An Indie Musician's Diary VOL...

Door ElisabethKitzing

319 0 6

This is how I go forward with my music - the real story from November 2017 and towards the album release but... Meer

Intro
Contact
November 30, 2017: CCLI (Registering Music)
December 1, 2017: Friday & Black Friday Music Deals
December 2, 2017 Advent, Alternate Chords & Baking
Sunday December 3, 2017: The Importance of Resting In God
Monday December 4, 2017: Understanding the Mastering Process
December 5, 2017: Professional Vocal Tips
Dec 6, Christmas Party
Dec 7th: CCLI and STIM
Dec 8: Reference Tracks/MagicAB
Dec 11: Mondays: :-( or :-)
Dec 12 Christmas, Candy & Plugins
Dec 13 Lucia Day & Getting Low End Frequencies Right
Dec 15 Music Theory
Dec 16: Mixing vs. Mastering
Dec 18: Pebble Bread & Music Theory for Producers
Dec 19: Vision for 2018
Dec 30: End of the Year Stuff
Dec 31: Making a "One Page"
Jan 2nd: Stats, Strategies & Updates
Jan 3: Learning Piano, Ending Excuses
Set Lists, the Renaissance Plugin & Gain Staging
Jan 5th: Construction and Compression
Frustration, Real Success & How to Finish a Mix
House Concerts, Udemy & Ari
Worship Nights & Gain Staging Continued
Jan 10 + 11th: Life is ....
Jan 15: Networking
Jan 16: Cold in the Studio
Jan 17th: Sick but still kicking
18 -21/Jan: Minds.com & Refreshing Featherheadmedia.com
Jan 22-26 Sinus Pain and Sinus Curves
27Jan - 1 Feb: CDBaby, Reverb & Album Art
2 Feb -8th : The Round Up
11 Feb - Update
14 -20th Feb.: Wunderlist +
Audio Work Structure/Indie Burnout
March 7 - 9th The Vine Update, Clip Gain & Reverb
March 10 - 16: Pink Noise, Sub bass etc
March 20 - The Two Ditches of Music Production
March 21 - Making Mixes Believable Using Reverb
March 22 & 23 - Panning & Automation
March 24- 26 Progress & the Fear of Failure
28th March: Exporting/Bouncing, Landr & Loudness
March 29 - Amuse, triads, vocal widening
March 30: Cleanup
March 31: Indie Music Financing, Product Strategy and Other "Stuff"
3- 4 April: Indie Depression vs. Balance & Superfans
Chit Chat in The Studio, Bass Multiple Compression, Shaping & more
Scotland & Mixing/Mastering Faster
Song Structure and EQ- cut/boost?
Should You, a Robot or a Professional Master Your Album?
Songwriting Development
Growing A Community
Audio Fixes
The 5 Second Rule, Vulnerability & Saturation
Finishing a mix & mastering tips
Make Your Music the Cream in Someone's Coffee
Shout Outs, Panning, Life, Death & Taxes
Indie Music Videos
Collaboration & Pro Tips for Making Music
About Recording & Mixing Guitars
Making Indie Music Videos Inexpensively
Even Elon Musk thinks Indie Musicians are Paid Too Little
Loudness Wars
I've Learned Not to Overdo Mixing
Think Auxes, Sends, Busses in Logic Pro X are Confusing? You're Not Alone
Indie Album Promotion Tips
Getting Paid for Your Music
Reverb is a big topic
Doing an Outdoor Photo Shoot for Promotion
May 26th: Vocal Effects
Mixing On Small Speakers
Reverb vs. Delay on Vocals
Planning an Album Release
Contacting Gatekeepers Sucessfully
Preparing Your Master for Replication on CDs
Mastering an album in Logic Pro X
Warning for Indie Songwriters/Musicians on YouTube
Adding the human touch to Midi Piano
Getting Indie Music Licensed
Indie Music Rights
Choosing a Mastering Studio & The Shadow of Fear
Finding Your Sound & Reference Songs for Mastering
The Vine & Summer Stress: July 7th 2018
Taking My Daily Vitamin
Getting a Wider Sounding Mix
*****Reference Track Tips
Signal Chain Hierarchy & Loudness Penalty App
Mastering Alternatives
Monetize Your Lyrics
Recording, Mixing, Panning & Automating Guitars
Backup and Maintence
Having fun
Submitting Music to Radio Stations
Using Reference Tracks To Check Sonic Consistency
Mastering the Album
Collaboration
Building an email list
Album Cover Design
Artist Profile on Streaming Services
Soundcloud Tips
Mixing Vocals
Income Through Sync Licensing
Sept 26th: Got Music Theory?
Referencing, Side Chaining Vocal Effects
Thickening My Soprano
Automate, Then Compress Vocals
"Just Do It"; Coolgram Matrixes for Promos & Split Processing,
Acoustic Guitar Recording Tips
I WANT TO QUIT But the "why" keeps me going
Last Chapter in Volume 1: Delay vs. Reverb

MONO check

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Door ElisabethKitzing

One of the things I've had to learn as an audio engineer is how to mix in mono and check stereo mixes for mono capability. 

Before I can send off my song to mastering,  I need to make sure that I have a good mix that translates sonically to any speaker. This is where mixing in mono is a great help! If it is to sound good even on a cheap pair of earphones or a poor car stereo, I can check to see how it will perform by turning off the stereo and listening in mono (all the sound going up the middle of the room). This pushes all the frequencies into the middle and anything that is lost when mono is on is because there are cancellations between the left and right taking place. (+1 plus -1 =0) These can be fixed in various ways and that's what I am trying to do today.

I've noticed that my mix of the song The Vine sounds almost half as loud when I turn the mono button on in my output channel than it does when it is off. This is a red flag. I believe that it is the synths that aren't doing well in mono so I went through my mix and listened to see what was dropping in volume when I turned the mono button on - it was, indeed, the midi tracks with synths and strings. 

I could see this too, in Logic, when I looked at the Multimeter plugin's  correlation meter. The pointer was all the way to the left for the most part. Not good. That means the tracks need to panned more evenly.

So I read some articles and watched some YouTube videos about how to fix this and this is what helped me. (see the links below)

What I'd done wrong

One miss I was doing was to only mix with my earphones. That's why this could sneak up on me. It is a good idea to listen from time to time with your speakers and move your head around, walk around in the room and listen for frequency issues. I had just mixed with my earphones on and tricked myself that everything was o.k.

Another thing I was not doing was mixing in mono from the start. It would have shown me that there was a problem there as I went along.

Nowadays I mix in mono as much as possible.  The, when I turn on the stereo I get a pleasant boost. But it still sounds good on small speakers. 

Links:

 Barry Gardner's article from resoundsound.com was extremely helpful: 

Maintaining Mono Compatibility In Your Music Mix

 http://www.resoundsound.com/mono-compatibility/

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