An Indie Musician's Diary VOL...

By ElisabethKitzing

319 0 6

This is how I go forward with my music - the real story from November 2017 and towards the album release but... More

Intro
Contact
November 30, 2017: CCLI (Registering Music)
December 1, 2017: Friday & Black Friday Music Deals
December 2, 2017 Advent, Alternate Chords & Baking
Sunday December 3, 2017: The Importance of Resting In God
Monday December 4, 2017: Understanding the Mastering Process
December 5, 2017: Professional Vocal Tips
Dec 6, Christmas Party
Dec 7th: CCLI and STIM
Dec 8: Reference Tracks/MagicAB
Dec 11: Mondays: :-( or :-)
Dec 12 Christmas, Candy & Plugins
Dec 13 Lucia Day & Getting Low End Frequencies Right
Dec 15 Music Theory
Dec 16: Mixing vs. Mastering
Dec 18: Pebble Bread & Music Theory for Producers
Dec 30: End of the Year Stuff
Dec 31: Making a "One Page"
Jan 2nd: Stats, Strategies & Updates
Jan 3: Learning Piano, Ending Excuses
Set Lists, the Renaissance Plugin & Gain Staging
Jan 5th: Construction and Compression
Frustration, Real Success & How to Finish a Mix
House Concerts, Udemy & Ari
Worship Nights & Gain Staging Continued
Jan 10 + 11th: Life is ....
Jan 15: Networking
Jan 16: Cold in the Studio
Jan 17th: Sick but still kicking
18 -21/Jan: Minds.com & Refreshing Featherheadmedia.com
Jan 22-26 Sinus Pain and Sinus Curves
27Jan - 1 Feb: CDBaby, Reverb & Album Art
2 Feb -8th : The Round Up
11 Feb - Update
14 -20th Feb.: Wunderlist +
Audio Work Structure/Indie Burnout
March 7 - 9th The Vine Update, Clip Gain & Reverb
March 10 - 16: Pink Noise, Sub bass etc
March 20 - The Two Ditches of Music Production
March 21 - Making Mixes Believable Using Reverb
March 22 & 23 - Panning & Automation
March 24- 26 Progress & the Fear of Failure
28th March: Exporting/Bouncing, Landr & Loudness
March 29 - Amuse, triads, vocal widening
March 30: Cleanup
March 31: Indie Music Financing, Product Strategy and Other "Stuff"
3- 4 April: Indie Depression vs. Balance & Superfans
Chit Chat in The Studio, Bass Multiple Compression, Shaping & more
Scotland & Mixing/Mastering Faster
Song Structure and EQ- cut/boost?
Should You, a Robot or a Professional Master Your Album?
Songwriting Development
Growing A Community
Audio Fixes
The 5 Second Rule, Vulnerability & Saturation
Finishing a mix & mastering tips
Make Your Music the Cream in Someone's Coffee
Shout Outs, Panning, Life, Death & Taxes
Indie Music Videos
Collaboration & Pro Tips for Making Music
About Recording & Mixing Guitars
Making Indie Music Videos Inexpensively
Even Elon Musk thinks Indie Musicians are Paid Too Little
Loudness Wars
I've Learned Not to Overdo Mixing
Think Auxes, Sends, Busses in Logic Pro X are Confusing? You're Not Alone
Indie Album Promotion Tips
Getting Paid for Your Music
Reverb is a big topic
Doing an Outdoor Photo Shoot for Promotion
May 26th: Vocal Effects
Mixing On Small Speakers
Reverb vs. Delay on Vocals
Planning an Album Release
Contacting Gatekeepers Sucessfully
Preparing Your Master for Replication on CDs
Mastering an album in Logic Pro X
Warning for Indie Songwriters/Musicians on YouTube
Adding the human touch to Midi Piano
Getting Indie Music Licensed
Indie Music Rights
Choosing a Mastering Studio & The Shadow of Fear
Finding Your Sound & Reference Songs for Mastering
The Vine & Summer Stress: July 7th 2018
Taking My Daily Vitamin
Getting a Wider Sounding Mix
*****Reference Track Tips
Signal Chain Hierarchy & Loudness Penalty App
Mastering Alternatives
Monetize Your Lyrics
Recording, Mixing, Panning & Automating Guitars
Backup and Maintence
Having fun
Submitting Music to Radio Stations
Using Reference Tracks To Check Sonic Consistency
Mastering the Album
Collaboration
Building an email list
Album Cover Design
Artist Profile on Streaming Services
Soundcloud Tips
Mixing Vocals
Income Through Sync Licensing
Sept 26th: Got Music Theory?
Referencing, Side Chaining Vocal Effects
Thickening My Soprano
Automate, Then Compress Vocals
"Just Do It"; Coolgram Matrixes for Promos & Split Processing,
MONO check
Acoustic Guitar Recording Tips
I WANT TO QUIT But the "why" keeps me going
Last Chapter in Volume 1: Delay vs. Reverb

Dec 19: Vision for 2018

1 0 0
By ElisabethKitzing

This is almost the last page of this book for this year.  

Merry Christmas!

2017: I do an assessment every year, at the end of each year, in order to reflect over what went right and project into the coming year so I can get better at making music for the masses. Really I am not making music for the mainstream masses. All I want to do is change one mind at a time for the better through my music and books. 

As 2017 comes to a close, I have to say that I am amazed at what was accomplished this year and, also, a bit frustrated about the fact that the album still isn't done (although I understand why). I have learned tons if stuff this year but I could have done better, could have worked harder and could have prioritised more effectively...but isn't that true for all of us? Most of what I learn well is based on the mistakes I make (trial and error). 

There is no sense in crying over spilled milk. I choose to take what worked well last year and increase that next year as well as add piano (finally!) That way I can minimise what didn't work. 

Pareto's rule. There's an unwritten rule that 20% of the work creates 80% of the outcome and I see that popping up as I analyse 2017. (The video above shows how the rule affects music making - from Graham Cochrane). 

Here's the link https://youtu.be/oEFMs4DsauY

My 20% that gave me 80% of my positive results was the time I spent learning by watching professionals do mixing, taking notes and then applying it to my tracks. I have grown tremendously in that area and that is what is going to enable me to release songs faster in the future.

I think we all have an inherent fear of making mistakes and of not being accepted. This plays a role in me not releasing the music because I hold it back in order to tweak it indefinitely out of fear that it is not good enough.  At some point or another, I am going to have to release it without it being perfect. I haven't met a musician yet that is satisfied with their first album to 100%. You are always learning as a musician, always growing and that makes you look back at the first stuff you've recorded and shake your head in dismay. 

I guess I am starting to see that I need to think like this

1. Set time limits

2. Make a plan before I start mixing

3. Stick to the plan

4. Hold the time limit

5. Publish

6. Never look back.

7. Do the next song

8. Repeat

Setting realistic time limits when you don't know what you are doing or how long it will take is really difficult. I think that is getting clearer by the day for me. 

The positives in 2017

Mixing/mastering I've gotten much better at mixing and am starting to be good at understanding mastering while listening to proffs and going the prosoundformula.com course in mastering. 

A year ago, I was just starting to go through my newly purchased ProSoundformula.com courses and taking notes on mixing. I went through all the free courses and did all the mixing, EQ and Compression courses and now I'm doing it. Yay! I know what compression, EQ and many other plugins are and do now and I am getting better all the time as I proceed!

Editing: During 2017 I became good at comping, editing, quantisation, Logic Pro X, and am much faster in general. There is no comparison to how it was a year ago. Hard work and studying pay off.

Songwriting I have written some great new songs and am in the process of copywriting all my songs, both new and old with STIM and CCLI. 

I went to two conferences - one in Nashville and one in Huskvarna, Sweden where I saw and heard great songwriters and performers in action. This has helped me develop my songwriting process and I am already seeing the quality of my songs increase.

I have watched videos about songwriting and this has challenged me to go deeper and linger on songs like a hen with her eggs  - giving them time and checking for alternative wording and chords as well as allowing time for the arrangements to develop during my daily practice. During 2017 I learned methods and structure for writing songs that engage listeners and create a buzz. 2018 is gonna be awesome.

Music Theory - I have freshened up what I already know and am beginning to use the program MuseScore so I can write down my music and add it to CCLIs website. 

Branding I have developed the Featherhead Media brand on the website and on social media.

Writing: I found out about Wattpad and my writing took a great leap. You can't see them yet but there are many sketches in the pipeline - maybe 20 books or so. I have already published two lyrics book just to test the water and published parts of this book and written (but not yet published the book My Imaginary Friend.

I am learning from my oldest sister/mentor, Wendy, who has now published and sold a few great books, the best of which I get as a Christmas gift. Confessions of a Safety Engineer here's the link: 

https://www.amazon.com/Confessions-Female-Safety-Engineer-Delmater/dp/1975987772

I have learned about Goodreads, SmashWords, Scribed, Draft2 Digital and more. My head is spinning. 

Planning: Started to plan my time in blocks. 

Goals for 2018: 

1. Release and promote the Change My Mind album asap (i.e mix and master the songs I am responsible for and get them up to the level of Sonic Medias so we can combine the songs he has mastered with mine seamlessly on the album.)

This is going to require a lot of work in the studio here before I can book a visit for a couple of days in Gothenburg where we put it all together, create backtracks and clean up the whole thing. I'll need to pay for the session time in Gothenburg. He can't do it for free. 

I'll have to pay for a distribution company and buy some radio time.

The songs need to be updated on the Featherheadmedia's homepage and made available for download there as well as being distributed on streaming platforms.

2. Write the Change My Mind book. While the album is being registered with CDBaby, take two weeks off of music and write the book, Change My Mind in Word and send it for feedback, proofreading and criticism.

3.  Get the book published

4. Start making and releasing new music as singles (5 to 8) next year and a lyrics video in high quality for each one.

5. Learn music theory, chord analysis and basic piano: circle of fifths, rhythm, etc.

Now, here's something that can help you make 2018 your best making music year ever.

Just read a great email from Shaun Letang at Music Industry How To and I thought it was so good so I want to share it's main points with you. Here are his tips on how to make indie music work in the coming year.

How to make 2018 your music year in 14 steps(Shaun Letang):

1. Map out your main goals for 2018. Be sure they're S.M.A.R.T goals, as in Specific, Measurable, Achievable, Relevant, and Timed. ...

2. Focus on quality over quantity. Don't try and record 40 songs in the coming year; make 12-16 which will sound good alongside the top songs in your genre. Spend the rest of the time marketing these songs.

3. Make sure you have a website.

4. Make sure your website is super attractive and easy to navigate. Don't forget key words, tags, seekability etc...

5. Add logos of places you've appeared on your website. This will help provide instant credibility and have people give your music more of a chance.

6. Start collaborating (and networking) with other companies, musicians, songwriters and industry professionals. This is super important!

7. Collaborate more with other musicians. Agree to promote the songs to each of your fans, so you both essentially end up with bigger fan-bases.

8. Merch Increase the range of merch you offer at gigs. ...These will make your shows more sustainable in the long run. What is a great concert w/o a great t-shirt?

9. Make your music easy to purchase. On your website, publish it on Spotify, Amazon etc. Make CDs if you are going to do gigs. Yes, people still buy them and vinyl as well if you are doing well. 

10. Get signed up to a royalty collection agency. If you are writing your own music this is a must. In the U.S. it is ASCAP for example in Sweden it is STIM. You have to be registered with a royalty collection agency in order to self publish music on, for example CDBaby. CDBaby pays out to STIM and STIM, in turn pays out to its members. CDBaby never pays directly to you. 

11. Focus on less forms of social media. Keep the ones that work well for you and work them well. 

12. Make marketing a priority if you already have great songs!

13. Build up a 'buyers list.' So every time someone buys music or merch from you, be sure to get their email address. Keep them informed and respond quickly to their questions/posts. 

14. Have fun! Don't lose the passion for what you do!

(These 14 steps were condensed from Shaun Letang's, Music Industry How To email. Thanks, Shaun!) 

I hope that you are starting to understand that this music business is complicated - not sexy. You don't make anything on it and everyone wants you to publish things yesterday. Still, its the passion that keeps you going. Next year you can see the continuation of my journey to an album release. 

Well, that's almost all for this year.

Wishing you a Merry Christmas and a Happy New Year!

- Elisabeth Kitzing

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