Season 2, Episode 1, Episode number: 24
PJ's CONDO.DAY
[Still image of the condo.]
[CUT TO]
PJ'S CONDO.BEDROOM.DAY
[PJ is packing the rest of her stuff for a trip with Dane. Dane is there next to her. He notices she looks worried about something.]
Dane: What's up? My dear PJ. You look worried about something.
PJ: It's just. I'm worried about Parker. I haven't seen her since about two weeks after the party. And she refuses to answer anyone's calls.
Dane: I understand. This is why this trip will be good. To take your mind off things. And also. Remember you took time off too with me. And your parents and family were really worried.
PJ: Yes I guess. You're right. Good valid points there. Better than worrying day and night. And also. I get a chance to know you better. With this trip.
Dane: And also you. I want to know your deep dark secrets. PJ: Um. You are going have to earn the right to learn that. Let's just take it slow. Like likes and dislikes. Family. Favorite foods. That sort of stuff.
Dane: So. Ready to go? PJ.
PJ: Yep.
[PJ closes her suitcase.]
Dane: Cool. My stuff is already in the private jet. So how shall we get there? Flaming. Beaming. Or my limo.
PJ: Limo is fine. You know how come I never had been in your limo before. Even for dates.
Dane: Because it was never needed. We both have teleportation powers.
PJ: Yea. You make a good point.
Dane: I'll go call George to bring my limo over.
PJ: Okay. Babe.
[Dane grabs his phone out to call George. PJ sits back on her bed and waits.]
[CUT TO]
SAN FRANCISCO STREETS.DAY
[Reed is driving, with Junior in the car, on the streets, heading to a crime scene.]
Junior: Man. I miss this. Being together with you. And solving crimes and cases.
Reed: Me too. Being the Chief was nice and very good. But I prefer going out and doing some investigating.
Junior: And I missed you. Partner.
Reed: Me too. Inspector Mitchell.
Junior: So what is the crime this time?
Reed: You won't believe me if I told you.
Junior: Try me. Inspector.
Reed: Young wife kills older husband for money.
Junior: Oh really? Sounds like something out of a soap opera.
Reed: Yep. And we are nearly there. Only a few more blocks.
Junior: Alright.
[Reed continues on his way.]
[CUT TO]
GOLDEN GATE PARK.PARK GROUNDS.DAY
[Parker, is different than before, with dark makeup along with an all-black outfit. She is walking along the pathway, and passes by a happy couple, Stanley and Robin. They are having a wonderful picnic feeding each other grapes, when a dark aura coming from Parker, infects them. The two of them start arguing.]
Stanley: Wait. Why do we have to feed each other grapes? We are not babies.
Robin: Yea. Glad we agreed on something.
Stanley: And all of these food. I deserve to eat them. I slaved all day and night to make it perfect.
Robin: Hey. Don't be selfish. I helped.
Stanley: More like watched. This picnic is over.
[Stanley dumps the food out.]
Robin: Hey. Don't waste food. People in third world countries could be starving
Stanley: Well yea. I don't care.
[Parker is watching everything and actually enjoys it, her feeding on the essence from the argument, as her eyes glow black and then fades.]
Parker: Yummy. So tasty. The darkness.
[She then leaves the area. And the aura goes away. Stanley and Robin return back to normal and are confused of what happened.]
Stanley: Oh no. What happened?
Robin: Probably squirrels. Or even raccoons.
Stanley: I didn't know San Francisco had raccoons.
Robin: Me either. But let's clean this up.
Stanley: Or park management is going to be upset.
Robin: Yea.
[Stanley and Robin start picking up everything and putting it back into the basket. Two demons, Roxy and Greg, were actually near the area and had watched the whole thing.]
Roxy: Lord Ravor has done a great job corrupting that witch. She is causing much havoc.
Greg: Yes. Let's go back and report to him the results.
[Roxy and Greg SHIMMER out.]
[CUT TO]
HALLIWELL/COOP MANOR.DAY
[Still image of Halliwell/Coop Manor]
[CUT TO]
HALLIWELL/COOP MANOR.LIVING ROOM.DAY
[Coop is hugging Phoebe before she heads off to work.]
Coop: You have a good day at work. Honey.
Phoebe: I don't know if I can considering that one of our daughters is missing.
Coop: I don't think she's missing but avoiding us. Like how PJ was and then saw her with Dane later on.
Phoebe: That makes me feel even worse. Now how am I going to focus on work?
Coop: It'll be fine. Like PJ, Parker will be back. She did really love Adrian. Probably just needs some time to process things.
Phoebe: You're right. Can I get a kiss to feel better?
Coop: Of course. Phoebe dear.
[Coop kisses Phoebe sweetly on lips as Marissa BEAMS in.]
Marissa: Ahem. Sorry to interrupt. There is an important issue at hand.
[They then focus their attention on Marissa.]
Coop: Marissa. What a surprise!
Phoebe: Yes. It is. What is up?
Marissa: It's about one of your daughters.
Coop: Oh no. PJ acting up again.
Marissa: Unfortunately not. It seems Parker is causing trouble.
Phoebe: She finally appeared after so long! That relieves me.
Marissa: Don't know how that is relieving. But I just had a meeting with the other heads. And with the current actions in the last week and a half or so. They want to strip of her powers.
Phoebe: No. Not this again.
Coop: Marissa. Can't you convince them to reconsider?
Marissa: It was a three hour long discussion. And they refused to change their minds. I'm sorry.
Phoebe: That's a shame.
Coop: Yea.
Marissa: And if Parker ever comes back, tell her to come to the cupid temple as soon as possible. They want to deal with the situation as soon as possible.
Coop: Yes. Of course.
Phoebe: Yep. When we see her, we will tell her.
Marissa: Thank you. Coop. Phoebe.
[Marissa BEAMS out.]
Phoebe: There goes my mood again. What horrible things did Parker do?
Coop: No idea. But I'll find out. I'm going to find her the magical way.
Phoebe: Good luck. Well I got to get to work. Probably take my mind off of all these information.
Coop: See you later. Honey.
Phoebe: See you.
[Phoebe grabs her purse and keys on the counter and walks out. Coop BEAMS out.]
[OPENING CREDITS]
MATTHEWS/ MITCHELL MANOR.DAY
[Still image of Matthews/Mitchell Manor.]
[CUT TO]
MATHEWS/MITCHELL MANOR.LIVING ROOM. DAY
Henry is reading one of the cookbooks on the coffee table when he starts to think back to something.
Henry (murmurs to himself): Parker. What did you do? What did you do?
[He starts to flash back about a week ago.]
[FLASH BACK TO:]
SAN FRANCISCO STREETS.NIGHT
ON SCREEN:
ABOUT A WEEK AGO
[Henry is in his van, driving home, with groceries in the back, when he notices a couple arguing, pushing each other back and forth. He parks the car on the side and goes over, and is surprised Parker is there, standing behind the couple.]
Henry: Parker? What are you doing here?
[Parker seems to be to be focused to what she is doing at the moment and doesn't hear Henry. What no one sees, is Parker, is oozing a dark fog around the couple, watching on, as she breathes the essence the turmoil of the couple.]
Parker: Yes. Tasty. Vent it all out.
[Henry is very confused and tries to get Parker's attention by touching her shoulder but she doesn't react.]
Henry: Hello. Parker. Are you there?
[She senses his presence turning around, her eyes glowing black, and growls. The fight then gets heated and the woman knocks out the man, after the fifth punch.]
Woman: Take that. For lying to me.
[The woman wishes to punch more but Henry jumps in and stop.]
Henry: Look .Miss. Stop.
Woman: I have to finish this. He deserves it.
Henry: I don't want to do this. But maybe this will knock you out of your senses.
[Henry slaps the woman's face hard and it snaps her out. She reaches realization and is horrified and runs over to the man.]
Woman: Babe. What have I done?
[Henry, then tries to see where Parker but she is gone.]
Henry: Oh no. I lost her.
[He then flashes back.]
[FLASH TO PRESENT]
MATTHEWS/MITCHELL MANOR. LIVING ROOM.DAY
[Henry now puts the book down back on the coffee table and then gets off from the couch.]
Henry (to himself): My poor niece. There has to be a way to get her back.
[He sighs and decides to leave the room.]
[CUT TO]
UNDERWORLD.DARK CORRIDORS.DAY
[Coop has arrived in the underworld after tracking Parker.]
Coop: This is strange. Why here?
[He then hears noise and sees that Parker is making out with a demon, Wayne.]
Parker: You're so much better than that idiot I felt for.
Wayne: And you're better than any demonic woman I been with.
[They continue to kiss as Coop rushes over to them.]
Coop: Parker Halliwell! There you are!
[Parker and Wayne are interrupted. She turns around.]
Parker: Dad! So how you find me?
Coop: Do I need to answer?
Parker: Right. Of course. Your ring.
Wayne: Oh. Is this your dad? Nice to meet you. Sir.
[Wayne puts his hand out to shake with Coop.]
Coop: Ugh. No thanks. I'm not shaking hands with a demon.
Parker: Hey. Respect my boyfriend.
Coop: Boy... boy... boy... friend! When did you get a boyfriend!
Parker: About a week after the party, and then on. Lost track of time and such.
Coop: So this is where you have been! Hanging in the underworld! We have been worried sick about you. Could have texted or called us.
Parker: Sorry. About the worry. You know. As I said before. Got distracted and lost track with time with this guy.
Coop: Well. I need you to come back home with me.
Parker: No I won't. Beside I'm a grown adult now. You can't tell me what to do.
Coop: You're throwing your whole life away. Parker. What about being the greatest lawyer ever? Mr. Jacobson told me you quit.
Parker: You're wrong. I'm not throwing my life away. I made a new life. It's much more free and no restrictions.
Coop: Parker. This is not you. You're never this rebellious. The serious one of the family.
Parker: Well. Dad. Maybe you don't know me really well.
Coop: But I do. I raised you all those years. Parker. Come back.
Parker: You're not changing my mind. I'm happy with my life now.
Coop: It doesn't matter. You have to come back. Marissa is looking for you as the other Head Cupids also. And I'm trying to figure out why.
Parker: Can you sense it? Dad. A bit of ache when you go around.
Coop: No... I thought it was food not sitting well with me.
Parker: Yes dad. I have been causing trouble among happy couples. And it's so tasty to feel the turmoil. It empowers me.
Coop: Are you serious? Parker. Talking like that.
Parker: I am. Dad.
Coop: That's a shame. If you are not coming willingly, I have to take you by force.
[Coop tries to grab Parker but Wayne shoots an energy ball knocking Coop back against the wall.]
Wayne: No one steals my girlfriend from me! Even her own father.
[He grabs Parker quickly and SHIMMERS out. Coop gets back up.]
Coop (into tears): Parker. No!
[Ravor then pops in out from the darkness.]
Ravor: Hello. Stepfather. How it feel to lose your daughter to the evil side?
Coop: Stepfather! What?!
Ravor: Shame you won't remember.
[He comes over to Coop wiping his memory which causes him to also fall asleep and waves his hand sending him out of the underworld and then walks away.]
[GO TO COMMERCIAL BREAK]
GOLDEN GATE PARK.PARK GROUNDS.DAY
[Coop lands on a bench breaking it and waking up.]
Coop: What the...? Oh man. Seriously. Ouch. Ouch.
[He then makes sure the area is clear and BEAMS out.]
[CUT TO]
CUPID'S TEMPLE.DAY
[Still image of Cupid's Temple.]
[CUT TO]
CUPID'S TEMPLE.MAIN SQUARE.DAY
[Marissa is standing with Victor with the other cupids there facing them. Victor is about to scold Marissa. The cupids in the audience are murmuring in complaints.]
Victor: Marissa. Where is Coop? I thought you said he could get her.
Marissa: I know he can. What better person than her own father.
Victor: The others have been waiting too long. We can't wait forever. The Parker situation must be solved now.
Marissa: I know. Trust him. Give him some time. Maybe they had a talk or something.
Victor: Or he warned her.
Marissa: Victor!
Victor: What? I know how fathers are. They will do anything for their child.
Marissa: Not Coop. He's always been a rule follower.
Victor: Oh yea. Remember back then when he neglected most of his charges and worried about family more.
Marissa: That was one mistake. We may be magical beings and all of us are not perfect. Plus. We used to be humans.
Victor: If Coop does not come any sooner, I'll be grabbing Parker myself.
[Coop BEAMS in.]
Marissa: There you are.
Victor: Finally!
[Marissa and Victor then notice Parker is not there.]
Marissa: Where's Parker?!
Coop: Couldn't get her. A demon stopped me.
Victor: Demon! What?
Marissa: What was she doing with a demon?
Coop: They were dating. And I tried to grab her and he shot at me. And then after that. Everything was a blur and I landed in a park.
Victor: Well. Cupids. I think it's time to go on high alert.
Marissa: No. Victor. Don't you think you are overreacting?
Victor: I am not. If Parker is involved with a demon, and plus, she is a cupid. You know what could happen to us and our charges.
Marissa: But....
Victor: But nothing. Our mission is now to find Parker at all costs.
Marissa: You can't. Cupids have to focus on their charges.
Victor: Excuse me? Marissa. Who's the oldest and wisest one here?
Marissa: You are. Victor.
Victor: That's right.
Marissa: I still think that doing this is not right and there could be other ways to deal with this.
Victor: We have no choice. Parker is on the side of evil now and could go after us. And we must capture her as soon as possible. She may not be a dark cupid now but there's a possibly the evil side could figure out a way to make her become one and corrupt us.
Marissa: Fine. Victor. Let's find a middle lane in this. Sure. The goal is get Parker. But it doesn't have to take away all of our duties.
Victor: What do you suggest?
Marissa: Balance it out. The cupids still can help their future charges but also find time to track Parker. Come on. Victor. Love is needed with Parker running around. If they are all focused on capturing her, who's going to protect love in the world.
Victor: Fine. I'll accept. But Coop must be punished.
Marissa: We'll bind his powers temporarily. I don't want to strip him of being a cupid. He will become mortal and die. And those girls will be without a father.
Victor: Fine. Then let's adjourn the meeting.
Marissa: Okay.
[Marissa gives the signal and all of the cupids BEAM out. Coop walks over to them looking very disappointed in himself.]
Coop: I'm so sorry. I couldn't protect my daughter.
Victor: (in a hurtful tone) It's good of you to feel sorry. Coop.
Marissa: Victor. He already feels bad enough.
Victor: I'm out. Remember to give the binding potion to him.
Marissa: Yes Victor.
[Victor BEAMS out. She summons a potion and hands it to Coop. Coop takes it.]
Coop: Don't worry. I'll drink the potion when I get home. You have my word on it.
Marissa: Also. I want to apologize about Victor. He's kind of. You know.
Coop: It's okay. Marissa. You don't need to. He's from those olden days.
Marissa: Coop. Again. I 'm sorry for what you have to deal with.
Coop: Thanks Marissa. That's why I like you the best of the heads. You understand people's feelings more than Victor. That's why I think you were chosen over him. To be the head. For your heart.
Marissa: That's sweet. And good luck. Coop.
Coop: Thanks.
[Coop BEAMS out. Marissa then also BEAMS out.]
[CUT TO]
CITY OF ITALY.DAY
[Camera of all of the sites of Italy. The leaning town of Pisa. Several other landmarks and buildings. Gondolas. And the fishing markets.]
[CUT TO]
ITALY.THE CANAL.DAY
[PJ is with Dane, sitting on a gondola enjoying the sites, as the Gondolier is in front driving it.]
PJ: This is amazing. Babe. It's so nice and relaxing. And the breeze.
Dane: See. I knew you would enjoy this.
PJ: I'll enjoy anything anywhere if it means to be with you.
Dane: That's sweet of you.
PJ: Along with that. I got to know you a little better especially your dark past.
Dane: And I you. You actually dyed your hair red. Really.
PJ: Well. I was a teenager. Had that phase.
Dane: Not me.
PJ: Oh yea. Your situation.
Dane: Yea. But we can't talk some more in the hotel later. Now let's just relax and enjoy the rest of view.
[PJ and Dane scoot closer to each other, and she lays her head on him, as the Gondolier continues to drive them along the canal.]
[GO TO COMMERCIAL BREAK]
SOME HOTEL.BEDROOM.DAY
[Parker is in her room, sitting down on her bed, when she feels a pain in her chest. She puts her hands over it.]
Parker: Aaaah! No! Not again!
[A dark electric pulse starts to zap her and it causes to faint making a thump in the ground. Wayne comes out of the bathroom to check it out.]
Wayne: Babe! Wake up! Wake up!
[He checks her pulse. It is fine but weak.]
Wayne (cont'd): This is bad. I'll have to tell the boss. Don't think he wants her to die.
[Wayne takes out his phone and texts Ravor. Seconds later, Ravor FLAMES in. He sees Parker on the ground.]
Ravor: So what happened?! Why is Parker like that?
Wayne: I don't know. Boss. I heard her screaming and then a thump and she was on the ground.
[Another dark electric pulse zaps Parker again making her shake a bit.]
Ravor: I figured it out. Parker absorbed too much darkness in her heart. It kind of overloaded it.
Wayne: Can it be fixed?
Ravor: Yes possibly. With true love. This is a shame. I thought this was going to keep her in control by my means. But it didn't. Parker is at near death. After all, she is still my sister. I don't want her to die.
Wayne: Where are we going to find that?
Ravor: No idea. But I'll figure out a way. I can't bring her back to Adrian to save her. I worked so hard to make her hate him.
Wayne: How about I try to woo her? And see if it works. With due time, Parker could fall for me.
Ravor: I can't wait so long. Want this dealt with quick.
Wayne: I think I got an idea.
Ravor: What? Tell me.
Wayne: Well. True love doesn't have to be always romantic. Right?
Ravor: Yes. Where are you going with this?
Wayne: What perfect than familial love? Get Parker to reunite with her dad. A father's love is the most powerful of all. Right. Lord Ravor.
Ravor: Hmm. I underestimated you. You're smarter than I thought you are.
Wayne: Hurtful. But you know now I'm not all brawn.
Ravor: When Parker wakes up, convince her to make up with her father. And in a private place. Want to make sure it's just Parker and her father.
Wayne: Yes boss. You got it.
[Ravor FLAMES out. Wayne picks Parker up gently and lays her on the bed and lays next to her waiting for her to wake up.]
[CUT TO]
HALLIWELL'S.DAY
[Still image of Halliwell's]
[CUT TO]
HALLIWELL'S.DINING ROOM.DAY
[Melinda, is in a waitress outfit, and is going around catering to customers. She stops at a table in the middle.]
Melinda: Hello. Mister. M'am. My name is Melinda. And I will be your waitress today.
[It is a married couple, Allen and Charlotte.]
Allen: Wait? Aren't you the manager? I have seen you walking around every time we come here.
Charlotte: Yea. Why is someone like you catering to us?
Melinda: Actually. I started as a waitress. I'm just helping out since one of employees is going to be gone due to a family emergency.
Allen: That's a shame.
Melinda: It is? So. Are you two ready to order?
Allen: Yes. We are.
[Melinda gets her booklet ready to write.]
Melinda: Alright. All ears.
Allen: Get us two Halliwell Supreme Specials. And white wine. And also two light garden salads. No crotons. And light on the dressing.
[She writes it down.]
Melinda: Anything else?
Charlotte: Two glasses of ice waters would also be good.
Melinda: Yep got that.
[Melinda writes another order down.]
Allen: Well. That is all. For now. Melinda.
Melinda: Okay. Thank you. Sir. Miss. I'll be right with your order soon.
Allen: Thank you.
[Melinda heads off towards the kitchen. Allen and Charlotte then get back to talking.]
[CUT TO]
HALLIWELL/COOP MANOR.DAY
[Still image of Halliwell/Coop Manor.]
[CUT TO]
HALLIWELL/COOP MANOR.KITCHEN.DAY
[Coop is in the kitchen, drinking his sorrows away, and is nearly drunk. He then gets a text reads it. It is from Parker. His face lights up.]
Parker (text): I apologize for what happened today. I was so out of line. Forgive me.
Coop (text): Of course. I forgive you. You're my daughter. Does it mean you are coming home?
Parker (text): I don't know. But we can talk more about it later tonight when we meet.
[Coop starts grinning.]
Coop (text): Really? You want to meet? And talk instead of the shouting fit we had a while ago.
Parker (text): Look. I really miss you. Dad. Mom. PJ. Peyton. I do want to come home. But I need some motivation.
Coop (text): Don't worry. Honey. When we meet tonight, your worries will all be relieved.
Parker (text): Thanks Dad. See you tonight.
Coop (text): Yea.
[Coop then puts his phone to the side.]
Coop (to himself): It's time to sober up and hit the showers.
[He then cleans up everything and then heads out of the door.]
[CUT TO]
UC BERKELEY.DAY
[Still image of the campus.]
[CUT TO]
UC BERKELEY.LIBRARY.DAY
[Peyton is with Valentina studying different subjects, their textbooks open and are taking notes. Peyton for English and Valentina, Biology.]
Peyton: Man. We just got back. And already a pop quiz at the end of the week.
Valentina: I feel you. It's like both our professors have the same mindset or something.
[A librarian walks over and shushes them.]
Librarian: Quiet. We're in a library.
Peyton (softly): Sorry.
Valentina (softly): Guess we need to keep our voices a bit.
Peyton (softly): Ugh. Why is English so complicated?
Valentina (softly): Not as much as bio is. I have to remember so much facts.
[They continue to study flipping through their textbooks and writing down notes.]
[CUT TO]
W & C MAGAZINE.DAY
[Still image of magazine.]
[CUT TO]
W & C MAGAZINE.WYATT'S OFFICE.DAY
[Wyatt is in his office sitting down in which his table is clear. Natalia has just brought him a container of food, containing rice, beans, and chicken, along with a light salad, and a bottle of fruit juice.]
Wyatt: Thank you. Natalia.
Natalia: No problem. Anything else. Boss.
Wyatt: No. Head back to work.
Natalia: And you head to hell!
[Natalia SUMMONS an Athame and stabs Wyatt stealing his powers as he falls to the ground. She then BLINKS out.]
[GO TO COMMERCIAL BREAK]
W & C MAGAZINE.WYATT'S OFFICE.DAY
[Chris busts through the door and sees Wyatt on the ground.]
Chris: Bro! What happened?
Wyatt: A warlock attacked me and stole my powers disguised as Natalia.
Chris: Oh no. This is bad. You know how strong your powers are.
Wyatt: I know. We have to find that warlock.
Chris: I'll take care of it. You go find where Natalia is locked up.
Wyatt: Okay.
[Wyatt walks out. CHRIS ORBS out.]
[CUT TO]
W & C MAGAZINE.JANITOR'S CLOSET.DAY
[Wyatt arrives and hears screaming. He bust through the door and opens to see Natalia, tied up and muffled.]
Wyatt: Natalia!
[He unmuffles and unties her.]
Natalia: Thanks boss. Something knocked me from behind. And then I woke up here.
Wyatt: Well. I'm glad you're safe.
Natalia: I hope that intruder is dealt with.
Wyatt: Yea. Don't worry. I already called security to keep an eye out.
Natalia: Great.
Wyatt: Natalia. You been through a lot. Go home early.
Natalia: Really? Are you sure?
Wyatt: Yep. Have a fun half day off.
Natalia: Thanks. I'll go grab my purse from my desk and head out.
Wyatt: Bye. Natalia.
[Natalia walks out. Wyatt then also walks out.]
[CUT TO]
UPPER REALM.DAY
[The female warlock is causing havoc, with Wyatt's powers, blowing it things but keep missing. The Elders keep firing but she uses the orb shield to absorb the attacks.]
Female Warlock: Nice try. Elders. But with the Twice Blessed Powers. I'm invincible. At least when I get a hang on it.
[She then succeeds blowing up one but the Elder regenerates. Chris ORBS in.]
Chris: Yo. Warlock. Die.
[He has a potion in his hand and throws it at the female warlock.]
Female Warlock (explodes into ashes): AAAAAAAAAAH!
[The Athame then lands on the ground. Elder Liam steps up.]
Elder Liam: Thank you. Chris. Saved us just in time.
Chris: No problem. And I think I'll take this back to my brother.
Elder Liam: You do that.
[Chris picks it up and ORBS out. Elder Liam and the rest of Elders get back to what they were doing.]
[CUT TO]
SOUTH BAY SOCIAL SERVICES.OUTSIDE THE BUILDING.DAY
[A young little boy, Jake, enters through the door looking badly beaten up and bruised.]
[CUT TO]
SOUTH BAY SOCIAL SERVICES.MAIN WORKPLACE.DAY
[Jake runs over to where Tamora's desk is and sits down.]
Tamora: Hey kid. Are you lost? Wait...
[Tamora notices his bruises.]
Jake: No. I ran away from my orphanage. The owner is abusive. If we don't do what he says, he beats us up.
Tamora: That's horrible. How come no one has reported him yet?
Jake: It's in the outskirts of town. Hard to find.
Tamora: Then how the heck did you get here?
Jake: Certain ways. But that's not important. I came because I need help.
Tamora: Of course I can. Tell me everything.
[Jake takes a breath and starts to tell her everything as she listens.]
[CUT TO]
W & C MAGAZINE.WYATT'S OFFICE.DAY
[Wyatt is with Chris as he just given the powers back and feels better than before.]
Wyatt: Man. It feels good to be powerful again.
Chris: Yep. But now. You owe me.
Wyatt: Yea. Yea. Got you.
Chris: So. Wyatt. When you going to schedule a wedding date? So I can be prepared. You know.
Wyatt: Prepared for what? Are you hiding something from me?
Chris: Nope. Not at all.
[Chris' nose starts to cringe up.]
Wyatt: Liar. I know you. Your nose always cringes up when you lie.
Chris: Fine. You got me. I'll tell you.
Wyatt: Knew it. So you were hiding something.
Chris: Wylie's Magazine has an opening for a travel photographer. And it's my dream to be someone like that one day. And I applied. And if I'm accepted.
Wyatt: Let me guess. You're not so sure how long you will be away. That's why you said that thing about being prepared.
Chris: Yea. But don't tell mom and dad yet. I don't want to get their hopes up if I don't get the job.
Wyatt: I won't bro. But there's another thing.
Chris: What?
Wyatt: About demon fighting. What if we need the Power of Eight?
Chris: Oh. Wyatt. I will be an orb away.
Wyatt: True. But what if your work stops you?
Chris: Look. I'll figure it out when I figure it out.
Wyatt: Alright. Well. Both of us got to get back to work. Later.
Chris: Yea.
[Chris leaves the office. Wyatt gets back on his computer to get working.]
[GO TO COMMERCIAL BREAK]
MAUSOLEUM.OUTSIDE IT.NIGHT
[Two demons, Grax and Vic, are guarding the entrance to the building. Coop arrives. He looks irritated.]
Coop: Really? Demons? Where is my daughter?
Parker: Ahem. It's alright boys. Let him through.
[Grax and Vic step to the side and Parker comes out.]
Coop: Parker. What is going on? Why are demons here?
Parker: Just for precaution in case you try to forcefully take me again.
Coop: Parker. I had no choice. Had higher orders.
Parker: Enough! Come in. We need to talk.
Coop: Of course.
[Parker leads Coop in with her. Grax and Vic get back and stand guard.]
[CUT TO]
MAUSOLEUM.INSIDE IT.NIGHT
[Wayne, is hiding behind one of caskets, keeping watch as Parker walks in with Coop.]
Parker: Now. We can talk. Dad.
Coop: Yes. You first.
Parker: I really miss you. Dad. And everyone. It's been hard being away.
Coop: Well. Then why did you go away?
Parker: Reasons. Just certain reasons.
Coop: Were you threatened? Or something.
Parker: No. I made my choice after I saw Adrian making out with a slut.
Coop: Parker. Don't say things like that. And are you sure? Adrian doesn't seem like the person that would do that.
Parker: I saw everything. And heard everything. Adrian told that woman that I was just puppy love and only loved her.
Coop: No. I don't believe it. There must be an explanation.
Parker: Well. He can't explain considering his condition right now. And I don't regret it.
Coop: Parker. Dear. What happened with my girl? You changed.
[Parker now starts to feel pain again in her chest, a dark electric shock in her chest.]
Parker: Aaah! Not again.
Coop: Parker!
[Coop goes to hug his daughter.]
Parker: This is the reason I need to talk. There's too much darkness in my heart. And it's weakening me.
Coop: Oh. My baby. Dear Parker. I'll do anything to help.
Parker: I need you to use your cupid powers to make feel love again. It's the only way to heal me. Aaah!
[She pants again feeling the pain as another surge goes through. Coop goes into tears.]
Coop: Wish I could help. I was punished and had to bind my powers. But there is a way.
Parker: How? You're the only cupid here.
Coop: You are too. Parker. Born with the powers. It has just been pushed back. That's all.
Parker: My heart is getting weaker. I don't know if I can do it.
Coop: You can. I believe in you.
Parker: Aaaah! Again! I'll try. For you.
Coop: I'm right here. I believe in you. Remember. Think of the love you have for me. Mom. Your sisters.
Parker: Okay.
[Parker closes her eyes, focusing on the love, while also dealing with ongoing pain of the darkness in the heart. She struggles a bit but it seems it is working. A slight pink glow from her can be seen. Wayne is still watching.]
Wayne (thinking): Once this works, I'll pop out and make sure she doesn't get taken.
Coop: Come on. You can do it.
Parker: Aaah! No. Think. Love. Love.
[Parker then screams in pain and a cloud of darkness is expelled from her body. She then starts to come to.]
Coop: Parker. Did it work?
[She looks a bit confused.]
Parker: Did what work? Dad. Where am I?
Coop: It's a long story. Let's go home.
Parker: Okay. Dad.
[Coop helps Parker up and walks her out but Wayne SHIMMERS over.]
Wayne: I don't think so. Cupid. She will be coming with me.
Parker: Ah! Demon!
[She waves her hand using thermokinesis to attack him but he SHIMMERS in and out to avoid it.]
Wayne: Babe. Come on. Don't you remember anything?
Parker: Babe?! Ew. I would never get involved with a demon.
Wayne: There are ways to change my mind. First I'll take care of your father.
[Wayne shoots an energy ball at Coop but Peyton bust in pinning him down and the energy ball misses the wall.]
Coop: Peyton! What are you doing here?
Peyton: Long story.
Wayne: Get off me! Witch!
[He tries to shoot at her but Peyton is able to BEAM out of the way.]
Peyton: Die. Demon.
[Peyton had a potion in hand and throws it vanquishing Wayne. He burns in flames and is turned to ashes. She then runs over to Coop and Parker.]
Coop: Once more. What are you doing here?
Peyton: I followed you. Using a tracking app. I know you told me not to follow you but I had my suspicions.
Coop: I'm sorry. I just didn't want to risk losing Parker if things went wrong.
Parker: So? Is someone going to explain how I got here?
Coop: Yes. When we get home. It will be all okay. Parker.
[Parker then looks over to Peyton.]
Parker: Thanks for saving me.
Peyton: That's what sisters do. Help each other.
Coop: Well. Let's head home.
Peyton: I agree. This place is starting to give me the creeps.
Coop: Yep. Let's go home.
[Peyton then takes their hands and BEAMs out with all of them.]
[GO TO BLACK]
[END OF EPISODE]
[End Credits rolling to shortened theme song to reveal supporting cast and guest stars.]
Now on screen:
Co-Starring:
Alyssa Milano as Phoebe Halliwell
Victor Webster as Coop
Ivan Sergei as Henry Mitchell
Patrick Dempsey as Reed Havenfield
Also Featuring:
Taylor Lautner as Dane Patten
Skylar Austin as Stanley
Lisa Stelling as Robin
Agnes Bruckner as Roxy
Douglas Booth as Greg
Shay Mitchell as Marissa
Nick Robinson as Wayne
Bill Skarsgard as Ravor/ Collin Turner
Tom Felton as Victor
John Travolta as Gondolier
Chace Crawford as Allen
Leighton Meester as Charlotte
Demi Lovato as Valentina Rogeles
Emily Blunt as Librarian
AJ Michalka as Natalia Anacher
Summer Glau as Female Warlock
David Ramsay as Elder Liam
Hank Greenspan as Jake
Jeremy Sumpter as Grax
Kit Harrington as Vic
Uncredited Actor and Actress as A Man and A Woman
Uncredited Actors and Actresses as Other Cupids