An Indie Musician's Diary VOL...

Por ElisabethKitzing

319 0 6

This is how I go forward with my music - the real story from November 2017 and towards the album release but... Mais

Intro
Contact
November 30, 2017: CCLI (Registering Music)
December 1, 2017: Friday & Black Friday Music Deals
December 2, 2017 Advent, Alternate Chords & Baking
Sunday December 3, 2017: The Importance of Resting In God
Monday December 4, 2017: Understanding the Mastering Process
December 5, 2017: Professional Vocal Tips
Dec 6, Christmas Party
Dec 7th: CCLI and STIM
Dec 8: Reference Tracks/MagicAB
Dec 11: Mondays: :-( or :-)
Dec 12 Christmas, Candy & Plugins
Dec 13 Lucia Day & Getting Low End Frequencies Right
Dec 15 Music Theory
Dec 16: Mixing vs. Mastering
Dec 18: Pebble Bread & Music Theory for Producers
Dec 19: Vision for 2018
Dec 30: End of the Year Stuff
Dec 31: Making a "One Page"
Jan 2nd: Stats, Strategies & Updates
Jan 3: Learning Piano, Ending Excuses
Set Lists, the Renaissance Plugin & Gain Staging
Jan 5th: Construction and Compression
Frustration, Real Success & How to Finish a Mix
House Concerts, Udemy & Ari
Worship Nights & Gain Staging Continued
Jan 10 + 11th: Life is ....
Jan 15: Networking
Jan 16: Cold in the Studio
Jan 17th: Sick but still kicking
18 -21/Jan: Minds.com & Refreshing Featherheadmedia.com
Jan 22-26 Sinus Pain and Sinus Curves
27Jan - 1 Feb: CDBaby, Reverb & Album Art
2 Feb -8th : The Round Up
11 Feb - Update
14 -20th Feb.: Wunderlist +
Audio Work Structure/Indie Burnout
March 7 - 9th The Vine Update, Clip Gain & Reverb
March 10 - 16: Pink Noise, Sub bass etc
March 20 - The Two Ditches of Music Production
March 21 - Making Mixes Believable Using Reverb
March 22 & 23 - Panning & Automation
March 24- 26 Progress & the Fear of Failure
28th March: Exporting/Bouncing, Landr & Loudness
March 29 - Amuse, triads, vocal widening
March 31: Indie Music Financing, Product Strategy and Other "Stuff"
3- 4 April: Indie Depression vs. Balance & Superfans
Chit Chat in The Studio, Bass Multiple Compression, Shaping & more
Scotland & Mixing/Mastering Faster
Song Structure and EQ- cut/boost?
Should You, a Robot or a Professional Master Your Album?
Songwriting Development
Growing A Community
Audio Fixes
The 5 Second Rule, Vulnerability & Saturation
Finishing a mix & mastering tips
Make Your Music the Cream in Someone's Coffee
Shout Outs, Panning, Life, Death & Taxes
Indie Music Videos
Collaboration & Pro Tips for Making Music
About Recording & Mixing Guitars
Making Indie Music Videos Inexpensively
Even Elon Musk thinks Indie Musicians are Paid Too Little
Loudness Wars
I've Learned Not to Overdo Mixing
Think Auxes, Sends, Busses in Logic Pro X are Confusing? You're Not Alone
Indie Album Promotion Tips
Getting Paid for Your Music
Reverb is a big topic
Doing an Outdoor Photo Shoot for Promotion
May 26th: Vocal Effects
Mixing On Small Speakers
Reverb vs. Delay on Vocals
Planning an Album Release
Contacting Gatekeepers Sucessfully
Preparing Your Master for Replication on CDs
Mastering an album in Logic Pro X
Warning for Indie Songwriters/Musicians on YouTube
Adding the human touch to Midi Piano
Getting Indie Music Licensed
Indie Music Rights
Choosing a Mastering Studio & The Shadow of Fear
Finding Your Sound & Reference Songs for Mastering
The Vine & Summer Stress: July 7th 2018
Taking My Daily Vitamin
Getting a Wider Sounding Mix
*****Reference Track Tips
Signal Chain Hierarchy & Loudness Penalty App
Mastering Alternatives
Monetize Your Lyrics
Recording, Mixing, Panning & Automating Guitars
Backup and Maintence
Having fun
Submitting Music to Radio Stations
Using Reference Tracks To Check Sonic Consistency
Mastering the Album
Collaboration
Building an email list
Album Cover Design
Artist Profile on Streaming Services
Soundcloud Tips
Mixing Vocals
Income Through Sync Licensing
Sept 26th: Got Music Theory?
Referencing, Side Chaining Vocal Effects
Thickening My Soprano
Automate, Then Compress Vocals
"Just Do It"; Coolgram Matrixes for Promos & Split Processing,
MONO check
Acoustic Guitar Recording Tips
I WANT TO QUIT But the "why" keeps me going
Last Chapter in Volume 1: Delay vs. Reverb

March 30: Cleanup

2 0 0
Por ElisabethKitzing

Recreation gives inspiration

After a nice walk along the snowy beach in Ystad Sweden with my husband, I am back at work. He has vacation for a few days, so I won't be doing much mixing....

Above: Yes you see crazy Swedes in robes on and bare legs, waving to you when it is in the middle of a snowy day in March! Ystad Salsjöbad is Swedens most prestigious spa/hotell, and I guess they feel they have to linger there to get their money's worth. We just walked by for free and took their picture.

The Octopus I think the best way to describe being an indie musician is like being an octopus. You have to have eight arms to get everything done. You need to use skills simultaneously: musical ability, graphics agility, market know-how, teachability; networking... so many traits. It is easy to give up and it is a full-time job. I hope I can delegate some of the things I've been doing as things start to roll...but for now I have to do it all and first of all, I need to clean up.

Snow by the beach today

Spring Clean Up

Clean up in the mix for The Vine: I will spending some time re-sending my tracks, adjusting plugins and grouping them differently in order to get the sound I want. I'm cleaning up now...using the video up on top from the jazz musician and mixer Bob Mc Caroll. Thanks Bob! The idea is to copy the effects auxiliaries that I am sending the background vocals to so that all of the ones that are on the left have reverb echoes that go towards the right and all of those on the right have echoes on the left. This will widen the vocals more, even on ear buds.

If I get this figured out, I am going to go back to the other songs and clean them up too with this method before sending them to mastering. Nice! In the future I will probably create a template that I can start with at the beginning of each new project. One with a gain knob at the beginning of each plugin area and divided to receive signals in a logical way. Right now I am cleaning up two years of doing things on the fly. It gets better, the more you understand. Don't give up folks!

These are his easy steps to fix a messy aux rack

Bob Mc Caroll's method

1. Use colour to mark your tracks and use the same corresponding colour to code the aux track where you are sending that track. Ex: make all your drums yellow

2. Make sure you name each track clearly For ex.: "DRUMAUX" is where you send your drums and it is also yellow.

3. Highlight all the aux tracks you want to reorganise and press the read button on each and every one of them. As you click on the read button they will create a track for each one on the main rack.

4. Turn the read button off in the editor/aux rack and go to the main track rack on your upper left. Now you can reorganise them as you would any instrument tracks. Make sure they are in the right order with all of your instrument tracks above and all the auxes below and in order.

5. Highlight all the aux tracks in the tracks area (left upper area)

6. Right click on them and create a track stack. Create a folder stack (not a summing).

7. Within the track stack you just created you can rearrange/shuffle the aux tracks however you want

8. If you should create a new aux later, use the same method and drag the aux into the aux track stack until it sits where it is supposed to be.

This seemed a bit too clumsy for me so I started reading the comments under the video. It's a good way to learn more or better ways to do things that the video itself. Here's some examples of the comments:

I have already done automation so I am going to try the latter - right click and create track stacks.

Music Tech Help Guy is even better at explaining how to organise sends, auxes and groups. In the future my stuff is going to be more organised from the start - just like his. Check out this great video "#66" in his Logic Pro X tutorial series. He is my favourite at explaining Logic.

He suggests you route all your instruments of the same kind to a single buss before going out through the stereo output. All drums through Bus 1 for example. There you can add some compression onto them. I have a side chain with subbas on the kick. It should also be routed to that one common buss. The EQ fixes the group and compression there help to glue the drums together. before output. As a group you can close them down or solo them easily too.

Various other things to clean up

The drums Drums are special. This article was very helpful. https://talkinmusic.com/musicproduction/percussion-mixing-tips/

Leaving the kick out of the drum aux has its advantages. It depends on what you want to do with it. I have a sub chain so I chose to leave it out of the drum aux but in the same folder.

Spotify I'm cleaning up my Spotify accounts, making them one (instead of two) and getting rid of the old stuff that was cluttering it there (2 old demos! How could I ever put them there in the first place?) As an artist you have to kill that old personal account, or use an alias.

Planning ahead: Need to book a photo and a mastering session...sent an email and talking with a friend who is a photographer next week.

A tip is a way to encourage me to keep encouraging you! Thanks for your support!

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