How to Write a Good Story

By JoyCronje

307K 8.1K 1.1K

This book is a collection of resources and random tips that will help you become a better writer and create s... More

Body Language (I)
Body Language (II)
Body Language (III)
Body Langauge (IIII)
Advice from Cliff Pickover (I)
Advice from Cliff Pickover (II)
Advice from Cliff Pickover (IIII)
Donna Ippolito
Dialogue: The Music of Speech (I)
Dialogue: The Music of Speech (II)
Dialogue: The Music of Speech (III)
Dialogue: The Music of Speech (IIII)
Elizabeth Sims
7 Ways to Make a Good Story Great (I)
7 Ways to Make a Good Story Great (II)
7 Ways to Make a Good Story Great (III)
Fixing Common Plot Problems (I)
Fixing Common Plot Problems (II)
Fixing Common Plot Problems (III)
Fixing Common Plot Problems (IIII)
Interlude: Joy on writing a good story
Using the Reverse Dictionary
'Ly' Adverbs (I)
'Ly' Adverbs (II)
'Ly' Adverbs (III)
Ernest Hemingway's app and advice (I)
Ernest Hemingway App and Advice (II)
Ernest Hemingway App and Advice (III)
Ellen Brock: Omniscient Narrator & Third Person Voice (I)
Omniscient Narrator & Third Person Voice (II)
Omniscient Narrator & Third Person Voice (III)
Interlude: Fun stuff (I)
Interlude: Fun stuff (II)
Randy Ingermanson: the Snowflake Method (I)
the Snowflake Method (II)
the Snowflake Method (III)
the Snowflake Method (IIII)
Gayle Moran on Points of View in Writing
Points of View in Writing (II)
Naming your Characters
Interlude: Joy on Plotting and Characters (I)
Interlude: Joy on Plotting and Characters (II)
Writing From more than one Point of View
Writing from More than One Point of View (II)
Janice Hardy on Multiple Point of View Characters
Jody Hedlund: 7 POV Tips -Avoid being Branded as an Amateur
Words To Describe a Character's Voice
Fictional vs Real Settings for your Story
Janice Hardy: 10 Questions to Ask when Choosing a Setting (I)
10 Questions to Ask when Choosing a Setting (II)
Randall S Hansen: Expanding Your Vocabulary (I)
Expanding Your Vocabulary (II)
Amanda Patterson: Guaranteed ways to bore your reader
Richard Nordquist: 200 Common Redundancies (I)
Common redundancies (II)
200 Common Redundancies (III)
Eight Ways to Strengthen your Prose
Leo Babauta: 31 Ways to Find Inspiration for Your Writing
31 Ways to Find Inspiration for Your Writing (II)
Interlude: Joy on overcoming writer's block
ProofEditWrite.com: Avoid Clichés
Avoid Clichés (II)
Words to Describe a Room
David Mesick: Three Things that will Make your Characters Deeper
SaidSimple: When To Start A New Paragraph
Rachelle Gardner: How to cut Thousands of Words without Shedding a Tear
Passed or Past? (grammarmonster.com)
Bare vs. Bear
Chuck Wendig: 25 Things a Great Character Needs
HOW TO PLOT A STORY
ACTIVE AND PASSIVE VOICE
Grammar Girl & Grammar Party: until, 'til, till, til
Gilliane Berry: The Ten Worst Ways to End a Book
Gary Korisko: How to Write With Confidence
silverpen.org: Grand List of Fantasy Clichés
Chuck Wendig: said or fancy-pants words
When Should We CaPiTaLizE?
Rob Hart: Plot Clichés
Strange Horizons: Stories we've seen too often (I)
Strange Horizons: Stories we've seen too often (II)
Strange Horizons: Horror stories we've seen too often
PunctuationMadeSimple.com
Punctuationmadesimple.com: The Apostrophe

Advice from Cliff Pickover (III)

6.5K 286 50
By JoyCronje

The advice in this chapter and the next are further points on the more nitty gritty mechanics of writing a best seller novel, which I hope you will find useful.


"Like" or "As If" 

The word "like" should not be used preceding a clause with a subject and a verb. Examples: 


It felt like a furry ball.

It felt as if a furry ball rolled around in his stomach. 


Split Infinitive 

Some publishers ask that you don't put an adverb between "to" and "verb." 

Wrong: "to carefully create." Correct: "to create carefully." (However, I tend to disregard this rule whenever it sounds "wrong" to my ear. You can usually ignore this rule, too.) 


Wordiness 

Reduce wordiness by changing: 

"stooped down" to "stoop" 

"rose up" to "rose" 

"penetrated through" to "penetrate" 

"caught sight of" to "saw" 

"in the event that" to "if" 

"at the present time" to "now" 

etc. 


Also change: 


"towards" to "toward" 

"besides" to "beside" 


To Lie/To Lay 

The verb form of lay takes an object, and lie does not. Example: 


He laid the shovel on the ground. 

He wanted to lie on the ground. 


Since/Because 

"Since" should be used when time is involved. 

I have been sad since you arrived. 


Use because when implying a cause. 

I have been sad because my house burned down. 


Each Other/One Another 

"Each other" is used when you refer to two people. "One another" is used when you refer to three or more people. 


Example: Mindy and John bumped into each other. 


Participial Phrases 

Modifying phrases that start with verbs ending in"ing" or "ed" require a comma before the phrase. 


He pushed the ball, using a can of peaches. 

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