One Hundred Fantasy Clichés T...

By Timegear33

164K 8.6K 3.4K

From the same writer that pointed out some of the worst tropes in popular culture in A Hundred Clichés That N... More

Fantasy; The Flawed Yet Fun Genre In Fiction
#1: Being Human is a Bad Thing
#2: Zombies Completely Wipe Out Humanity
#3: A Princess Must Always Be The Damsel In Distress
#4: The Evil Wizard
#5: Vampires Going Out During The Day
#6: De-Wolfied Werewolves
#7: The Clueless Parents
#8: The Brave, Always Successful Knight
#9 The Evil Queen
#10: All The Characters Are Eye Candy (Hot)
#11: Mermaids Are Pure Creatures
#12: A Lack of Creature Diversity
#13: The Main Character Must Die
#14: Romance Everywhere
#15: The Brooder Always Dies
#16: Animals Are Reserved Only for Kid's Books
#17: The Wicked Witch
#18: Unoriginal Twins
#19: A Lack of Family Dynamics
#20: The Lonely Guardian
#21: Endless Ammo
#22: Immunity to the Virus
#23: Too Much Action
#24: Humor is a Bad Thing
#25: Never Do Fan Fiction
#27: Give The Main Character a Love Interest
#28: Turn the Main Character Into a Villain
#29: Secondary Characters Are Not Important
#30: The Secret Sibling
#31: The Fake-Out Death
#32: The Over-Powered Character
#33: The Surprise Villain
#34: Tonal Shifting
#35: Milking Out the Story
#36: Killing Off a Character
#37: Too Much Information Too Fast
#38: The Power of Friendship
#39: Plot Formulas
#40: Copycat Work
#41: Depressing Endings
#42: The Last Man Standing
#43: The Bland Main Character
#44: Wizard Stories
#45: Fast Weaponery Mastery
#46: Children are Annoying Secondary Characters
#47: A Small Cast
#48: The Hero is Always in the Right
#49: Humanity are Monsters
#50: Your Idea Will Never Catch On
#51: Status Quo
#52: Edgy Characters
#53: The Heroic Sacrifice
#54: The Runaway Princess
#55: Mistranslated Words
#56: Forbidden Love
#57: The Creator's Pet
#58: The Chosen One
#59: The Ex Machina
#60: The Forced Apology
#61: Long As Heck Character Descriptions
#62: The Animal Sidekick
#63: The Always Pure Princess
#64: Time Travel
#65: Multiple Universes
#66: The Mutant Minority
#67: The Body Swap
#68: Shoving Morals Down the Audience's Throat
#69: The Emotionless Loner
#70: Innocent Fairies
#71: The Warriors Effect
#72: All Supernatural Creatures Are Immortal
#73: The Name of the Monster is Frankenstein
#74: The Typical Werewolf Pack
#75: Edgy Scarred Characters
#76: Mistaken Identity
#77: Plot Holes
#78: Violence is Necessary
#79: The Skyler Perspective
#80: The Gary Sue and Mary Sue
#81: Historial Inaccuracies
#82: Love Triangles
#83: The Genocide Route
#84: The Mindless Zombie
#85: Actions Do Not Have Consequences
#86: The Tragic Backstory
#87: Be Afraid of Risks
#88: The Betrayal
#89: The Villain is Entirely Wrong
#90: The Reformed Villain
#91: Blood is Everything
#92: Not Finishing What You Have Started
#93: The Goody Two-Shoes Character
#94: Unbreakable Weapons
#95: The Villainous Protagionist
#96: The Hero Versus Villain Dynamic
#97: A Limited Target Audience
#98: Every Story Idea Has Been Done
#99: The Dark Half
#100: The Imagination Quota
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#26: Always Create a Prologue

2K 104 35
By Timegear33

  On average, the most crucial part of a book are the first twenty pages.  The reason for this is simple; most people do not stay focused on one thing for very long.  As a result, to draw readers in, an author has to create a powerful introduction to any story.  Otherwise after the twenty pages, the reader will stop and most likely never get back to the story.  A strong introduction for that reason is extremely important if you wish to keep the audience's interest.

  There are many ways to go around making the first twenty pages interesting enough to keep the audience's interest.  J.K. Rowling in the first Harry Potter book did this flawlessly by getting right into the supernatural elements of the story and then building up interest with the main character.  The Death Note manga immediately introduces the death note and hints at the rivalry that will play out between Light and L.  Not even three pages in The Walking Dead comics, the zombie virus is widespread in the plot.  These are a few examples on how other authors have gained an audience's interest.

  However, do not in any case (unless it is an editorial or review) use a prologue of any kind.  Although it is supposed to be a great way to dive right into the story, truthfully it can be a death sentence for your book.  No one wants to read a story before the actual plot, which at this case they have no knowledge on.  There is additionally the second variant of this problem, which is over-saturation of the story.  Either way, prologues can be the death of a story.

  The best way to avoid prologues is simple; just get right into the story!  It saves you time writing the story and the possibility of your idea not even being given a chance by anybody.

  The only example of a prologue being used right I have seen is in the Warriors book series.  There, the authors (four in total), make sure to add a relevant scene into these first few pages to keep the audience's attention on the plot.  It works here because it goes right to the plot and quite honestly shouldn't be called a prologue in the first place.  All they'll do by calling the scene the prologue is possibly lose interest from the audience.

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