☀️ 𝓓epicting 𝓣he 𝓓ivine...

By suvachana

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✨𝓐rt of the 𝓓ivine - 𝓘magery and 𝓣exts ✨ More

Sri Ganesh
Introduction
Saraswati
Ayodhya
Valmiki Ramayana
Ramayana
Dandaka Demon
Rama Avatar
Kausalya
Sri Ram
Sita
Hanuman
Sri Ram Dhootam
Defeat of Ravana
Bhagavad Gita [1]
Bhagavad Gita [2]
Sri Krishna - Arjuna
Hymn to the Mother [Bande Mataram]
divine the feminine
Bhavani
Durga
Mahalakshmi
Mahasaraswati
Sri Krishna
Yoga of the Gita [1]
tactical
Andal to Krishna
Radha-Krishna
life forms
Isavasyam idam sarvam
Every Aspect
sadhu sadhu
art of devotion
Nataraja
Mahadev
Rudra
Aspects of Shiva
Siva and Parvati
Love Divine
eternal beauty
love gods
Kama
Agni
harmonised through yoga
Presence
Viswaroopa
Buddha
a distinction
imaging
The All informs
beyond the senses
brahman in and is all
Isha Upanishad
Divining Birth
Nachiketas questions Yama
Ganga
The Cosmic Dance
Refuge
Lila
Adwaita
Personal and Impersonal
Temple
The Hill-top Temple
'unity remains unabridged'
ever-evolving
supremely spiritual culture
essence
Raghuvamsa
Puranic Geography
''a sweetness ensnaring''
Maha-Muni Vyasa
alliance and allegiance
collusion and collision
Bhema
The Cunning of Duryodhana's Speech
deva
Nala
Nala and Damayanti
Fighting Spirit
Savitri
Patanjali
exemplar Janaka
source of beauty
rhapsody of region
The Cosmic Dance
zeitgeist
Deva and Asura
Just Rule
synthesis of spirit
Uloupie
Chitrangada [poem contd from Uloupie]
Chitrangada [revised version*]
On Translating Kalidasa
the ancients sacrificed
totality of the spiritual
chaturvyuha
go ~ aśva
epic of the seeker
influence
variety
levels
shining ones
Mahabharata
villains made heroes
na satyad agat
The Ashwins
radiant mysteries
guru
Mahakavi Vyasa
Uma
Dhanvantri

samo manapamanayoh

21 4 3
By suvachana


'' "Now Satyakama Jabala spoke unto his mother Jabala and said 'Mother, I shall go and lead the life of the Brahmacharin; tell me what is my gotra.' But she answered him, 'This I know not, my son, of what gotra thou art; resorting to many as a serving woman in my youth I got thee, therefore I know not of what gotra thou art. But Jabala is my name and Satyakama is thine, Satyakama Jabala therefore call thyself.' So he came to Haridrumata the Gautama and said, 'I would stay with my Lord as a Brahmacharin, let me therefore enter under thee.' And he said to him, 'My son, of what gotra art thou?' But the other answered, 'This, alas, I know not of what gotra I am; I asked my mother and she answered me, Resorting to many in my youth as a serving woman I got thee, therefore I know not of what gotra thou art, but Jabala is my name and Satyakama is thine; Satyakama Jabala therefore am I.' And he said to him, 'None who is not a Brahmin can be strong enough to say this; gather the firewood, my son, I will take thee under me, for thou didst not depart from the truth.' He admitted him and put forth four hundred cows weak and lean and said, 'These, my son, do thou follow as a herd,' and he set the cows in motion and said, 'Return not until they are a thousand.' And he fared abroad with them during the years till they were a thousand."

So the story opens, and simple as it seems, it already contains several points of capital importance in understanding the ideas of the time and the principles of the old Vedantic sadhana. 

Satyakama, as we gather from other passages, was one of the great Vedantic teachers of the time immediately previous to the composition of the Chhandogya Upanishad. But his birth is the meanest possible. His mother is a serving girl, not a dasi attached to a permanent household whose son could have named his father and his gotra, but a paricharika, serving for hire at various houses, "resorting to many", and therefore unable to name her son's father. 

Satyakama has, therefore, neither caste, nor gotra, nor any position in life. It appears from this story as from others that, although the system of the four castes was firmly established, it counted as no obstacle in the pursuit of knowledge and spiritual advancement. 

The Kshatriya could teach the Brahmin, the illegitimate and fatherless son of the serving girl could be guru to the purest and highest blood in the land. This is nothing new or improbable, for it has been so throughout the history of Hinduism and the shutting out of anyone from spiritual truth and culture on the ground of caste is an invention of later times. 

In the nature of things the usual rule would be for the greater number of spiritual preceptors to be found in the higher castes, but this was the result of natural laws and not of a fixed prohibition. It is noticeable also from this and other instances that it was the father's position that fixed the son's, and the mother's seems to have been of very minor importance. The question about the gotra was of importance, probably, with regard to the rites and other circumstances of initiation

Satyakama must have known perfectly well that he was the illegitimate son of a serving woman, but he wished to know his father's name and gotra because he would have to tell it to his guru. Even after knowing the worst, he persisted in his intention of taking up spiritual studies, so that he can have had no fear of being rejected on account of his base origin. 

His guru, impressed by his truthfulness, says, "None but a Brahmin would have the moral strength to make such an avowal." It can hardly be meant by this that Satyakama's father must have been a Brahmin, but that since he had the Brahmin qualities, he must be accepted as a Brahmin. 

Even the Kshatriya would have hesitated to speak so truthfully, because the Kshatriya is by nature a lover of honour and shuns dishonour, he has the sense of mana and apamana; but the true Brahmin is samo manapamanayoh, he accepts indifferently worldly honour and dishonour and cares only for the truth and the right. In short the Gautama concludes that, whatever may be Satyakama's physical birth, spiritually he is of the highest order and especially fitted for a sadhaka; na satyad agat, he did not depart from the truth.

The second point is the first action of the guru after the ceremony of initiation. Instead of beginning the instruction of this promising disciple he sends him out with four hundred miserable kine, more likely to die than prosper and increase, and forbids him to return till he has increased them to a thousand. Wherefore this singular arrangement? Was it a test? Was it a discipline? But Haridrumata had already seen that his new disciple had the high Brahminqualities. What more did he require?

The perfect man is a fourfold being and one object of Vedantic discipline is to be the perfect man, siddha. When Christ said, "Be ye perfect as your Father in heaven is perfect," he was only repeating in popular language the Vedantic teaching of sadharmya, likeness to God.''

Sri Aurobindo - Notes on the Chhandogya Upanishad

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