How to Write a Good Story

By JoyCronje

307K 8.1K 1.1K

This book is a collection of resources and random tips that will help you become a better writer and create s... More

Body Language (I)
Body Language (II)
Body Language (III)
Body Langauge (IIII)
Advice from Cliff Pickover (I)
Advice from Cliff Pickover (II)
Advice from Cliff Pickover (III)
Advice from Cliff Pickover (IIII)
Donna Ippolito
Dialogue: The Music of Speech (I)
Dialogue: The Music of Speech (II)
Dialogue: The Music of Speech (III)
Dialogue: The Music of Speech (IIII)
Elizabeth Sims
7 Ways to Make a Good Story Great (I)
7 Ways to Make a Good Story Great (II)
7 Ways to Make a Good Story Great (III)
Fixing Common Plot Problems (I)
Fixing Common Plot Problems (II)
Fixing Common Plot Problems (III)
Fixing Common Plot Problems (IIII)
Interlude: Joy on writing a good story
Using the Reverse Dictionary
'Ly' Adverbs (I)
'Ly' Adverbs (II)
'Ly' Adverbs (III)
Ernest Hemingway's app and advice (I)
Ernest Hemingway App and Advice (II)
Ernest Hemingway App and Advice (III)
Ellen Brock: Omniscient Narrator & Third Person Voice (I)
Omniscient Narrator & Third Person Voice (II)
Omniscient Narrator & Third Person Voice (III)
Interlude: Fun stuff (I)
Interlude: Fun stuff (II)
Randy Ingermanson: the Snowflake Method (I)
the Snowflake Method (II)
the Snowflake Method (III)
the Snowflake Method (IIII)
Gayle Moran on Points of View in Writing
Points of View in Writing (II)
Naming your Characters
Interlude: Joy on Plotting and Characters (I)
Interlude: Joy on Plotting and Characters (II)
Writing From more than one Point of View
Writing from More than One Point of View (II)
Janice Hardy on Multiple Point of View Characters
Jody Hedlund: 7 POV Tips -Avoid being Branded as an Amateur
Words To Describe a Character's Voice
Fictional vs Real Settings for your Story
Janice Hardy: 10 Questions to Ask when Choosing a Setting (I)
Randall S Hansen: Expanding Your Vocabulary (I)
Expanding Your Vocabulary (II)
Amanda Patterson: Guaranteed ways to bore your reader
Richard Nordquist: 200 Common Redundancies (I)
Common redundancies (II)
200 Common Redundancies (III)
Eight Ways to Strengthen your Prose
Leo Babauta: 31 Ways to Find Inspiration for Your Writing
31 Ways to Find Inspiration for Your Writing (II)
Interlude: Joy on overcoming writer's block
ProofEditWrite.com: Avoid Clichés
Avoid Clichés (II)
Words to Describe a Room
David Mesick: Three Things that will Make your Characters Deeper
SaidSimple: When To Start A New Paragraph
Rachelle Gardner: How to cut Thousands of Words without Shedding a Tear
Passed or Past? (grammarmonster.com)
Bare vs. Bear
Chuck Wendig: 25 Things a Great Character Needs
HOW TO PLOT A STORY
ACTIVE AND PASSIVE VOICE
Grammar Girl & Grammar Party: until, 'til, till, til
Gilliane Berry: The Ten Worst Ways to End a Book
Gary Korisko: How to Write With Confidence
silverpen.org: Grand List of Fantasy Clichés
Chuck Wendig: said or fancy-pants words
When Should We CaPiTaLizE?
Rob Hart: Plot Clichés
Strange Horizons: Stories we've seen too often (I)
Strange Horizons: Stories we've seen too often (II)
Strange Horizons: Horror stories we've seen too often
PunctuationMadeSimple.com
Punctuationmadesimple.com: The Apostrophe

10 Questions to Ask when Choosing a Setting (II)

1.5K 29 8
By JoyCronje

6. Do you want a real or fictional setting?

You might want the reader to bring her own memories and views of a real place to the story, or you might want to create an entirely make believe world. A fantasy realm, a distant planet, or even a small town that doesn't actually exist. Real places might require a little more research to ensure you're not getting facts wrong, but they also bring a sense of realism to the story. A made up place gives you the freedom to do whatever you want, though it might take more work to build that world. 

(More on choosing the right words to describe your setting here) 

7. Is it a small or large scale location?

Consider the scope of your setting. Maybe you want a small town, or just a small room. You might want the story to spread across continents or galaxies. 

8. Do you want an urban or rural area?

Big cities offer things rural places don't and vice versa. Even if your setting is made up, you have options on how metropolitan it will be. 

(More on researching your setting here) 

9. Does the protagonist know this place or is she new to it?

A setting feels differently to someone who's live there her whole life versus a newcomer. Do you want the reader to feel like a newcomer as well, or like a native? 

10. Do you want a setting you're familiar with or something you'd need to research?

You might choose to set the novel in your hometown, or pick a place you've always wanted to visit. Knowing the locale might be easier to write, though you might also feel the need to get every detail exact (which can bog you down). The freedom to explore a new location could spark excitement and make the setting come alive, (though you could get details wrong and have readers call you on it.) 

The setting brings so much to a story, it's worth taking time to find the one that best enhances that story. 

For those who would like to improve, here's a writing exercise:-

In 250 words or less, describe a setting 

But here's the catch--use contradictory imagery. For example, describe a scary setting using a locations that's traditionally, non-scary. Or a romantic setting somewhere that's usually un-romantic. Stuck for ideas? Pick one of these pairings:

A romantic garbage dump. 

A terrifying pre-school. 

A comforting haunted house. 

A funny funeral parlor. 

Post your entry in the comments below :D

Thanks for reading and commenting and voting people! Here's to us, the writers *raises glass*.

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