story reasserted itself over minds emerging out of barbarism, the
religious significance which had once belonged to it was lost sight
of, and it came to be regarded as the subject of a purely artistic or
poetical treatment. But it was inevitable that from time to time
minds should arise, deeply enough impressed by its beauty and power
to ask themselves whether the religion of Greece was indeed a rival
of the religion of Christ; for the older gods had rehabilitated
themselves, and men's allegiance was divided. And the fifteenth
century was an impassioned age, so ardent and serious in its pursuit
of art that it consecrated everything with which art had to do as a
religious object. The restored Greek literature had made it familiar,
at least in Plato, with a style of expression concerning the earlier
gods, which had about it much of the warmth and unction of a
Christian hymn. It was too familiar with such language to regard
mythology as a mere story; and it was too serious to play with a
religion.
"Let me briefly remind the reader"--says Heine, in the Gods in
Exile, an essay full of that strange blending of sentiment which is
characteristic of the traditions of the middle age concerning the
pagan religions--"how the gods of the older world, at the time of the
definite triumph of Christianity, that is, in the third century, fell
into painful embarrassments, which greatly resembled certain tragical
situations of their earlier life. They now found themselves beset by
the same troublesome necessities to which they had once before been
exposed during the primitive ages, in that revolutionary epoch when
the Titans broke out of the custody of Orcus, and, piling Pelion on
Ossa, scaled Olympus. Unfortunate Gods! They had then to take flight
ignominiously, and hide themselves among us here on earth, under all
sorts of disguises. The larger number betook themselves to Egypt,
where for greater security they assumed the forms of animals, as is
generally known. Just in the same way, they had to take flight again,
and seek entertainment in remote hiding-places, when those
iconoclastic zealots, the black brood of monks, broke down all the
temples, and pursued the gods with fire and curses. Many of these
unfortunate emigrants, now entirely deprived of shelter and ambrosia,
must needs take to vulgar handicrafts, as a means of earning their
bread. Under these circumstances, many whose sacred groves had been
confiscated, let themselves out for hire as wood-cutters in Germany,
and were forced to drink beer instead of nectar. Apollo seems to have
Pico Della Mirandola
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