing Endings

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By Timegear33

  In the past, I have stated that not all stories can end entirely happy.  The reason behind this statement was my opinion on its overuse in many fantasy novels and mostly fairytale endings in general.  While I believe that all endings in novels should not end happily ever after, I do believe that a good in-between is the way to go.  An ending too happy is cliché because the reader does not get a truly satisfying story overall.  While it can work sometimes, if the plot was focused on a more mature tone, it probably is not appropriate.  Giving readers a bittersweet ending, with some of the characters being entirely happy while others are in complete misery, leaves more readers with a sense of union in the story.  No matter which direction you go with the plot, you can still end your story on a different tone that will nine times out of ten still work. Bittersweet is the way to go for storytelling.  Going for a depressing story instead like most of you probably interpreted me saying previously is not.  Going for a completely dark ending for a story is just as bad as making the ending entirely happy.  They are both cliché and the reader does not truly get rewarded in the end.

  The last Hunger Games book Mockingjay took the dark ending route and because of this ended up angering a majority of fans.  Although the Capital is taken down, almost the entire cast is left as former shells of themselves.  For example, poor Katniss is cursed with terrible PDSD, seen as kind of a turncoat for killing newly elected President Coin, can never see her dead younger sister Primrose again, whom she fought the war for in the first place, and is left with almost no friends alive.  Despite the content being realistic, the charm of the books in the first place was the feeling of hope and inner strength in even the most dire of situations.  Characters still died, but optimism for a better future did not fade.  The ending of the series replaces those feelings with an inappropriate depressing conclusion to Katniss overall, even if she was victorious in the war.  The movie version of this ending fixed this issue with a much more optimistic tone, but the damage to the series still stands.  If somehow the message of hope was mixed in with the realistic war tone, perhaps the story's ending would have been better.  Even as not a fantasy novel, Mockingjay serves as a strong example as to why the ending of a story should not be too depressing.

  Compare the ending of Mockingjay to another novel; the twelfth book of the Warriors series, Sunset.  In that book, it ends with the main prophecy coming true of Brambleclaw taking down his evil younger brother in order to save his Clan leader.  As Hawkfrost's, the younger brother of Brambleclaw, blood flows into the lake surrounding the territories of the four Clans, the story ends bittersweet.  Brambleclaw stopped Hawkfrost from destroying the Clans by killing him in self-defense, but lost his sibling, whom he really loved in the process.  Peace is restored but at a price.  The reason this ending works over Mockingjay is because while bittersweet, it still rewards the reader for reading the six books leading up to this.  From the start, a brotherly relationship was established between the two characters.  At the same time though, there existed this feeling of tension as Hawkfrost from the corruptions of his father became more and more of a threat to Clan life.  Constantly, Brambleclaw tried to restrain this change from occurring, but the state of Hawkfrost's mind due to his sense of justice being completely shaken turned out to be too much to control.  It had to end the way it did.  Otherwise, many cats would have died from a bloody reign by Hawkfrost.  While bittersweet, the reader on the way to this ending was truly given an equally strong experience all the way through, something Mockingjay failed to provide.

  The ends of a story must always justify the means.  If your story establishes a strong moral of hope, make sure it ends on a strong note with the message of hope still applied to it.  No one likes a dark ending for the heck of it.  Either go bittersweet or establish the main plot element in whatever ending you choose for a more complete story.  Writing is an art that should not be wasted, all because of the ending.

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