Chapter 2: Northanger Abbey

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Eleanor rode in the chaise-and-four with the General, while Henry and Catherine rode together in the curricle. Frederick had decided to stay in Bath before he was to join his regiment. After a few hours of quiet travel, Henry exclaimed:

"Now! Look there!"

Catherine turned her head towards the direction he was pointing at, and there it was. Northanger Abbey. She was instantly awe-struck at the sight of so spectacular a building. Like Udolpho, it was made of grey stones and looked very antique and melancholy. Tho' it had been a monastic building, the battlements on top of the high walls made it look like a fortress from another time. "Silent, lonely, and sublime, it seemed to stand the sovereign of the scene, and to frown defiance on all, who dared to invade its solitary reign." Catherine remembered by heart from her book.

"It is exactly as I imagined" she said. "It is just like what we read about."

"Ah yes, novels. Are you prepared, then, to encounter all of its horrors?" was Henry's amused reply.

"Horrors? Is Northanger haunted then?" cried Catherine, somewhat bemused.

"Well, that is the least of it. Dungeons and sliding panels, skeletons, strange, unearthly cries in the night that pierce your very soul."

"And vampires? Do not say vampires. I could bear anything, but not vampires!"

Henry laughed, obviously gently mocking her. Becoming serious again, he added: "Well, I have to say, there is a kind of vampirism. No, let us just say that all houses have their secrets, and Northanger is no exception."

By then, they had arrived in front of the main entrance. Henry helped Catherine alight from the carriage and they joined Eleanor and the General on the first steps.

"Welcome to Northanger Abbey, miss Morland!" exclaimed the General. "As you can see, it is but a modest country house. It was bought by our family under the reign of queen Elizabeth, and has been improved here and there since. As you will see when Eleanor shows you the house, the Western and Eastern wings date back to the 14th century. The Southern wing, at the foot of which we are standing, was added by my father. It is very modern inside, but he insisted on using the same style as the rest of the buildings for the outside parts." He paused to let Catherine note the details of the impressive wall. "And to finish with, the Northern wing, on the opposite side of the building, is very ancient. It dates from the 12th century and used to be the monks' refectory and dormitory. You will not, though, have the possibility to see it, for it is a very old and dangerous place. My wife and I used to have our appartments there, but she died of an accident in the stairs which are very old. I have moved to the modern wing since, and have allowed no one to go there, for fear of losing another member of this family..." Henry and Eleanor glanced at each other with embarassed looks. Catherine assumed that they were ashamed of the very detached tone in which the General talked about their deceased mother. The General added: "Well, dinner will be served very soon. Let us all go to our rooms and meet in the hall at five o'clock."

The group then dispersed. Eleanor shewed Catherine to her room, which was on the first story of the Eastern wing. It was vast and very modern indeed. It had been decorated with taste, perhaps a decade ago, no doubt by the General himself. Only one piece of furniture stood out. It was the very old wooden chest at the foot of the bed. It must have been brought there from the old wing, perhaps as a souvenir. Catherine tried to open it but it was locked. She looked for the key in every drawer, every corner of the room and under every single chair, bed and cupboard, but could not find it anywhere. What a shame! She would have loved so much to fold her gowns inside and pretend she was Emily arriving at Udolpho. Altho' she was delighted with the presence of the medieval chest, Catherine regretted not to have been given a more antique and gloomy room, as she felt certain there must be a lot of, especially in the restricted old wing.

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