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i - enid blyton

Enid Mary Blyton (11 August 1897 – 28 November 1968) was an English children's writer whose books have been among the world's best-sellers since the 1930s, selling more than 600 million copies. Blyton's books are still enormously popular, and have been translated into 90 languages; her first book, Child Whispers, a 24-page collection of poems, was published in 1922. She wrote on a wide range of topics including education, natural history, fantasy, mystery, and biblical narratives and is best remembered today for her Noddy, Famous Five, and Secret Seven series.

Following the commercial success of her early novels such as Adventures of the Wishing-Chair (1937) and The Enchanted Wood (1939), Blyton went on to build a literary empire, sometimes producing fifty books a year in addition to her prolific magazine and newspaper contributions.

Her writing was unplanned and sprang largely from her unconscious mind; she typed her stories as events unfolded before her. The sheer volume of her work and the speed with which it was produced led to rumours that Blyton employed an army of ghost writers, a charge she vigorously denied.

Blyton worked in a wide range of fictional genres, from fairy tales to animal, nature, detective, mystery, and circus stories, but she often "blurred the boundaries" in her books, and encompassed a range of genres even in her short stories. In a 1958 article published in The Author, she wrote that there were a "dozen or more different types of stories for children", and she had tried them all, but her favourites were those with a family at their centre.

In a letter to the psychologist Peter McKellar, Blyton describes her writing technique:

I shut my eyes for a few minutes, with my portable typewriter on my knee – I make my mind a blank and wait – and then, as clearly as I would see real children, my characters stand before me in my mind's eye ... The first sentence comes straight into my mind, I don't have to think of it – I don't have to think of anything.

In another letter to McKellar she describes how in just five days she wrote the 60,000-word book The River of Adventure, the eighth in her Adventure Series, by listening to what she referred to as her "under-mind," which she contrasted with her "upper conscious mind".

Blyton was unwilling to conduct any research or planning before beginning work on a new book. Gillian has recalled that her mother "never knew where her stories came from", but that she used to talk about them "coming from her 'mind's eye.'"

Blyton had "thought it was made up of every experience she'd ever had, everything she's seen or heard or read, much of which had long disappeared from her conscious memory" but never knew the direction her stories would take. Blyton further explained in her biography that "If I tried to think out or invent the whole book, I could not do it. For one thing, it would bore me and for another, it would lack the 'verve' and the extraordinary touches and surprising ideas that flood out from my imagination."

Blyton's daily routine varied little over the years. She usually began writing soon after breakfast, with her portable typewriter on her knee and her favourite red Moroccan shawl nearby; she believed that the colour red acted as a "mental stimulus" for her. Stopping only for a short lunch break she continued writing until five o'clock, by which time she would usually have produced 6,000–10,000 words.