The sunshine gave way to chill; the daffodils were in shadow, dipping silently. So they would dip through the day and the long cold night. So strong in their frailty!

She rose, a little stiff, took a few daffodils, and went down. She hated breaking the flowers, but she wanted just one or two to go with her. She would have to go back to Wragby and its walls, and now she hated it, especially its thick walls. Walls! Always walls! Yet one needed them in this wind.

When she got home Clifford asked her:

'Where did you go?'

'Right across the wood! Look, aren't the little daffodils adorable? To think they should come out of the earth!'

'Just as much out of air and sunshine,' he said.

'But modelled in the earth,' she retorted, with a prompt contradiction, that surprised her a little.

The next afternoon she went to the wood again. She followed the broad riding that swerved round and up through the larches to a spring called John's Well. It was cold on this hillside, and not a flower in the darkness of larches. But the icy little spring softly pressed upwards from its tiny well-bed of pure, reddish-white pebbles. How icy and clear it was! Brilliant! The new keeper had no doubt put in fresh pebbles. She heard the faint tinkle of water, as the tiny overflow trickled over and downhill. Even above the hissing boom of the larchwood, that spread its bristling, leafless, wolfish darkness on the down-slope, she heard the tinkle as of tiny water-bells.

This place was a little sinister, cold, damp. Yet the well must have been a drinking-place for hundreds of years. Now no more. Its tiny cleared space was lush and cold and dismal.

She rose and went slowly towards home. As she went she heard a faint tapping away on the right, and stood still to listen. Was it hammering, or a woodpecker? It was surely hammering.

She walked on, listening. And then she noticed a narrow track between young fir-trees, a track that seemed to lead nowhere. But she felt it had been used. She turned down it adventurously, between the thick young firs, which gave way soon to the old oak wood. She followed the track, and the hammering grew nearer, in the silence of the windy wood, for trees make a silence even in their noise of wind.

She saw a secret little clearing, and a secret little hot made of rustic poles. And she had never been here before! She realized it was the quiet place where the growing pheasants were reared; the keeper in his shirt-sleeves was kneeling, hammering. The dog trotted forward with a short, sharp bark, and the keeper lifted his face suddenly and saw her. He had a startled look in his eyes.

He straightened himself and saluted, watching her in silence, as she came forward with weakening limbs. He resented the intrusion; he cherished his solitude as his only and last freedom in life.

'I wondered what the hammering was,' she said, feeling weak and breathless, and a little afraid of him, as he looked so straight at her.

'Ah'm gettin' th' coops ready for th' young bods,' he said, in broad vernacular.

She did not know what to say, and she felt weak. 'I should like to sit down a bit,' she said.

'Come and sit 'ere i' th' 'ut,' he said, going in front of her to the hut, pushing aside some timber and stuff, and drawing out a rustic chair, made of hazel sticks.

'Am Ah t' light yer a little fire?' he asked, with the curious naïveté of the dialect.

'Oh, don't bother,' she replied.

But he looked at her hands; they were rather blue. So he quickly took some larch twigs to the little brick fire-place in the corner, and in a moment the yellow flame was running up the chimney. He made a place by the brick hearth.

LADY CHATTERLEY'S LOVER (Completed)Where stories live. Discover now