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By suvachana

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โœจ๐“rt of the ๐““ivine - ๐“˜magery and ๐“ฃexts โœจ More

Sri Ganesh
Introduction
Saraswati
Ayodhya
Valmiki Ramayana
Ramayana
Dandaka Demon
Rama Avatar
Kausalya
Sri Ram
Sita
Hanuman
Sri Ram Dhootam
Defeat of Ravana
Bhagavad Gita [1]
Bhagavad Gita [2]
Sri Krishna - Arjuna
Hymn to the Mother [Bande Mataram]
divine the feminine
Bhavani
Durga
Mahalakshmi
Mahasaraswati
Sri Krishna
Yoga of the Gita [1]
tactical
Andal to Krishna
Radha-Krishna
life forms
Isavasyam idam sarvam
Every Aspect
sadhu sadhu
art of devotion
Nataraja
Mahadev
Rudra
Aspects of Shiva
Siva and Parvati
Love Divine
eternal beauty
love gods
Kama
Agni
harmonised through yoga
Presence
Viswaroopa
Buddha
a distinction
imaging
The All informs
beyond the senses
brahman in and is all
samo manapamanayoh
Divining Birth
Nachiketas questions Yama
Ganga
The Cosmic Dance
Refuge
Lila
Adwaita
Personal and Impersonal
Temple
The Hill-top Temple
'unity remains unabridged'
ever-evolving
supremely spiritual culture
essence
Raghuvamsa
Puranic Geography
''a sweetness ensnaring''
Maha-Muni Vyasa
alliance and allegiance
collusion and collision
Bhema
The Cunning of Duryodhana's Speech
deva
Nala
Nala and Damayanti
Fighting Spirit
Savitri
Patanjali
exemplar Janaka
source of beauty
rhapsody of region
The Cosmic Dance
zeitgeist
Deva and Asura
Just Rule
synthesis of spirit
Uloupie
Chitrangada [poem contd from Uloupie]
Chitrangada [revised version*]
On Translating Kalidasa
the ancients sacrificed
totality of the spiritual
chaturvyuha
go ~ aล›va
epic of the seeker
influence
variety
levels
shining ones
Mahabharata
villains made heroes
na satyad agat
The Ashwins
radiant mysteries
guru
Mahakavi Vyasa
Uma
Dhanvantri

Isha Upanishad

34 5 5
By suvachana


''There is only One existence, one Reality in apparent multiplicity. The unimaginable Presence which is manifest in the infinite variety of the Universe, is alone and alone Is. The variety of things is in fact merely the variety of forms which the play or energy of the Will only seems, by its rapidity of motion, to create; so when the blades of an electric fan go whirling with full velocity, round & round, there seem to be not four blades or two, but a whole score; so, also, when Shiva in His mood begins His wild dance and tosses His arms abroad, He seems to have not two arms but a million. It is the motion of the play of Will, it is the velocity of His Energy vibrating on the surface of His own existence which seems to create multiplicity. 

All creation is motion, all activity is motion. All this apparently stable universe is really in a state of multifold motion; everything is whirling with inconceivable rapidity in its own orbit, and even thought which is the swiftest thing we know, cannot keep pace with the velocity of the cosmic stir. And all this motion, all this ever evolving cosmos and universe is Brahman the Eternal. The Gods in their swiftest movements, the lords of the mind & senses cannot reach Him, for He rushes far in front. The eye, the ear, the mind, nothing material can reach or conceive the inconceivable creative activity of this Will which is Brahman. 

We try to follow Him pouring as light through the solar system and lo! while you are striving He is whirling universes into being far beyond reach of eye or telescope, far beyond the farthest flights of thought itself. 

तन्मनसो जवीयो । 

Material senses quail before the thought of the wondrous stir and stupendous unimaginable activity that the existence of the Universe implies. And yet all the time He does not really move. All the time He who outstrips all others, is not running but standing. It is the others, the forms and things His Energy has evolved, who are running and because He outstrips them, they think that He too moves. While we are toiling after Him, He is all the time here, at our side, before us, behind us, with us, in us, His presence pervading us like the ether, clothing us like a garment. 


"Standing still, He outstrips others as they run." 

It is our mind & senses that are running and this universal motion is the result of the Avidya to which they are subject; for Avidya by persuading us to imagine ourselves limited, creates the conditions of Time, Space & Causality and confines us in them as in a prisoning wall beyond which our thoughts cannot escape. Brahman in all His creative activity is really standing still in His own being outside and inside Time & Space. He is at the same time in the Sun and here, because neither here nor the Sun are outside Himself; He has not therefore to move any more than a man has to move in order to pass from one thought to another. But we in order to realise His creative activity have to follow Him from the Sun to the Earth and from the Earth to the Sun; and this motion of our limited consciousness, this sensitory impression of a space covered and a time spent, we cannot dissociate from Brahman and must needs attribute the limitations of our own thought to Him; just as a man in a railway-train has a sensitory impression that everything is rushing past him and the train is still. 

The stir of the Cosmos is really the stir of our own minds, and yet even that is a mere phenomenon. What we call mind is simply one play of the Will sporting with the idea of multiplicity which is, in form, the idea of motion. 

The Purusha, the Real Man in us and in the world, is really unmoving; He is the motionless and silent spectator of a drama of which He himself is the stage, the theatre, the scenery, the actors and the acting. He is the poet Shakespeare watching Desdemona and Othello, Hamlet and the murderous Uncle, Rosalind and Jacques and Viola, and all the other hundred multiplicities of himself acting and talking and rejoicing and suffering, all himself and yet not himself, who sits there a silent witness, their Creator who has no part in their actions, and yet without Him not one of them could exist. This is the mystery of the world and its paradox and yet its plain and easy truth.''

Sri Aurobindo - The Eternal in His Universe - from manuscript/incomplete commentaries on the Isha Upanishad


Statue of the Hindu deity Shiva as Nataraja outside CERN in Geneva; the cosmic dance represents particle physics, entropy and the dissolution of the Universe. Presented by the Indian Science Mission in 2004 (credit: Ryan Bodenstein 2017/Creative Commons)

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