☀️ 𝓓epicting 𝓣he 𝓓ivine...

By suvachana

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✨𝓐rt of the 𝓓ivine - 𝓘magery and 𝓣exts ✨ More

Sri Ganesh
Introduction
Saraswati
Ayodhya
Valmiki Ramayana
Ramayana
Dandaka Demon
Rama Avatar
Kausalya
Sri Ram
Sita
Hanuman
Sri Ram Dhootam
Defeat of Ravana
Bhagavad Gita [1]
Bhagavad Gita [2]
Sri Krishna - Arjuna
Hymn to the Mother [Bande Mataram]
divine the feminine
Bhavani
Durga
Mahalakshmi
Mahasaraswati
Sri Krishna
Yoga of the Gita [1]
tactical
Andal to Krishna
Radha-Krishna
life forms
Isavasyam idam sarvam
Every Aspect
sadhu sadhu
art of devotion
Nataraja
Mahadev
Rudra
Aspects of Shiva
Siva and Parvati
Love Divine
eternal beauty
love gods
Kama
Agni
harmonised through yoga
Presence
Viswaroopa
Buddha
a distinction
imaging
beyond the senses
brahman in and is all
Isha Upanishad
samo manapamanayoh
Divining Birth
Nachiketas questions Yama
Ganga
The Cosmic Dance
Refuge
Lila
Adwaita
Personal and Impersonal
Temple
The Hill-top Temple
'unity remains unabridged'
ever-evolving
supremely spiritual culture
essence
Raghuvamsa
Puranic Geography
''a sweetness ensnaring''
Maha-Muni Vyasa
alliance and allegiance
collusion and collision
Bhema
The Cunning of Duryodhana's Speech
deva
Nala
Nala and Damayanti
Fighting Spirit
Savitri
Patanjali
exemplar Janaka
source of beauty
rhapsody of region
The Cosmic Dance
zeitgeist
Deva and Asura
Just Rule
synthesis of spirit
Uloupie
Chitrangada [poem contd from Uloupie]
Chitrangada [revised version*]
On Translating Kalidasa
the ancients sacrificed
totality of the spiritual
chaturvyuha
go ~ aśva
epic of the seeker
influence
variety
levels
shining ones
Mahabharata
villains made heroes
na satyad agat
The Ashwins
radiant mysteries
guru
Mahakavi Vyasa
Uma
Dhanvantri

The All informs

28 4 12
By suvachana


''Human conceptions of the Divine divide themselves first into the worship of the formed and the aspiration towards the formless, secondly, into the adoration of the Qualified and the urge of the rarest spirits towards the Unqualified, the Absolute. 

For all these stages the Tantric worship and discipline provides. 

How can the Formless invest Himself with form, asks the religious rationalist. 

The universe is there to reply. Hinduism worships Narayana in the stone, the tree, the animal, the human being. That which the intellectual and spiritual pride or severity of other religions scorns, it makes its pride and turns into its own form of logical severity. Stocks and stones, the quadruped and the human being, all these are equals in God, our brothers in the Divine, forms that the Omnipresent has not disdained to assume. 

But beyond the material forms there are others that are ideal and symbolic, but not less, if anything more real, more full of divine power than any actual physical manifestation. 

These are the mental images in which we worship God. The Hindu believes that to whatever form he brings his devotion, the love of God is bound to assume and vivify it, and we cannot say that the belief is irrational. 

For if there is a Consciousness in the universe and transcending it which answers to the yearning of all these creatures and perhaps Itself yearns towards them with the love of the Father, the Mother, the Friend, the Lover, and a love surpassing all these, then it is idle to suppose that It would assume or create for its own pleasure and glory the forms of the universe, but would disdain as an offence to Its dignity or purity those which the love of the worshipper offers to It and which after all Itself has formed in his heart or his imagination. 

To these mental forms mental worship may be offered, and this is the higher way; or we may give the material foundation, the pratiṣṭhā, of a statue or pictured image to form a physical nodus for a physical act of worship.

In the formless also we worship God, in His qualities, in His Love, Power, Bliss, Wisdom, in the great cosmicPrinciples by which He manifests Himself to the eye of knowledge. 

We worship Him as the Impersonality manifested in these things or the Personality containing them. And we rise at the apex of the pinnacle into that which is not only formless, arūpa, but nirguṇa, qualityless, the indefinable, anirdeśyam, of the Gita.

 In our human ignorance, with our mental passion for degrees and distinctions, for superiorities and exclusions, we thus grade these things and say that this is superior, that is for ignorant and inferior souls. Do we know? 

The Theist looks down with reprobation on the form-adoring man-worshipping idolater and polytheist; the Adwaitin looks down with a calm and tolerant indulgence on the ignorance of the quality-adoring personality-bemused Theist. But it seems to us that God scorns nothing, that the Soul of all things may take as much delight in the prayer of a little child or the offering of a flower or a leaf before a pictured image as in the philosopher's leap from the summit of thought into the indefinable and unknowable and that he does best who can rise and widen into the shoreless realisation and yet keep the heart of the little child and the capacity of the seer of forms.''

Sri Aurobindo - Early Cultural Writings - Review of 'Hymns to the Goddess'Translated from the Sanskrit by Arthur and Ellen Avalon


A stone figure of 'Hara-Pārvatī' (Śiva seated with Pārvatī on his knee). Also known as 'Umamahesvaramurti'. Accompanied by a lion and a bull (Nandi) and surrounded by many flying and standing attendants (musicians, garland-bearers), there is also a row of ritual equipment: two conch-shell trumpets on stands, a lamp and a bell. British Museum [wikipedia]

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