Listen. Writing has allowed what I love to come to life.
It can be for you as well, hence the twisted dreams part later on.
When you write about the things you like, you write what you imagine about that thing.
That's how you come up with things.
That's how imagination pours out from you.
It could be love. Exploring. Food, for all I care. Comedy. Who knows? This is your time.
I live for writing, so I write about writing.
I love certain things on the internet, quirky things such as the Countryhumans fandom.
My favourite group of YouTubers online.
The imaginary characters I made inspired off my friends.
Dogs and cats.
Sometimes your interest changes, it shifts to something else.
So what? It's called Writer's Block.
Well then! Write about the thing you're now interested in!
And a side note, try and finish it while your eyes are on what you are writing.
I never did that, so I have a bunch of unfinished books in my unpublished books section.
You see, you don't have to just release a constant stream of chapters of books. Writers block is a default setting.
Well, only until there's a spark to ignite another chapter.
See what I did there? It's what the literature teachers talk about constantly.
I'll call it Literaturistic juxtaposition.
It's Metophorical.
It's about linking things that don't fit together.
Like the Sun and Moon with a lover's eyes.
It doesn't make sense, but it sparks others.
Sky and Sea, Comet and Star.
Let your senses part and roam the Lands and Sea, and the Sky as well!
Find things you like and find something else to put together.
Find really different things to string together.
A good writer can do that at the flick of his or her fingers.
It's...something I'm still trying to master.
And now...
The advanced version.
Advanced literaturistic juxtaposition is very hard to use.
It's where you link things like before, except the things are actually too different to try and string together, like they have no similarity at all.
Using this is a risk. It could either be very stupid, or very good. Always be careful when using it.
Like..
A math problem.
You don't just put numbers from a question into a method and then get the answer.
You have to understand, you have to grasp the idea like "Oh, that makes sense!"
It has to be logical to you!
And for advanced literaturistic juxtaposition, its not based on your knowledge, what you know of this world, it's based on what your heart calls for, like...
I know it doesn't make sense, but...
The ocean of pain and tears washed up the shores of my flower-ridden eyes as I cried to nobody but my own misery.
Ain't that sounding good?
The Heart calls out to what it wants.
It's usually things that don't make sense.
Maybe add in flowers and a heart beat.
Maybe some gold nuggets or teddy bears.
Strawberries and Vampires.
See, see...that's where the true literaturistic juxtaposition comes in.
It's really easier said than done.
If you can master this skill and effectively use it in a sentence, you've achieved poetic writing.
That I can't help you with.
It's beyond my range. But if you want I'll try and see what I can do.
To summarise...
Literaturistic Juxtaposition is the art of Metophorical writing, but on a higher level.
Good writers can link two different things by a similarity they share effectively and smoothly.
An even better writer can link things that are not in common at all.
The writing, it speaks to you.
It has to speak for itself to actually reach your audience.
That's it for literaturistic Juxtaposition, and the advanced version.
My little pumpkins, you understand, right? Please tell me if you don't. I'll try and help, but I'm not much of a good writer myself.
After all, I'm just a silly little girl.
This lesson was just recording my thoughts.
Thou bonus:
A pill has been stuck in my throat the ENTIRE time I was writing this.
