Opus

By Orizielle

30.7K 2.8K 1.2K

a lonely Saturday conversation on the wrong side of the yellow bedroom curtains. ... || Wattys Winner 2018 || More

|| ... ||
Elysium
Heaven
Rain in September
Reverie
Delilah
A date with Madonna
December in the city
Camaraderie
6th of July
Oh, Ophelia
After
Etherea
Father and Mother
I think this is a love poem
Rosa
The question
Gabriel
February
Euphorie
New Year's Eve
Neverland
Amour
New wave love
Ether
Bob Dylan's lover
When will the world end?
Rush
Acquaintance
A letter to grandma
A letter for grandpa
I do not paint
They
Oblivion
Of loverboys and imaginary cities
Duality
Reincarnation
Raindrops on a yellow taxi
Absinthe
What is July to you?
And August?
Disintegration
Vive la Révolution
Deception
Illusory
Shackle
Smoke
The Grave
Apart
Hope
Gone
Forever
Goodbye
Somewhere
Solis
Damita
Insipid
Of late
Ecstasy
Fall
Winter
A clichéd love poem
To the daughter I will never have
Cynic
Spring-child
Insurrection
Entity
Hiraeth
|| The End ||

Paris

204 24 10
By Orizielle

I've never been to Paris.

Paris to me, for a long time,
was red.
It was here that I fell in love
with a death scene, with
all the death scenes that preceded
and followed. And I would think of it for
years after, in late summer afternoons
caught somewhere between a dream
and a nightmare. I would wake up
in cold sweat, with the evening falling
on the other side of the darkening windows.

Paris, was where an Englishman I knew
fell for a Russian prostitute,
a surrealist love story
seen and interpreted very absurdly
by the Americans, born in India.
Our professor says that Paris
and Kolkata are quite similar, as in
they both became Paris and Kolkata
in the late half of the 18th century.
Kolkata was called Calcutta then, her
streets dark, her men muddled, her women
behind bars, and Paris was Pa-ree.
They are quite similar, as in they both
have truncated histories lining their roads,
enduring regrets in darker alleys
the air overwhelmed with a neurotic nostalgia
for the stench of piss and blood and midnight.
The people, are quite dead.
I wonder if all cities are the same, after all,
an imaginable state of being, hovering
forever between the present and the past.

Paris is where, years later, Jack
would sketch the portrait of his
one-armed landlady, to
make his beau jealous. Perhaps,
Paris then, would be black and white,
or blue, or any other colour. It wouldn't matter,
because I'd be dead by then, of course.
But history will still line her roads,
as it will line my own.
Perhaps. I hope. I abide too much by hope.
For all I know, the world would be over,
all histories done, hope deserted
slipping away into an infinite void.

Paris, is beyond.
Beyond the utopia that I
have longed to live,
the ones that lovers measure
on maps with mirrors-shards, how
close are we, to another World War?
Borders are imaginary, countries arbitrary,
or is it being collectively imagined, that
makes one real? What is Paris then?
A past given and forgiven, if only
because it will never happen again. All
cruelty excused for poetry's sake.

I will never be to Paris.
My Paris is my own, like my death scene.

Paris, to me, is a city of love and death.

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