How to Write Stories People W...

By Zoe_Blessing

481K 49K 18.1K

If you're a writer struggling to improve your craft, this book can help. It breaks down the basics of a good... More

1. Be Realistic
2. Write What You Enjoy
3. Find Inspiration
4. Create Relatable Characters
5. Be Authentic (plus Sensitivity Readers)
6. Add Tension
7. Read Other Books
8. Get Critiques
9. Practice Your Craft
10. Maintain Motivation
11. Deal With Fear
12. Demonstrate, Don't Explain
13. Tailor Your Descriptions
14. Recognize Can't Versus Won't
15. Ease Up On Backstory (and Prologues)
16. Kick Writer's Block
17. Create Interesting Dialogue
18. Beat Back Self-Doubt
19. Use Strong Verbs
20. Intermission
21. Carve Out Time
22. Streamline Your Sentences
23. Give Your Character a Journey
24. Read Big Magic
25. Avoid the Info-Dump
26. Break Stereotypes
27. Plan Your Story
28. Intermission 2
29. Manage Your Expectations
30. Find Your Voice - Part 1
31. Find Your Voice - Part 2
32. Rework the Beginning
33. Develop Your Characters
34. Shameless Plug
35. Continue Kicking Writers Block
36. Create Active Characters
37. Avoid Predictability
38. Follow Writers Connect
Questions?
Question 1: Writing outside the box
Question 2: Writing short stories
Question 3: Plot twists
Question 4: Keeping your story on target
Question 5: Writing a series
Question 6: Foreshadowing
Question 7: Writing faster and routines
Question 8: Pushing through to the end
Question 9: Seamlessly weaving in backstory
Question 10: Too many story ideas
Question 11: How to write a blurb
Question 12: Connecting scenes
Question 13: Creating original characters
Question 14: Descriptive writing
Question 15: When to start posting a story
Question 16: Determining chapter breaks
Question 17: Breaking cliches
Question 18: How to end a book
Question 19: Alternate universes
Question 20: Staying in character
Question 21: Narrating dialogue
Question 22: Conveying emotion
Question 23: Changing viewpoints
Question 24: Avoiding cardboard characters
Question 25: Fight scenes
Question 26: Filter words
Question 27: Flashbacks
Question 28: Writing about feelings you've never felt
Question 29: Avoiding the "Mary Sue"
Question 30: Making readers cry
Question 31: Avoiding a rushed plot
Question 32: Deus Ex Machina
Question 33: Making chapters longer
Question 34: Unhappy endings
Question 35: Introducing characters
Question 36: Dialogue with deaf characters
Question 37: Phone conversations
Question 38: Not sounding forced
Question 39: Avoiding repetition
Question 40: Fixing awkward scenes
Question 41: Chapter length
Question 42: Text messages
Question 43: Writing uncomfortable scenes
Question 44: Romantic scenes
Question 45: Dream sequences
Question 46: Humor
Question 47: Dialogue arguments
Intermission
Question 48: Sex scenes
Question 49: Emotions through eyes
Question 50: Stuttering characters
Question 51: Switching POV across a series
Question 52: Believable romance
Question 53: Car accidents
Question 54: Unexpected love
Question 55: Vivid visions
Question 56: Mixing in other languages and culture
Question 57: Breakups
Question 58: First person character descriptions
Question 59: Character deaths
Question 60: Writing from an unfamiliar POV
Question 61: Kissing scenes
Question 62: Nostalgic stories
Question 63: Dialogue from the Middle Ages
Question 64: Sensitive topics
Question 65: Writing pain
Question 66: Too much plot
Question 67: Characters with low self-esteem
Question 68: Is my story too long?
Question 69: Turning random ideas into a story
Question 70: Opening lines
Question 71: Accents
Question 72: Meet cutes
Question 73: Cliffhangers
Question 74: Avoiding melodrama
Question 75: Subplots
Question 76: How to edit
Question 77: Dealing with numerous characters
Question 78: Character names
Question 79: Startling the reader
Question 80: Story within a story
Question 81: Distinctive character voices
Question 82: Pacing
Question 83: Blind characters
Question 84: Writing about future technology
Question 85: Injuries
Question 86: Side characters
Question 87: Characters with negative attitudes
Question 88: Opening scenes
Question 89: Love triangles
Question 90: Insecurities about writing
Question 91: Signs of intimacy
Question 92: Introducing characters to each other
Question 93: When to be detailed or vague
Question 94: Killing off a character
Question 95: Characters in gangs
Question 96: Slow burn romance
Question 97: Arguments that end friendships
Question 98: Writing smart characters
Question 99: Making characters attractive to readers
Question 100: Future technology for sci-fi
Question 101: Animal POV
Question 102: Hijabi characters
Question 103: Second chance love
Question 104: Autistic characters

Question 105: Writing Villains

871 65 23
By Zoe_Blessing

JassaReal asks: How do I make a complex, rounded Villain character? I really like those types of villains specially if they have grey morals.


I've got two great Wattpad Stars here to provide answers. First is IntoTheTempest, a fantasy writer with several completed stories you'll want to check out, including Swordmaster (link in the comments) which features a morally grey villain. Here's what Tempest has to say:

I'll start off by saying I don't use villain and antagonist synonymously. A character can be their own antagonist. Or their circumstances can be the antagonist. Just needed to get that out of the way.

For me, what makes a really great morally grey villain is a good ideology with extreme methods of execution. What they want isn't necessarily bad, but what they're willing to do to get it is extreme. I suppose, in theory, this could also work in reverse—horrible ideology but with peaceful methods of execution—but I haven't seen it in reverse.

Case in point: Erik Killmonger from Black Panther. Yes, Killmonger was right. Wakanda was wrong for abandoning the world. Wakanda was selfishly hoarding its wealth and resources while the diaspora was suffering. What also made Erik great was that he was relatable, at least to the target audience. Nobody was relating to T'Challa. He was a pampered prince raised in ivory towers. He didn't know the struggle. Killmonger was angry, rightfully so, at colonisers and Wakanda.Where he went off the rails was his plans. He wanted to arm the diaspora with weapons and basically repeat history with black people as the colonisers. While I don't entirely disagree with that approach, I recognise it would not have ended well. He would basically turn "his people" into the very thing he despised.

But Killmonger was still right. Black people did need to be armed. But not with weapons. Black people needed to be armed with the knowledge and resources to combat oppression and become masters of their own destiny. Which happens a little bit in the second movie.

Anyway, I hope this example helps. Wakanda salute


Next up is ClarissaNorth, a romance and paranormal author with numerous great stories you should check out, including And Then You Die (link in comments) which features a morally grey villain. Here's what Clary has to say:

What you need to remember about villains is that, in their opinion, they're not the bad guy. No one sets out to be the villain of their story. As fun as a moustache twirling, train track tying, cackling villain can be to write, they're flat stereotypical characters who offer very little to a complex narrative.

If you want a realistic but morally grey villain then you need to ensure, first and foremost, that they truly believe in what they're doing. If their plot is in the name of revenge, then they must believe the hero, the world, or their adversary is deserving of it. To them, this is karmic balance. It's justice. It's righting a wrong. If they want to take over the world it could be that they see inequality and feel they could do a better job. Their new world order might, to their mind, bring peace when in fact it erases free will. The most frightening people out there are the ones who buy into their own dangerous rhetoric.

There are of course some villains who just want to cause chaos. The Joker played by Heath Ledger is a great example of this. They just want the world to burn because it's fun, they're bored, it's something to do. Those characters make fantastic villains because they can't be negotiated with. They're a destructive force and have no moral compass. They just do what they do because they can.

But if you want to make a morally grey villain, or a complex villain, they need to have an arc just like your hero. Think about what set them off on their journey. Why do they want to reshape the world or hurt people? Do they perceive those people as bad? Villains like this are a mirror image of your hero. Both want to achieve their goals, but the only difference is that your hero is hindered by their desire to conform to societal moral archetypes while your villain is willing to throw those out and subscribe to their own set of rules. They view the world through a different lens.

To them, the ends justify the means, no matter what.


Thank you, Tempest and Clarissa! Be sure to check out their profiles and maybe share some love. If you direct a comment at one of them, be sure to tag them because they won't be notified of comments on this post.

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