An Indie Musician's Diary VOL...

By ElisabethKitzing

319 0 6

This is how I go forward with my music - the real story from November 2017 and towards the album release but... More

Intro
Contact
November 30, 2017: CCLI (Registering Music)
December 1, 2017: Friday & Black Friday Music Deals
December 2, 2017 Advent, Alternate Chords & Baking
Sunday December 3, 2017: The Importance of Resting In God
Monday December 4, 2017: Understanding the Mastering Process
December 5, 2017: Professional Vocal Tips
Dec 6, Christmas Party
Dec 7th: CCLI and STIM
Dec 8: Reference Tracks/MagicAB
Dec 11: Mondays: :-( or :-)
Dec 12 Christmas, Candy & Plugins
Dec 13 Lucia Day & Getting Low End Frequencies Right
Dec 15 Music Theory
Dec 16: Mixing vs. Mastering
Dec 18: Pebble Bread & Music Theory for Producers
Dec 19: Vision for 2018
Dec 30: End of the Year Stuff
Dec 31: Making a "One Page"
Jan 2nd: Stats, Strategies & Updates
Jan 3: Learning Piano, Ending Excuses
Set Lists, the Renaissance Plugin & Gain Staging
Jan 5th: Construction and Compression
Frustration, Real Success & How to Finish a Mix
House Concerts, Udemy & Ari
Worship Nights & Gain Staging Continued
Jan 10 + 11th: Life is ....
Jan 15: Networking
Jan 16: Cold in the Studio
Jan 17th: Sick but still kicking
18 -21/Jan: Minds.com & Refreshing Featherheadmedia.com
Jan 22-26 Sinus Pain and Sinus Curves
27Jan - 1 Feb: CDBaby, Reverb & Album Art
2 Feb -8th : The Round Up
11 Feb - Update
14 -20th Feb.: Wunderlist +
Audio Work Structure/Indie Burnout
March 7 - 9th The Vine Update, Clip Gain & Reverb
March 20 - The Two Ditches of Music Production
March 21 - Making Mixes Believable Using Reverb
March 22 & 23 - Panning & Automation
March 24- 26 Progress & the Fear of Failure
28th March: Exporting/Bouncing, Landr & Loudness
March 29 - Amuse, triads, vocal widening
March 30: Cleanup
March 31: Indie Music Financing, Product Strategy and Other "Stuff"
3- 4 April: Indie Depression vs. Balance & Superfans
Chit Chat in The Studio, Bass Multiple Compression, Shaping & more
Scotland & Mixing/Mastering Faster
Song Structure and EQ- cut/boost?
Should You, a Robot or a Professional Master Your Album?
Songwriting Development
Growing A Community
Audio Fixes
The 5 Second Rule, Vulnerability & Saturation
Finishing a mix & mastering tips
Make Your Music the Cream in Someone's Coffee
Shout Outs, Panning, Life, Death & Taxes
Indie Music Videos
Collaboration & Pro Tips for Making Music
About Recording & Mixing Guitars
Making Indie Music Videos Inexpensively
Even Elon Musk thinks Indie Musicians are Paid Too Little
Loudness Wars
I've Learned Not to Overdo Mixing
Think Auxes, Sends, Busses in Logic Pro X are Confusing? You're Not Alone
Indie Album Promotion Tips
Getting Paid for Your Music
Reverb is a big topic
Doing an Outdoor Photo Shoot for Promotion
May 26th: Vocal Effects
Mixing On Small Speakers
Reverb vs. Delay on Vocals
Planning an Album Release
Contacting Gatekeepers Sucessfully
Preparing Your Master for Replication on CDs
Mastering an album in Logic Pro X
Warning for Indie Songwriters/Musicians on YouTube
Adding the human touch to Midi Piano
Getting Indie Music Licensed
Indie Music Rights
Choosing a Mastering Studio & The Shadow of Fear
Finding Your Sound & Reference Songs for Mastering
The Vine & Summer Stress: July 7th 2018
Taking My Daily Vitamin
Getting a Wider Sounding Mix
*****Reference Track Tips
Signal Chain Hierarchy & Loudness Penalty App
Mastering Alternatives
Monetize Your Lyrics
Recording, Mixing, Panning & Automating Guitars
Backup and Maintence
Having fun
Submitting Music to Radio Stations
Using Reference Tracks To Check Sonic Consistency
Mastering the Album
Collaboration
Building an email list
Album Cover Design
Artist Profile on Streaming Services
Soundcloud Tips
Mixing Vocals
Income Through Sync Licensing
Sept 26th: Got Music Theory?
Referencing, Side Chaining Vocal Effects
Thickening My Soprano
Automate, Then Compress Vocals
"Just Do It"; Coolgram Matrixes for Promos & Split Processing,
MONO check
Acoustic Guitar Recording Tips
I WANT TO QUIT But the "why" keeps me going
Last Chapter in Volume 1: Delay vs. Reverb

March 10 - 16: Pink Noise, Sub bass etc

8 0 0
By ElisabethKitzing

Community Intro 

This week has been and is amazing. I'm learning so much and my mixes are going forward. (Right now I am concentrating on gain staging, gain clipping and timing issues.  Despite the fact that I have had to re-record a few vocal tracks that got overly distorted through over editing (when will I ever learn), it's been a productive week.

I've experimented using pink noise to make a rough mix, how to EQ sub bass better and how adding various vocal effects can give me the sound I want on each track. Because there are many different genres on the Change My Mind album that I am working on, I have to learn how to treat each one accordingly and still get them to flow from one song to another in a good way. I've also had to spend some time and money finding reference tracks. 

I keep looking for reference tracks... I've been busy. And, as usual, I have all the housework, a bit of exercise and a bit of social media posts to do. Twitter is growing cause I'm at it every day, subscribers to my various Facebook pages are slowly increasing and I have taken a break from GAB. I made a decision not to be political anymore. I have my opinions but I'm keeping them to myself nowadays. 

I am looking into booking house concerts this summer.  I'll keep you posted how that goes. I don't know what lies ahead. 

There have been some heavy expenses this past month. The accountant, the homepage fee and soon the other fees Wix.com is charging. Sometimes I have to just hold my breath and say, "God if you want this to get done, you've gotta come through and show me how to create value and pay my own bills soon!" If you want to there's a tip jar :-) Thanks!

https://digitaltipjar.com/search?q=elisabeth+kitzing

I wrote a new song this week and recorded it the same day. I did the pink noise trick (See the video) https://youtu.be/EerIGRBoIzw Because it was a dance friendly song I thought I'd try this technique to get a quick mix. I sent it to a reference group and they thought it was catchy. But I know it needs more. I'll put it aside until the album is done. 

Pink Noise Mix Trick

I even shared this video on a producers' FaceBook page where we discuss audio engineering. I got mixed reactions. Apparently, if you don't do a whole lot of work then you are not a real mixing guru. But why not save time when you can so that you can use the time you have more efficiently? I understand that we have to keep a high standard. If this pink noise trick were entirely true, everyone would do this and not take the time and spend the money to send their stuff to audio engineers to get it done. Some thought this was cool, some not.  I just had to try it and with the song I wrote today it was helpful in helping me get the levels to a pretty good level within 30 seconds. 

It does work well enough on a EDM song to get a rough mix, IF you have done all the homework before it with gain staging, (-18dB sweet spot) and you have gain clipped portions to even each track out. But even so, an engineer/producer should automate and consider arrangement choices and fine adjust. Why not incorporate something that gives you a kick forward and helps you out? I, had to try it on my new song and I have to say that ai liked it. 

I shared the song later the same night with my friends. 

How to mix sub bass 

I've been thinking a lot about how to mix the lower frequencies well so they sound great on all speakers, earphones and systems. Sub bass is the bass you feel but can't hear. It kicks in on surround systems and speakers of higher quality as well as in subwoofers. You won't hear it in a pair of earbuds. But it is there and needs its space in the frequency spectrum.

A big problem is when the kick and the bass frequencies overlap. Then they cancel out each other or cause buildups of frequencies that make the mix boomy and may even cause clipping so you turn the rest of the mix down to compensate. Not a good situation. 

Sub bass is the bass we feel in music but can't hear. Mixing on small monitors in my non-perfect room can make it impossible for an indie producer/audio engineer like me to be able to mix sub bass properly. Here is a way to get your low end right every single time!


You can do lots of cool things with the low end of your kick and bass

Here's another short video on that:

What this seasoned man is doing is dividing up the spectrum into three chunks: low, mids and highs and then treating each differently. This method comes of course before the first video. (You have to do things in proper order.) 

Using reference tracks

How to use reference tracks. Now that I have Magic AB I took a quick look at the video at the top of this page. In case you don't know what it is to reference tracks when mixing or are not sure how to do it, this is a good intro for you. You can spend tons of money on plugins to compare but you can drag them in like he does here. Which method is best? Is there no need for the Magic AB plugin I just bought? I think Magic AB is better because, with it,  I can set each song's reference volume and chose reference points.

When he puts the reference songs on the same track it is much more difficult to volume match than using Magic AB. Also with Magic Ab I can pinpoint reference points in my reference track that correspond to specific points in my song. For example, I can reference a certain point in each track's choruses or intros. This saves me tons of time. I don't have to search for the right area in the reference track before I compare it with my song. If too many milliseconds go between the two, I lose information. 

In his video, Rob goes through how to reference without Magic AB, how to find good reference tracks and he even supplies you with a list of his top favourite reference tracks in a free downloadable pdf. That's great if those songs fit with your mixes. Just be sure, no matter what technique you use, to have reference tracks that have the same kind of instruments, feel etc that are similar to your song and make sure to volume match. 

Guitar videos

I have to constantly develop my guitar skills and I try to apply what I learn in the videos I see immediately so as not to lose it.

I saw this about 5 ways to think about playing electric guitars. No big help at all to me...  https://youtu.be/bDbvjingJnY 

And this one was a shock! Amazing guitar one man band. Way over my ability and yet inspiring! https://youtu.be/ENJuNCkPfx0

So you see I learn from hundreds of videos each year - some are more helpful than others. I watch and then apply what I learn. There are loads of (an ever growing number of) guys that do training in audio engineering but I don't have the money for that. 

I get by. But I'll admit that without Rob Williams training at the ProSoundFormula.com site, I wouldn't have a good base to build on. Thanks Rob!

CDBaby
http://diymusician.cdbaby.com/music-distribution/music-distribution-every-artist-needs-know/?utm_content=buffer14fa3&utm_medium=social&utm_source=twitter&utm_campaign=general

Want to help me create great music and books? Follow me on Twitter and Maker Support or donate through this digital tip jar. https://digitaltipjar.com/search?q=elisabeth+kitzing

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