The Last Handful of Clover...

By WessMongoJolley

355 9 4

THREE DAYS AFTER HE WAS MURDERED, RICHARD PRATT BEGAN TO FEEL MUCH BETTER... A seemingly random act of violen... More

INTRODUCTORY NOTES
1.00a Book Cover
1.00b Title Page
1.00c Acknowledgements, Content Advisory, and Disclaimer
1.00d Map 1: The Hereafter
1.00e Map 2: Downtown Salt Lake City
1.00f Epigraph, Book One
1.00g Prologue - Richard Pratt
1.01 Tree of Blood
1.01a Poem Excerpt - "June 11" by Keith Woo
1.02 Crime Scene
1.03 The Haunter and the Haunted
1.04 Every Relationship is a Mystery
1.05 The Night
1.06 In The Void
1.07 The Long Night
1.08 The Good Boy
1.09 The Late Show
1.10 Drama Kids
1.11 The Long, Dark Night
1.12 BT + FS
1.13 Gopher Hole
1.14 The Vastness
1.15 Journey's End
1.16 A Ridiculous, Silly Thing
1.17 I'll Shed No More Tears for You, Billy Travers
1.18 That Old Kilani Magic
1.19 Fragile as an Eggshell
1.19a Poem Excerpt - "Waking Alone" by Keith Woo
1.20 The Empty Mirror
1.21 Coffee, The Darker the Better
1.22 Canceling Out
1.23 Scattered Ashes
1.24 Keith's Journal - Richard is Dead
1.25 It's Not Our Job to Care
1.26 Fly on the Wall
1.27 The Backout
1.28 Something Out of Balance
1.29 The Girl on the Swing
1-30 You're DEAD!
1-31 Could It Be You?
1.32 Round Valley
1.33 Pat-A-Cake with God
1.34 The Death of the Sowersbys
1.35 Implications
1.36 Safeway
1.37 Justin Defies God
1.38 Emily D.
1.39 Saṁdhi
1.40 See Richard Run
1.41 The Well
1.42 Big Bird
1.43 Crossing South Temple
1.44 Billy, Alone
1.45 Reset
1.46 - As Oz Appeared to Dorothy
1.47 The Tug
1.48 Deseret Serenity
1.49 Tuilla
1.50 A Prison Within A Prison
1.51 Richard, Alone
1.52 Howard, Alone
1.53 Under the Stars
1.54 KUTV News
1.55 The Blue Note
1.56 Circulation
1.57 Possession
1.58 Like Grapes on a Vine
1.59 Keith's Journal - Dreams
1.60 The Hearing

1.42a Poem Excerpt - "Grimoire" by Keith Woo

2 0 0
By WessMongoJolley

Pinned like a butterfly in these pages—
Blue lines peel from the sharp white edges

to bind your wrists, your ankles. Your struggle
blurs ink with sweat, staining us both.

Holding you fast every morning—
a silent meditation of paper and flesh.

In the fading light of the day I itch to crumple
these tear-stained pages and scream.

Instead, I draw new word portraits of your eyes—
staring into them until your memory blinks,

lick my pen to keep the blood flowing, feel
your firm grip and the rhythm of your breath,

To run my fingers between your pages—
flesh seeking warmth and moisture.

The tap tap tapping of memory. Then sleep and
dreams of loosening blue bonds, setting you free.

I should and yet I don't, I must and yet I can't—
but close the cover and hold you against my chest.

For every morning, holding you fast,
I can feel you struggling against my breast.

Every afternoon, from the distant shelf—
I listen to your muffled singing.

—Excerpt from "Grimoire" by Keith Woo, as it appears in "The Heavy Work of Vanishing: The Collected Poetry of Keith Woo," edited by Pi'ilani Kilani, page 203.

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