The Second 1500 Words

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1. Shovel more grief onto the hero.


2. Hero, being heroic, struggles, and his struggles lead up to:


3. Another physical conflict.


4. A surprising plot twist to end the 1500 words.


NOW: Does the second part have SUSPENSE?


Does the MENACE grow like a black cloud?


Is the hero getting it in the neck?


Is the second part logical?


DON'T TELL ABOUT IT***Show how the thing looked. This is one of the secrets of writing; never tell the reader--show him. (He trembles, roving eyes, slackened jaw, and such.) MAKE THE READER SEE HIM.


When writing, it helps to get at least one minor surprise to the printed page. It is reasonable to expect these minor surprises to sort of inveigle the reader into keeping on. They need not be such profound efforts. One method of accomplishing one now and then is to be gently misleading. 


The hero is examining the murder room. The door behind him begins slowly to open. He does not see it. He conducts his examination blissfully. Door eases open, wider and wider, until--surprise! The glass pane falls out of the big window across the room. It must have fallen slowly, and air blowing into the room caused the door to open. Then what the heck made the pane fall so slowly? More mystery.


Characterizing a story actor consists of giving him some things which make him stick in the reader's mind. TAG HIM!


BUILD YOUR PLOTS SO THAT ACTION CAN BE CONTINUOUS.

How To Write A Short Story by Lester DentWhere stories live. Discover now