Chapter VIII - Anne's Bringing-Up Is Begun

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"I suppose I was very awkward," said Anne apologetically, "but then, you see, I'd never had any practice. You couldn't really expect a person to pray very well the first time she tried, could you? I thought out a splendid prayer after I went to bed, just as I promised you I would. It was nearly as long as a minister's and so poetical. But would you believe it? I couldn't remember one word when I woke up this morning. And I'm afraid I'll never be able to think out another one as good. Somehow, things never are so good when they're thought out a second time. Have you ever noticed that?"

"Here is something for you to notice, Anne. When I tell you to do a thing I want you to obey me at once and not stand stock-still and discourse about it. Just you go and do as I bid you."

Anne promptly departed for the sitting-room across the hall; she failed to return; after waiting ten minutes Marilla laid down her knitting and marched after her with a grim expression. She found Anne standing motionless before a picture hanging on the wall between the two windows, with her eyes astar with dreams. The white and green light strained through apple trees and clustering vines outside fell over the rapt little figure with a half-unearthly radiance.

"Anne, whatever are you thinking of?" demanded Marilla sharply.

Anne came back to earth with a start.

"That," she said, pointing to the picture—a rather vivid chromo entitled, "Christ Blessing Little Children"—"and I was just imagining I was one of them—that I was the little girl in the blue dress, standing off by herself in the corner as if she didn't belong to anybody, like me. She looks lonely and sad, don't you think? I guess she hadn't any father or mother of her own. But she wanted to be blessed, too, so she just crept shyly up on the outside of the crowd, hoping nobody would notice her—except Him. I'm sure I know just how she felt. Her heart must have beat and her hands must have got cold, like mine did when I asked you if I could stay. She was afraid He mightn't notice her. But it's likely He did, don't you think? I've been trying to imagine it all out—her edging a little nearer all the time until she was quite close to Him; and then He would look at her and put His hand on her hair and oh, such a thrill of joy as would run over her! But I wish the artist hadn't painted Him so sorrowful looking. All His pictures are like that, if you've noticed. But I don't believe He could really have looked so sad or the children would have been afraid of Him."

"Anne," said Marilla, wondering why she had not broken into this speech long before, "you shouldn't talk that way. It's irreverent—positively irreverent."

Anne's eyes marveled.

"Why, I felt just as reverent as could be. I'm sure I didn't mean to be irreverent."

"Well I don't suppose you did—but it doesn't sound right to talk so familiarly about such things. And another thing, Anne, when I send you after something you're to bring it at once and not fall into mooning and imagining before pictures. Remember that. Take that card and come right to the kitchen. Now, sit down in the corner and learn that prayer off by heart."

Anne set the card up against the jugful of apple blossoms she had brought in to decorate the dinner-table—Marilla had eyed that decoration askance, but had said nothing—propped her chin on her hands, and fell to studying it intently for several silent minutes.

"I like this," she announced at length. "It's beautiful. I've heard it before—I heard the superintendent of the asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same way poetry does. 'Our Father who art in heaven hallowed be Thy name.' That is just like a line of music. Oh, I'm so glad you thought of making me learn this, Miss—Marilla."

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