An Indie Musician's Diary VOL...

Galing kay ElisabethKitzing

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This is how I go forward with my music - the real story from November 2017 and towards the album release but... Higit pa

Intro
Contact
November 30, 2017: CCLI (Registering Music)
December 1, 2017: Friday & Black Friday Music Deals
December 2, 2017 Advent, Alternate Chords & Baking
Sunday December 3, 2017: The Importance of Resting In God
Monday December 4, 2017: Understanding the Mastering Process
December 5, 2017: Professional Vocal Tips
Dec 6, Christmas Party
Dec 7th: CCLI and STIM
Dec 8: Reference Tracks/MagicAB
Dec 11: Mondays: :-( or :-)
Dec 12 Christmas, Candy & Plugins
Dec 13 Lucia Day & Getting Low End Frequencies Right
Dec 15 Music Theory
Dec 16: Mixing vs. Mastering
Dec 18: Pebble Bread & Music Theory for Producers
Dec 19: Vision for 2018
Dec 30: End of the Year Stuff
Dec 31: Making a "One Page"
Jan 2nd: Stats, Strategies & Updates
Jan 3: Learning Piano, Ending Excuses
Set Lists, the Renaissance Plugin & Gain Staging
Jan 5th: Construction and Compression
Frustration, Real Success & How to Finish a Mix
House Concerts, Udemy & Ari
Worship Nights & Gain Staging Continued
Jan 10 + 11th: Life is ....
Jan 15: Networking
Jan 16: Cold in the Studio
Jan 17th: Sick but still kicking
18 -21/Jan: Minds.com & Refreshing Featherheadmedia.com
Jan 22-26 Sinus Pain and Sinus Curves
27Jan - 1 Feb: CDBaby, Reverb & Album Art
2 Feb -8th : The Round Up
11 Feb - Update
14 -20th Feb.: Wunderlist +
Audio Work Structure/Indie Burnout
March 7 - 9th The Vine Update, Clip Gain & Reverb
March 10 - 16: Pink Noise, Sub bass etc
March 20 - The Two Ditches of Music Production
March 21 - Making Mixes Believable Using Reverb
March 22 & 23 - Panning & Automation
March 24- 26 Progress & the Fear of Failure
28th March: Exporting/Bouncing, Landr & Loudness
March 29 - Amuse, triads, vocal widening
March 30: Cleanup
March 31: Indie Music Financing, Product Strategy and Other "Stuff"
3- 4 April: Indie Depression vs. Balance & Superfans
Chit Chat in The Studio, Bass Multiple Compression, Shaping & more
Scotland & Mixing/Mastering Faster
Song Structure and EQ- cut/boost?
Should You, a Robot or a Professional Master Your Album?
Songwriting Development
Growing A Community
Audio Fixes
The 5 Second Rule, Vulnerability & Saturation
Finishing a mix & mastering tips
Make Your Music the Cream in Someone's Coffee
Shout Outs, Panning, Life, Death & Taxes
Indie Music Videos
Collaboration & Pro Tips for Making Music
About Recording & Mixing Guitars
Making Indie Music Videos Inexpensively
Even Elon Musk thinks Indie Musicians are Paid Too Little
Loudness Wars
I've Learned Not to Overdo Mixing
Indie Album Promotion Tips
Getting Paid for Your Music
Reverb is a big topic
Doing an Outdoor Photo Shoot for Promotion
May 26th: Vocal Effects
Mixing On Small Speakers
Reverb vs. Delay on Vocals
Planning an Album Release
Contacting Gatekeepers Sucessfully
Preparing Your Master for Replication on CDs
Mastering an album in Logic Pro X
Warning for Indie Songwriters/Musicians on YouTube
Adding the human touch to Midi Piano
Getting Indie Music Licensed
Indie Music Rights
Choosing a Mastering Studio & The Shadow of Fear
Finding Your Sound & Reference Songs for Mastering
The Vine & Summer Stress: July 7th 2018
Taking My Daily Vitamin
Getting a Wider Sounding Mix
*****Reference Track Tips
Signal Chain Hierarchy & Loudness Penalty App
Mastering Alternatives
Monetize Your Lyrics
Recording, Mixing, Panning & Automating Guitars
Backup and Maintence
Having fun
Submitting Music to Radio Stations
Using Reference Tracks To Check Sonic Consistency
Mastering the Album
Collaboration
Building an email list
Album Cover Design
Artist Profile on Streaming Services
Soundcloud Tips
Mixing Vocals
Income Through Sync Licensing
Sept 26th: Got Music Theory?
Referencing, Side Chaining Vocal Effects
Thickening My Soprano
Automate, Then Compress Vocals
"Just Do It"; Coolgram Matrixes for Promos & Split Processing,
MONO check
Acoustic Guitar Recording Tips
I WANT TO QUIT But the "why" keeps me going
Last Chapter in Volume 1: Delay vs. Reverb

Think Auxes, Sends, Busses in Logic Pro X are Confusing? You're Not Alone

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Galing kay ElisabethKitzing

Today, I have done some accounting work before I got going with today's topic. That is a must to do anytime you buy or sell something. I just paid a studio for help with mixing and mentoring. Ugh. So I have to get all the paperwork in order....Now for the fun stuff:

The difference between auxes, sends and busses still eludes me. Sorry, if you think that I am a dumb blonde, but, because I still don't get this, I have decided to call today National Get Fix That Aux Thing Day. I have been doing a few things w/o really understanding them and my templates are a mess. Time to clean them up so I can do some awesome reverb effects, automate sends etc. 

The truth is there are many YouTube videos out there trying to help confused users of Logic Pro X. Because there are so many, I take it that I am not the only one who is confused (i.e. not a dumb blonde). 

Here are the ones that helped me get clarity: 

This first one goes through the basics of how a bus is created, how to control the sends, pre/post- fader . VERY BASIC.

1. Logic Pro X #3: Signal Flow Using Sends, Busses, and Aux

.

2. Logic Pro X Signal Routing (Aux Sends, Busses, Aux Tracks...)

Bob Sell gives this illustration which I think is good, really. It helps us understand the differences. 

Basically, this is how to think about auxes, sends and busses. 

guitar = instrument track

The volume control button = the send knob (controls how much of the signal he wants to be sent out)

He can sit there all he wants and play really hard but no sound is going to come out of the guitar unless it gets hooked up to an amplifier, right? He needs a cable from the guitar to the amp. 

The cable = his "buss" 

A buss is an electrical pathway to get the signal to its destination. 

If you don't plug the other end of the cable into the amp, you won't get any sound. It has to be plugged into its destination, THE AUX TRACK. 

Then, he goes on to explain why LOGIC PRO X IS CONFUSING. (Thanks, Bob, I thought that it was me all along!) He even says that he keeps getting questions about this from all over. I feel relieved. It's not my hair colour after all. Everyone thinks Logic is illogical on this...

He says that it is Logic's tendency to create things automatically for you that have created a great deal of confusion. You saw this in video #1 already. As soon as the dude chose a midi instrument, Logic created two sends and two auxiliary busses automatically. 

(To this I'd like to complain to apple that we can't click and drag my auxes into any kind of order easily.)

Why Logic Pro gets confusing: It creates aux tracks automatically but not necessarily with the right names. You have to pay attention, rename them and color code them

He also gives a great tip on creating midi tracks from a drummer track (easier to edit!) but explains the problems of trying to add reverb to it in Logic

1.  create a software instrument track below the drummer track

2. create the same drum kit that is on the drummer track by going down to the instrument button on the midi instrument track you just created and choose instrument > drum kit designer > stereo

3. Choose the drum kit of your choice. 

4. Drag the drummer track down into the midi track. Now you can edit it in the editor as you wish. 

THE PROBLEM:

If you want to take that midi track and send the snare out to a reverb, then the whole drum kit with all its parts is sent to the reverb not just the snare. Not good to slap reverb on to a kick and the overheads, things can get boomy and cluttered So what do you do? 

He switched the instrument to "multi output" (See step two above. instrument > drum kit designer > multi output). What happened is that in the editor a whole bunch of new aux tracks were formed (You can only see this in the editor). Now each of the instruments have received their own aux track. 

By pressing the plus button you can activate the various aux tracks, one for each of the instruments in the drummer kit. 

Here is the whole #2 video. I recommend it to all who think Logic's way of doing auxes, sends and busses is illogical. 

Questions

What is unity gain? In video #2, Bob used the option and click command to create something called unity gain.  (+0 dB) What does that mean? 

#3: Logic Pro X - #66 - Mixing (part8): Aux Tracks, Busses, Submixes, Submasters

https://www.youtube.com/watch?v=x-S1Cy_hXKc&t=198s

Sending all tracks of a certain type to a common bus is 


Vocabulary

Bus is a digital audio pathway through which a signal travels

References

https://www.youtube.com/watch?v=G7HMm7SmYKA

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