An Indie Musician's Diary VOL...

By ElisabethKitzing

319 0 6

This is how I go forward with my music - the real story from November 2017 and towards the album release but... More

Intro
Contact
November 30, 2017: CCLI (Registering Music)
December 1, 2017: Friday & Black Friday Music Deals
December 2, 2017 Advent, Alternate Chords & Baking
Sunday December 3, 2017: The Importance of Resting In God
Monday December 4, 2017: Understanding the Mastering Process
December 5, 2017: Professional Vocal Tips
Dec 6, Christmas Party
Dec 7th: CCLI and STIM
Dec 8: Reference Tracks/MagicAB
Dec 11: Mondays: :-( or :-)
Dec 12 Christmas, Candy & Plugins
Dec 13 Lucia Day & Getting Low End Frequencies Right
Dec 15 Music Theory
Dec 16: Mixing vs. Mastering
Dec 18: Pebble Bread & Music Theory for Producers
Dec 19: Vision for 2018
Dec 30: End of the Year Stuff
Dec 31: Making a "One Page"
Jan 2nd: Stats, Strategies & Updates
Jan 3: Learning Piano, Ending Excuses
Set Lists, the Renaissance Plugin & Gain Staging
Jan 5th: Construction and Compression
Frustration, Real Success & How to Finish a Mix
House Concerts, Udemy & Ari
Worship Nights & Gain Staging Continued
Jan 10 + 11th: Life is ....
Jan 15: Networking
Jan 16: Cold in the Studio
Jan 17th: Sick but still kicking
18 -21/Jan: Minds.com & Refreshing Featherheadmedia.com
Jan 22-26 Sinus Pain and Sinus Curves
27Jan - 1 Feb: CDBaby, Reverb & Album Art
2 Feb -8th : The Round Up
11 Feb - Update
14 -20th Feb.: Wunderlist +
Audio Work Structure/Indie Burnout
March 7 - 9th The Vine Update, Clip Gain & Reverb
March 10 - 16: Pink Noise, Sub bass etc
March 20 - The Two Ditches of Music Production
March 21 - Making Mixes Believable Using Reverb
March 22 & 23 - Panning & Automation
March 24- 26 Progress & the Fear of Failure
28th March: Exporting/Bouncing, Landr & Loudness
March 29 - Amuse, triads, vocal widening
March 30: Cleanup
March 31: Indie Music Financing, Product Strategy and Other "Stuff"
3- 4 April: Indie Depression vs. Balance & Superfans
Chit Chat in The Studio, Bass Multiple Compression, Shaping & more
Scotland & Mixing/Mastering Faster
Song Structure and EQ- cut/boost?
Should You, a Robot or a Professional Master Your Album?
Songwriting Development
Growing A Community
Audio Fixes
The 5 Second Rule, Vulnerability & Saturation
Finishing a mix & mastering tips
Make Your Music the Cream in Someone's Coffee
Shout Outs, Panning, Life, Death & Taxes
Indie Music Videos
Collaboration & Pro Tips for Making Music
About Recording & Mixing Guitars
Making Indie Music Videos Inexpensively
Even Elon Musk thinks Indie Musicians are Paid Too Little
Loudness Wars
I've Learned Not to Overdo Mixing
Think Auxes, Sends, Busses in Logic Pro X are Confusing? You're Not Alone
Indie Album Promotion Tips
Getting Paid for Your Music
Reverb is a big topic
Doing an Outdoor Photo Shoot for Promotion
May 26th: Vocal Effects
Mixing On Small Speakers
Reverb vs. Delay on Vocals
Planning an Album Release
Contacting Gatekeepers Sucessfully
Preparing Your Master for Replication on CDs
Mastering an album in Logic Pro X
Warning for Indie Songwriters/Musicians on YouTube
Adding the human touch to Midi Piano
Getting Indie Music Licensed
Indie Music Rights
Choosing a Mastering Studio & The Shadow of Fear
Finding Your Sound & Reference Songs for Mastering
Taking My Daily Vitamin
Getting a Wider Sounding Mix
*****Reference Track Tips
Signal Chain Hierarchy & Loudness Penalty App
Mastering Alternatives
Monetize Your Lyrics
Recording, Mixing, Panning & Automating Guitars
Backup and Maintence
Having fun
Submitting Music to Radio Stations
Using Reference Tracks To Check Sonic Consistency
Mastering the Album
Collaboration
Building an email list
Album Cover Design
Artist Profile on Streaming Services
Soundcloud Tips
Mixing Vocals
Income Through Sync Licensing
Sept 26th: Got Music Theory?
Referencing, Side Chaining Vocal Effects
Thickening My Soprano
Automate, Then Compress Vocals
"Just Do It"; Coolgram Matrixes for Promos & Split Processing,
MONO check
Acoustic Guitar Recording Tips
I WANT TO QUIT But the "why" keeps me going
Last Chapter in Volume 1: Delay vs. Reverb

The Vine & Summer Stress: July 7th 2018

1 0 0
By ElisabethKitzing

There is so much more to getting an album done as an indie musician than most non musicians realize. It is not just stand in front of a microphone and you magically get your song published on a Spotify hit list the following day. No. There are many loose threads and things going on in the background as the album progresses that most will never see.

I am constantly learning by doing and great songs take time to do. It would be easier to buy someone else's beats, slap on a loop and sing something catchy. But no! I am trying to make a quality album. I am not alone in feeling frustration that people don't get why making music takes time. I am a member of a Facebook group where we discuss things like this often. People don't understand the complexity of the music making process and they don't often want to know the details. They just want to consume music like another Oreo cookie. 

I wrote today's post for those of you who do wonder what is taking so long with the Change My Mind album. 

When I started out with this album I had no idea it was going to be this difficult. (The video at the top was a promo for a fundraiser in 2016. I thought then that I would be done in 2017.) A year ago I posted an update on how the music was going then and in it I mentioned the Vine, a song I am just now completing in 2018. 

So here I am a year later and The Vine song is still not done. It's not like I only worked on this song all the past year. Nope. I've done tons of work actually - one of which is writing this blog/book. I've written many new songs (they are waiting to be published too.) I have registered my songs on CCLI and STIM (my PRO); done marketing research on which plugins to buy and learned how to use them; analysed which target group I have, increased my knowledge of social marketing strategies; studied music theory; practiced numerous hours both guitar, electric bass and singing. I have bought a CDBaby package and much much more. I have edited many songs and learn tons about mixing and mastering. 

I'll tell you why it has taken so long - The Vine is complex and it has been my guinea pig, the place where I learn the nitty gritties of audio engineering. I have used it to learn how to record, edit and compress live drums, create reverb with chain compression, automate effectively, gain stage and so much more. It taught me that over editing is stupid (so I had to reload the raw files an tale it easy the second time). The Vine has been my training ground. The words of the song fit so well with the work I have been doing in it:

"Why do I make things complicated all of the time?" - The Vine

I do. 

The song itself has many tracks and many plugins. too many as a matter of fact. I have had to delete sone tracks, stop and tame my auxes and rearrange them just to make the signal flow properly. This taught me gain staging, summing grouping, sends and busses. It was a real headache at first but now I think i am getting the hang of it.

With this song, I learned how to use midi strings in the background and integrate multiple instruments like piano, strings, guitars and solo guitar powerfully. All in all, I am thankful for this process but people don't get why I have incubated this song for so long. Perfection has been a goal of mixing this song, but I've had to settle for beautiful outcome. 

The strive for perfection is based on fear. Fear of releasing a song that isn't good enough has pressed me to do more and more with the arrangements and over-edit. But now I am finally satisfied, well almost. In the next couple of days I'll be going over to the premastering prep mode where i A/B (compare my track to commercial tracks) and fix what need to be fixed before I can submit it to a mastering studio. 

So, you see, for an indie musician life is so much work and so little play. But the goal is in sight!

Summer stress

During the school year, when everyone is busy at work, I work 8 hour days with music-related stuff, my homepage, etc. When it's summer, I have the wonderful opportunity to take time with my family & friends whom I love. It takes a bit of time away from music making, but, after all it is more important, more eternal and more fun than the music itself to build relationships. The problem is that I feel drawn between the time needed to get my music to the album stage and the expectations in and of the relationships around me. It is no fun to let this album drag on forever but people are more important. I always prioritize family and friends first.

I find that during the vacation months, I am more focused on the music than ever so that when I do get a chance to work with it, I work more concentratedly. I think it is like this: the less time I have, the more I tend to use the time I have more wisely & more effectively. The pull between the two -  the expectations of those around me and the desire to get the album done, cause some inner stress but I keep to my priorities and things usually work out. Having priorities that work and a plan for each day make life as an indie musician during the summer months less stressful. 

Today, for example, my husband is out on a hike while I do music and write this. Later on today we are going to go to a restaurant and watch the soccer match between Sweden and England and then take some time together along the boardwalk in Ystad. Balance.

I found this on Pinterest this morning: 

So true!

That's all for today. Hoping you day is as sunny and beautiful as mine....

www.featherheadmedia.com

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