Pirate Cinema

By CoryDoctorow

42.3K 1K 65

Trent McCauley is sixteen, brilliant, and obsessed with one thing: making movies on his computer by reassembl... More

Introduction
Dedication
Prologue
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Epilogue
Acknowledgements
Biography

Chapter 11

1.2K 48 3
By CoryDoctorow

Speechifying/£78 million/A friend in the law

Writing a speech is stupid. You write it and speak the words aloud -- I'd started off saying them into a webcam so that I could see what I looked like when I was talking, but I was so self-conscious about the horrible spectacle of all those stupid contrived words coming out of my spotty, awkward face -- and they sound as convincing as a cereal advert. The thing was, I'd heard plenty of speeches -- Scot Colford had done more than a few brilliant ones in his films -- and felt my heart soaring in response to the words entering my ears, so I knew it was possible to say things that moved people and maybe even changed their minds.

But I didn't know what words to say, or how to say them. I sat in my room, filling screen after screen with stupid, stupid words, discarding them, starting over, and finally, I called Cora.

I'd been chatting to her all the time lately. She loved the idea of reforming TIP, and said that all her schoolmates were geared up to help. They'd descend on every MP's surgery in Bradford with their parents in tow, and grab the lawmakers by the lapels and demand that they listen to reason and refuse to leave until they did. Cora was so much smarter than me. She was like 26 in that regard (and 26 probably called her even more than I did -- she'd adopted her as big sister and co-conspirator and the two were thick as thieves), just another one of the brilliant women in my life who were much, much cleverer than I'd ever be. Why weren't they giving the speech? Well cos 26 had already filled in for my speech, and cos Sewer Cinema had been my idea, and because, weird as it was, millions of people actually cared what films Cecil B. DeVil gave his seal of approval to.

Cora would understand what it was like to grow up in the kind of family where no one believed you could change anything, ever. She'd know exactly what to say to me. I dialed her and listened to it ring two, three times. I checked my watch. Bugger, she was at school. I was about to hang up when it was picked up.

“Cora?” I said.

“Cora's at school,” my mum said. “She forgot her phone -- I found it between the sofa cushions. Is that Trent?”

I groaned inwardly. Mum and Dad and I had been on speaking terms since I'd gone back, and I rang them every fortnight or so to have a kind of ritualistic conversation about how many veggies I was eating and whether I was taking drugs or getting into trouble. The kind of conversation where everyone knows that the answers are lies, but pretends not to, in other words. I loved my parents and even missed them in a weird sort of way, but I hadn't gone to them for advice since I was a little nipper. I certainly wasn't planning on getting public speaking advice from my mum. The closest thing she'd ever come to giving a public speech was making the Christmas toast every year, and she was famously long-winded at that, too.

“How are you, Mum?”

“Can't complain, actually. Been looking up the drugs and that they have me taking for my legs, and you know what I discovered? Turns out the pills one doctor had given me, way back when I had you were very bad to take if you were on the other pills, the ones I've been on for about five years. So I stopped taking the old ones and I can't tell you how much of an improvement it made!”

“Wow,” I said. “That's fantastic news!” My mum's legs have given her trouble all my life, and on the bad days, she could barely stand. It had all been getting much worse lately, too. This really was brilliant news.

“It's better than fantastic, you know. Now that I can get about a little more, I've been doing the physiotherapy and getting some more walks in, and I've found a ladies' walking group that goes out three evenings a week. It came up as an automatic suggestion when I was looking up the physio things, you understand. It's made such a difference, I can hardly believe it.”

“Aw, Mum, I'm so happy for you! Honestly, that's just brilliant.”

“Shall I tell Cora you called?”

I was about to thank her and ring off, but I stopped. She didn't sound like my mum somehow -- didn't have that note of deep, grinding misery from years and years of chronic pain. Didn't sound like she just wanted to make the world all go away. It was the sound of my mum on her rare good days, the few I remembered growing up, when we'd go to the park or even to a fun fair or a bonfire and she'd smile and we'd all smile back at her. When Mum was happy, the whole family shone.

“Mum? Can I ask you something?”

“Of course, sweetie, any time.”

“Well, you know. I'm giving a speech soon, and --” I told her about the meeting and the talk I was supposed to give. “It's only meant to be fifteen minutes or so, but everything I write sounds so stupid. I'm going bonkers here.”

She was quiet for a long time. “Trent,” she said, “we haven't really talked much about this, I know. All this business with copyright and that. I think you probably think I disapprove of it all. But the truth is, you convinced me.” My heart sped up. “I don't know how else to put it. When you started it all, the downloading and making your films, I thought it was a kind of hobby, and I guess it was, though if you say it's art, I'll say it's art. It's not like I'm any kind of authority on art, you know. Never had much use for it, to tell the truth. But the thing that convinced me isn't art or anything like it, it's the idea that protecting copyright is more important than our network connection. I mean, look at me. I was a complete disaster until I was able to use the Internet to look up my troubles. It helped me find people around the world who had the same problems as I did, and even helped me find ladies from right here on my own manor who could help me get out and about. It seems to me that everyone must have a story like this -- look at your sister's education, or your father's job, or the new people next door, the Kofis. They just had a baby, a darling little girl, and their poor old parents in Ghana can't come for a visit. So they have a visit over the video, every night. Take away their Internet, you take away that little girl's chance to know her granny and grandad. Seems to me that's just not right. If the only way the films and music and that can get made is by giving them the power to just cut off all our connections to one another and work and school and health, I think we should just let 'em die.”

My mouth literally hung open. My mum hadn't said anything that profound to me since... well, forever. Or maybe she'd never said anything that profound at a time I was ready to hear it. I know that I'm often ready to ignore anything my parents say. But this came straight from Mum's heart, and she had clearly thought well hard about it. Had I ever wondered how I'd make any of this matter to my parents? What an idiot I was.

“Mum,” I said, “that was genius. Really.”

“Don't pull my leg, Sunshine. It was just what I feel. I thought that knowing you could convince a silly old woman might help you do your talk.”

“Ma, seriously --” I felt for the words. “What you just said, it put it all into perspective for me. It's like --” And then I had it. “Never mind. Thanks, Mum! Love you!”

“Love you too, Trent.” She sounded bemused now. I rang off and put my fingers back on the keyboard.

“It's easy to think nothing we do matters. After all, didn't we mob our MPs when they were debating -- or rather, not debating the Theft of Intellectual Property Bill? And they passed it anyway. Most of 'em didn't even turn up for work that day, couldn't be arsed to show up and defend the voters. And now they're throwing kids in jail at speed for downloading, cutting off families from the Internet as though losing your net access was like being sent to bed without supper.”

I looked out over the crowd. They'd said it would be huge, but I hadn't really anticipated what huge really meant until I'd got up on the little podium at the end of the hall. The people looked like some kind of impossible “Where's Wally” drawing, like a kid's drawing of a foot- ball stadium where all the faces are represented by a kind of frogspawn cluster of little cir- cles all touching one another. Many of the heads were crowned with odd, mirror-brimmed hats -- mossie-zappers, with green lasers ready to fight back the West Nile scourge. Even though no one was talking, there was an enormous wall of sound rising off the crowd -- whispers, shifting feet on floorboards, rasping of fabric from arms and legs. Part of me noted this in the abstract, wished I had a really good multichannel recording setup pointed out at the crowd to use for Foley sound the next time I wanted to edit a crowd into a film project.

I took a breath, the sound enormously magnified by the PA speakers beside the podium and set up around the room.

“Here's why I think we're going to win. Because we all need the net. Every day that goes by, more and more of us realize it.” I looked again into the crowd, found Cora, who'd come down for the day to see me talk. She was in a little knot of her school chums, all come down together on the bus after much wheedling of parents who thought London would swallow them whole. “My mum just explained to me that when we lost our net connection, she wasn't able to get the health information she needed to help with her legs. She was sentenced to a year of agony, trapped in her flat, because I'd been accused of downloading. It cost my dad his job: up in Bradford, practically all the work there is comes over the net. He worked as a temp phone-banker, answering calls for a washing machine warranty program one day and taking orders for pizza the next day. It didn't pay much, but it was the best job he could get. And my sister --” I looked at Cora again. She was blushing, but she was grinning like a maniac, too. “She was in school, and you just imagine what it was like for her, trying to do her GCSEs without the net, when every other kid in her class had Google, all the books ever published, all those films and sound files and so on.

“My mum and dad aren't geeky kids who want to remix films. They're just plain northern- ers. I love them to bits, but they'd be the first to tell you they don't know anything about technology and all that business. But last week, my mum explained to me, better than I ever could, why the net matters to them, and why laws like TIP, which make the net's exis- tence contingent on it not messing up the big entertainment companies' ancient business models, are bad for normal people like them.

“That's when I realized why we were going to win in the long run: every day, someone else in this country wakes up and discovers that his life depends on the net. It may be how he gets his wages, or how he stays healthy, or how he gets support from his family, or how he looks in on his old parents. Which means that, every day, someone in this country joins our side. All we need to do is make sure that they know we exist when that happens, and lucky for us, we've only got the entire sodding Internet to use to make that happen. It's why there are so many people joining up with pressure groups like Open Rights Group and all that lot.

“So we're going to win someday. It's just a matter of how many innocent people's lives get destroyed before that happens. I'd like that number to be as small as possible, and I'm sure you would too. So that's why I think it's worth trying to win this, today, now, here. Last year, our MPs didn't believe that enough voters cared about the net to make voting against TIP worth it? This year, they know different. Let's remind them of that, now that there's an election coming up. All of you who went out last time, it's time to pay a little 'I told you so' visit on your MP. And those of you who didn't care or didn't believe it was worth it last time: this time you need to care. This time it's worth it.”

I drank some water. Something weird was happening: despite my dry throat and my thun- dering pulse, I was enjoying this! I could feel the talk's rhythm like I could feel the rhythm of a film when I was cutting it, and I knew that I was doing a good job. Not just because people were smiling and that, but because I could feel the rightness.

“They tell us that without these insane laws, our creativity will dry up and blow away. But I make films. You've seen them, I think --” A few people cheered in a friendly way, and I waved at them. “And I think they're plenty creative. But according to laws like TIP, they're not art, they're a crime.” People booed. I grinned and waved them quiet again. “Now, maybe there used to be only one way to make a film, and maybe that way of making films meant that you needed certain kinds of laws. But there are plenty of ways to make films today, and yesterday's laws are getting in the way of today's film making. Maybe from now on, creativity means combining two things in a way that no one has ever thought of combining them before.” I shrugged. “Maybe that's all it ever was. But I think my films should be allowed to exist, and that you should be allowed to watch them. I think that a law that protects creativity should protect all creativity, not just the kind of creativity that was successful fifty years ago.”

I looked down at the face of my phone, resting on the podium. My countdown timer had nearly run out. I'd timed this talk to exactly ten minutes, and here I was, right at the end, after ten minutes exactly. I smiled and raised my voice.

“They've been passing laws to make people like you and me more and more guilty for years. All it's done is crushed creativity and ruined lives. We've had the Web for decades now, isn't is about time we made peace with it? You can do that -- tell your MP, and remind him that it's election season. We're going to win someday -- let's make it today.”

I swallowed, smiled, said, “Thank you,” and grabbed my phone and my papers and stepped away from the podium. The applause and cheers rang in my ears and people were saying things to me, leaning in to shout congratulations and good job and that, and it was all more than I could take in, so it blended into a kind of hand-clasping, shoulder-shaking hurrah. My head was light and my hands were shaking and I felt unaccountably hot. I knew I'd done well, and I'd managed to keep all my nervousness at bay while I was speaking, but now I felt like I might actually faint -- keel right over on the spot.

I pushed my way clear of the well-wishers and through the crowd (more people shaking my hands, whispering that I'd done a good job, while the next speaker -- a Green MP I'd met once before at one of Annika's meetings -- began her talk) and out into the cool of the entry hall. I leaned against the wall and put my head back and closed my eyes and concentrated on breathing heavily. Then I heard the door to the hall open again (the MP's voice growing louder for a moment) and two sets of footsteps approaching. They came closer and I smelled 26's hair stuff. She kissed me softly on the lips, pressing her body to mine, and I kept my eyes closed while my world shrank down to the lips gently pressing against mine.

“You okay?” she said, whispering into my mouth. “Yeah,” I said. “Just wrung out.”

“Okay,” she said. “Got to get back to it, I'm next.”

“I'll be right in,” I said.

She moved away and I opened my eyes to see who else had come out with her. It was Cora, of course, her eyes shining, and she flung her arms around my neck and hugged me so hard I thought I'd fall over. “You were brilliant! I'm so proud! My friends all think you're a god!”

I laughed. This was exactly what I needed. My sister and my girlfriend, both telling me I'd done it all right, hadn't cocked up, and an island of isolation from the crowd and the speeches and the rushing around and the pressure.

A man crossed the lobby. He was dressed like a hoodie from the estate I grew up on, but he was older, and really, too old to be dressed like a teenager. Thirty or forty, maybe.

“You Cecil B. DeVil, yeah?” he said. He was smiling, sticking his hand out.

I took it, embarrassed and proud to be cornered by a fan in front of my sister. She'd probably assume that I got this kind of thing all the time, and that made me proud, too.

“Yeah,” I said. “Nice to meet you.” I took his hand, and he brought out his other hand so quick that I flinched back, sure he had a cosh or a knife in there, and he squeezed my hand even harder, pulling me in. I saw that he was holding an envelope, not a weapon, and he shoved it into my hand.

“Lawsuit for yer,” he said, and laughed nastily, and let go of my hand, pushing me a little in the direction I'd been tugging, nearly sending me back onto my ass. I clutched the envelope and windmilled my arms, and Cora turned and shouted “Sod off, you prick! Get a proper job!”

He just laughed harder and more nastily, and held up two fingers as he banged out the hall's front doors and into Old Street.

I held Cora back and shoved the envelope in my pocket. “Come on,” I said, “26 is about to start.”

It turned out that four film studios had filed a lawsuit with 15,232 separate charges against me.

Seriously.

One for every single clip I'd ever used in every video with Cecil B. DeVil in the credits. 26's stepdad seemed to think that this was some kind of marvel.

“You should put out a press release,” he said. “Or call the Guinness World's Records people. I think this may be the thickest claims-sheet in British legal history. You could probably get a prize or something.”

“Yeah,” I said. “Like a £78 million bill.” That was the damages being sought by the studios. They were seeking maximum statutory damages for each separate infringement (and I was rather bemused to see that they got some of the clips wrong -- for example, in that virginity-losing scene that started this whole mess, they mixed up Bikini Trouble in Little Blackpool with Summerfun Lollypop, which I'd never heard of. I rushed straight out and downloaded it, then kicked myself because Monalisa was so much better in it and there was all kinds of audio I could have lifted -- if I ever did a recut, I'd have to use that one, for sure).

He waggled his fingers at me. “Young man, unless I am very far wrong, you don't actually have £78 million.”

“Not quite that much, no.”

“I hope you won't take offense when I say that I believe that your net worth -- exclusive of

your not inconsiderable talents and charm -- is more like zero million pounds.” “I don't even have zero hundred pounds.”

“Quite so. We have a name for people like you: we call you 'judgment proof.' Doesn't matter how much the judge orders you to pay, you won't be able to pay it.”

“What about my parents?”

“Do they own property, or a car, or have substantial savings or shares or bonds? Rare works of art?”

I shook my head.

“There you are, then. There is always the possibility that they'll try to bring a criminal charge against you. But as I've said, I'm reasonably certain that the director of public prosecutions isn't going to try to make a case for breaking and entering, and that leaves criminal infringement, but I don't think even the Theft of Intellectual Property Act is going to help them there. You weren't making full copies of commercial films available, so they can't get you under the piracy section. Your biggest risk is that they'll seek to permanently bar you from using computers or the Internet, but that won't stand up to a spirited defense. So, basically I think this is intended to serve as a nuisance. You're going to have to scrounge up a solicitor and a barrister to get up for you in court. I can recommend some good sorts who'd do the instructing for me, assuming you'd be happy to have me speak for you in court?”

I shook my head. “Of course I'd want you to be my lawyer, but I don't really understand all this stuff. Solicitor, barrister -- it's just another way of saying 'lawyer,' right?”

He shook his head with mock sorrow. “You've clearly been raised on American courtroom dramas. You should go dig up some Rumpole programs, they're good fun, and not a bad look in at the profession.” He held up a hand. “On second thought, let me make a gift of the DVDs, right? We've got a set around here somewhere. Let's not have you downloading anything naughty while this business is going on, at least not on my account.”

I smiled back, but I was thinking, Not download? You're having a laugh, right? I didn't really stop to count up how much downloading I was likely to do in a given day, but of course, it was an immense load. I probably broke the law a few thousand times a day.

“Anyroad, let me explain this for you quickly. It's all very archaic, but that's British justice for you -- or, rather, justice in England and Wales, because it would all be too simple if it worked the same way in Scotland and Northern Ireland, right? Right. Okay, so there's two kinds of lawyer you need to occupy yourself with at this stage. There are solicitors, and barristers. A solicitor writes up threatening legal letters, prepares cases, files motions, advises clients on the finer points of law and so forth. A barrister is a low, brawling sort of fellow who actually goes to court -- sometimes dressed in the most bizarre clown-costume you can imagine, horsehair wig and great black robe like you were getting up to play the angel of death in a cheap melodrama -- and tries to persuade a judge or a magistrate or a jury that you're innocent. We question witnesses, make arguments, the sort of thing you'll see in the third act of a courtroom drama.

“Wasn't too long ago that a barrister couldn't get a client for himself -- we'd be brought on by the solicitor, who'd be hired by the defendant. These days, it's merely frowned upon, but I've never let that worry me. Nevertheless, I can't represent you on my own -- I need to be instructed by a solicitor, and so we need to find you one of those upstanding chaps. Since you haven't any money, we'll either have to raise some, or find someone who'll be your solicitor pro bono -- that is, for free.”

I squirmed. “I suppose I could ask people for money, but I'd much rather they gave it to the campaign to repeal TIP.”

He nodded. “Yes, I expect the people who cooked up this preposterousness figured that it would suck your time and other peoples' money and divert it from being used to fight their pet law. It's not a bad move, truth be told. Filing lawsuits like this can't be too expensive for them, as they've been doing them in onesie-twosies for years, it's just a matter of ganging them all up into one massive docket. All in all, a reasonably cheap way of taking you out of commission. You should be proud -- they think you're important enough to neutralize. A mere stripling of seventeen! Dearie me, next thing they'll be fleeing in terror before an army of adolescents with bum-fluff mustaches a cat could lick off!”

We were sat in his basement workshop, and as he talked, he kept busy flitting between his kegs and jars and that, adjusting pressures, sipping, adulterating. Now he drew me off a cracked enamel cupful of something the color of honey. “Try that one,” he said.

I sipped. It was astounding -- a bit of sweet, a bit of lemon, and the beery sourness, all mingled together in a fizzy, cool drink that felt like it was dancing on my tongue. “Woah,” I gasped after swallowing. “That's fantastic stuff.”

He touched the brim of his laser-ringed hat. “Always thought I'd have been a brewer if I hadn't gone in for the law. Nice to have something to fall back on, anyway.”

Commercial Interlude XVII

Is my plan working? Did that sip of beer put you in a mellow, spendy mood? Are you reaching for your wallet?

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