☀️ 𝓓epicting 𝓣he 𝓓ivine...

بواسطة suvachana

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✨𝓐rt of the 𝓓ivine - 𝓘magery and 𝓣exts ✨ المزيد

Sri Ganesh
Introduction
Saraswati
Ayodhya
Valmiki Ramayana
Ramayana
Dandaka Demon
Rama Avatar
Kausalya
Sri Ram
Sita
Hanuman
Sri Ram Dhootam
Defeat of Ravana
Bhagavad Gita [1]
Sri Krishna - Arjuna
Hymn to the Mother [Bande Mataram]
divine the feminine
Bhavani
Durga
Mahalakshmi
Mahasaraswati
Sri Krishna
Yoga of the Gita [1]
tactical
Andal to Krishna
Radha-Krishna
life forms
Isavasyam idam sarvam
Every Aspect
sadhu sadhu
art of devotion
Nataraja
Mahadev
Rudra
Aspects of Shiva
Siva and Parvati
Love Divine
eternal beauty
love gods
Kama
Agni
harmonised through yoga
Presence
Viswaroopa
Buddha
a distinction
imaging
The All informs
beyond the senses
brahman in and is all
Isha Upanishad
samo manapamanayoh
Divining Birth
Nachiketas questions Yama
Ganga
The Cosmic Dance
Refuge
Lila
Adwaita
Personal and Impersonal
Temple
The Hill-top Temple
'unity remains unabridged'
ever-evolving
supremely spiritual culture
essence
Raghuvamsa
Puranic Geography
''a sweetness ensnaring''
Maha-Muni Vyasa
alliance and allegiance
collusion and collision
Bhema
The Cunning of Duryodhana's Speech
deva
Nala
Nala and Damayanti
Fighting Spirit
Savitri
Patanjali
exemplar Janaka
source of beauty
rhapsody of region
The Cosmic Dance
zeitgeist
Deva and Asura
Just Rule
synthesis of spirit
Uloupie
Chitrangada [poem contd from Uloupie]
Chitrangada [revised version*]
On Translating Kalidasa
the ancients sacrificed
totality of the spiritual
chaturvyuha
go ~ aśva
epic of the seeker
influence
variety
levels
shining ones
Mahabharata
villains made heroes
na satyad agat
The Ashwins
radiant mysteries
guru
Mahakavi Vyasa
Uma
Dhanvantri

Bhagavad Gita [2]

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بواسطة suvachana


 ''...the crown of the Vedanta is only for the highest; the moral calamities that arise from the attempt of an unprepared soul to identify Self with God is sufficiently indicated in the legend of Indra and Virochana. 

Similarly this higher ethic is for the prepared, the initiated only, because the raw and unprepared soul will seize on the non-distinction between sin and virtue without first compassing the godlike purity without which such non-distinction is neither morally admissible nor actually conceivable. 

From this arises the unwillingness of Hinduism, so ignorantly attributed by Europeans to priest-craft and the Brahmin, to shout out its message to the man in the street or declare its esoteric thought to the shoeblack & the kitchen-maid.  The sword of knowledge is a double-edged weapon; in the hands of the hero it can save the world, but it must not be made a plaything for children. 

Krishna himself ordinarily insists on all men following the duties & rules of conduct to which they are born and to which the cast of their temperaments predestined them. Arjouna he advises, if incapable of rising to the higher moral altitudes, to fight in a just cause because that is the duty of the caste, the class of souls to which he belongs. 

Throughout the Mahabharata he insists on this standpoint that every man must meet the duties to which his life calls him in a spirit of disinterestedness,—not, be it noticed, of self-abnegation, which may be as much a fanaticism and even a selfishness as the grossest egoism itself. 

It is because Arjouna has best fulfilled this ideal, has always lived up to the practice of his class in a spirit of disinterestedness and self-mastery that Krishna loves him above all human beings and considers him and him alone fit to receive the higher initiation.''

स एवायं मया तेऽद्य योगः प्रोक्तः सनातनः ।
भक्तोऽसि मे सखा चेति रहस्यं ह्येतदुत्तमम् ॥

"This is that ancient Yoga which I tell thee today; because thou art My adorer and My heart's comrade; for this is the highest mystery of all."

Sri Aurobindo - Notes on the Mahabharata


Illustration from the web: Arjuna awaits humbly at the feet of Sri Krishna.  In contrast Duryodhana sees himself fit to sit at the head of the bed.

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