Partisan - Book II

Galing kay azimodo

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*COMPLETE* "People don't believe in us anymore. They don't believe that in the end we will do what is right... Higit pa

Prologue
Part 1: The Tangle of Vines
Wake Up
Smell the Ashes
Lei
Lose the Game
A Practical Use
Wolves Amongst the Sheep
Watering Hole
The Second Trial
Breathing Space
The Gauntlet
A Hostile Environment
Unforeseen Circumstances
Tie Up the Loose Ends
Odds and Angles
Through the Looking Glass
If It's Poison, Is It Murder?
The Final Seven
A Council of Kings
Grave Dirt
Ghosts
Map of Consequences
Very Old Friends
City of Ghosts
Spit On Your Grave
Pai Luella
Our Muted Sounds
Shiny Things
Fe & Lo
Swear
Arrival
Clear Air
The Thing in the Water
Bones and Rot
Her Son
The Boy in the Sewer
Come at Me
Frost
Eastwatch
The Flesh That Shivers
Part 2: The Monster
That Was a Mistake
Sisterly Love
Low Horizon
Careful
Come at Me (Again)
Aerial Acrobatics
Clouds and Mist
The Ride
The Fox and the Owl
Can't Let Him Win
Brain Jitters
Gold and Gossip
Judgment
Set it Alight
Rigor Mortis
Did You Love Me in the Firelight
Already Rotted
We, the Dark Mirrors
Under the Bed
Veins Aflame
Mother, I Incubate
Choice
The House in the Twinkling Light
Coteries and Kings
Persistent Heart
Power
Tip the Glass
The Hunted and the Hunter
The Breaking of a Fellowship
The Only Thing Left of Them
Unstoppable Forces and Immovable Objects
Author's Note
Appendix: Updated Map
Appendix: Characters
New Short Story: We Don't Go To Ludvastrom
Prodigal is up!

Fractured Mask

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Galing kay azimodo

It's drowning she dreams of—not the impact of the arrow, not even their faces, framed by the orange glow of sunlight. It's the setting of all those shadows on her as the air pushes through her hair and down her body with the rushing force of gravity. The yellows and oranges dim into cold and clammy blues, swallowing her up as her back makes impact with the hard planes of the waves below.

It is so dark down there, engulfed in a tangle of rushing currents that pull her in deeper, swirling her around. It's hard to discern if the clammy flesh that clamps around her chest is a memory or just a fine elaboration of her dream—a nightmare of cold, dead things pulling her further into the suffocation and the searing, white-hot pain.

When she wakes up in the middle of the night she still feels the blanket of water over her, pressing against her mouth and nose, squeezing the air out of her lungs.

There's always cold sweat on her face and limbs after this. The uncontrollable shaking reminds her that she's no longer trapped down beneath the rocks and cliffs and sea, that it's air coursing through her lungs, choking through the tightness of her throat. She has to lie there, letting it shake through her in waves, while her mind tries to catch up with her body.

This nightly ritual makes her chest hurt: the barely healed clavicle twinging with the jerky movements, and the scar across her sternum stretching and protesting with her short, rapid pants.

The pain makes her angry, which is the best part of this whole, awful thing. It is so much easier to be angry. There's fire in it, and fire is warm.

So she clutches onto that tight ball of fury, which builds itself in her chest. She holds it close, forming it, lovingly, as it clears her head for a moment. She can live with anger; build better shells around herself with it, stronger defenses. She thinks about all they will have to regret because of what they did to her. She thinks about all she is going to do.

So she tends Ruben's garden, watching the vines creep so slowly, the flowers bloom and wilt, and she ruminates on how much more preferable the company of plants are to men.

Ruben will linger nearby sometimes, observing her slow work, interjecting a soft comment or praise on occasion.

"Look how this crawler twists itself along the wall," he marvels, tracing the elegant curves of a rich purple vine, whose tendrils cling to the rock in perfect arches, creating an intricate, repeating pattern against the building's side. "It has shaped itself almost in a perfect 'S,' almost as if by design."

"It's not the plant's design," she tells him. "I told it to do that."

He looks at her in surprise, but she pays him no mind. She runs her fingers along the stem of a long flower, watching as its petals twitch.

The next day he asks her if she would like to practice Skilling.

He's having her do noncombat gestures. She notices it right away, detecting how he frames the lesson in terms of gardening. Curve the hand slowly and imagine the fragile tension of the flower's stem bending in unison. Don't do it too quickly; the stem will snap.

She learned this all a long time ago, even before her jaunt out into the world, but the practice is slow and repetitive; there's something peaceful in it when she can stop the swirling of her thoughts.

"It's the wordless, full comprehension of the command that bends nature to your will. I can help you. I can teach you to funnel it, and lock it away."

She jerks back, the memory of his warm, melodic voice shattering the reverie. The flower stem snaps.

A/N: A full view of the artwork,"Wrath," can be found on my deviantart account here: https://asimsluvr.deviantart.com/art/Wrath-193573624. 

The italicized quote is part of Ben's dialogue to Allayria in the "Sensory Creatures" chapter of Paragon.

In house-keeping news: somehow I managed to set the Prologue to "private" in my first publishing go-round, so if you're reading this and go: "Prologue?!" then yes, there is a prologue, you just couldn't see it because me no Wattpad gud. Read it! It's talking about someone you might remember... he's got a thing for history and shooting his friends off clifftops. Solid guy, really.

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