โ˜€๏ธ ๐““epicting ๐“ฃhe ๐““ivine...

By suvachana

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โœจ๐“rt of the ๐““ivine - ๐“˜magery and ๐“ฃexts โœจ More

Sri Ganesh
Introduction
Saraswati
Ayodhya
Valmiki Ramayana
Ramayana
Dandaka Demon
Rama Avatar
Kausalya
Sri Ram
Sita
Hanuman
Sri Ram Dhootam
Defeat of Ravana
Bhagavad Gita [1]
Bhagavad Gita [2]
Sri Krishna - Arjuna
Hymn to the Mother [Bande Mataram]
divine the feminine
Bhavani
Durga
Mahalakshmi
Mahasaraswati
Sri Krishna
Yoga of the Gita [1]
tactical
Andal to Krishna
Radha-Krishna
life forms
Isavasyam idam sarvam
Every Aspect
sadhu sadhu
art of devotion
Nataraja
Mahadev
Rudra
Aspects of Shiva
Siva and Parvati
Love Divine
eternal beauty
love gods
Kama
Agni
harmonised through yoga
Presence
Viswaroopa
Buddha
a distinction
imaging
The All informs
beyond the senses
Isha Upanishad
samo manapamanayoh
Divining Birth
Nachiketas questions Yama
Ganga
The Cosmic Dance
Refuge
Lila
Adwaita
Personal and Impersonal
Temple
The Hill-top Temple
'unity remains unabridged'
ever-evolving
supremely spiritual culture
essence
Raghuvamsa
Puranic Geography
''a sweetness ensnaring''
Maha-Muni Vyasa
alliance and allegiance
collusion and collision
Bhema
The Cunning of Duryodhana's Speech
deva
Nala
Nala and Damayanti
Fighting Spirit
Savitri
Patanjali
exemplar Janaka
source of beauty
rhapsody of region
The Cosmic Dance
zeitgeist
Deva and Asura
Just Rule
synthesis of spirit
Uloupie
Chitrangada [poem contd from Uloupie]
Chitrangada [revised version*]
On Translating Kalidasa
the ancients sacrificed
totality of the spiritual
chaturvyuha
go ~ aล›va
epic of the seeker
influence
variety
levels
shining ones
Mahabharata
villains made heroes
na satyad agat
The Ashwins
radiant mysteries
guru
Mahakavi Vyasa
Uma
Dhanvantri

brahman in and is all

24 3 8
By suvachana


Despair on the Staircase


Mute stands she, lonely on the topmost stair,
An image of magnificent despair;
The grandeur of a sorrowful surmise
Wakes in the largeness of her glorious eyes.
In her beauty's dumb significant pose I find
The tragedy of her mysterious mind.
Yet is she stately, grandiose, full of grace.
A musing mask is her immobile face.
Her tail is up like an unconquered flag;
Its dignity knows not the right to wag.
An animal creature wonderfully human,
A charm and miracle of fur-footed Brahman,
Whether she is spirit, woman or a cat,
Is now the problem I am wondering at.

[from lyrical poems from manuscripts of Sri Aurobindo]

pen and ink sketch by Mira Alfassa [The Mother]


Notes:

Adwaita vedanta is the recognition of the Oneness of being in a rich diversity of becoming.

Sri Aurobindo's writings and his yogic experience, politics and philosophy  are a testament to this multi-facted world-view, which includes both humanity and humour - exemplified in the poem above and the prison memoir below 

-----

Cell in Alipor jail where Sri Aurobindo got fundamental realisation of Cosmic Consciousness and Godhead (Sri Krishna) as all beings in One Being.


An extract from freedom-fighter Sri Aurobindo's Tales of Prison Life - an account of the harsh, solitary confinement to which he was subjected by the British. Inspite of the inhumanity he was subjected to, Sri Aurobindo was able to see the Divine in all things - good and bad, and to depict experiences with humour, humanity and humility:


''...this constituted the prisoner's meagre breakfast. Lufsi was a trinity i.e. it

had three forms. On the first day, Lufsi was presented

in its Prajna aspect - unmixed original elements, pure,

holy, Shiva-like. On the second day it was presented in

its Hiranyagarbha aspect - boiled along with lentils,

named khichuri, a yellowish admixture. On the third

day, lufsi appeared in its Virat aspect - with a touch of

jaggery, greyish in form, closer to being fit for human

consumption. I shunned the Prajna and the

Hiranyagarbha aspects after concluding that their

consumption was beyond the capacity of mere mortals;

but once in a while, I swallowed miniscule portions of

the Virat aspect and then lost myself in wonderment

and joyful reflection of the many-splendoured virtues

of British rule and the high level of humanitarianism

manifest in Western culture. It is mention-worthy that

lufsi was the only nutritious food-item for the Bengali

prisoners as the rest had no food-value.''

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