Her words, multifaceted.
They are diamonds, but they look like glass.
Her body a bonfire, her hair sticky, glittering strands from a spider to trap.
Her secrets are boarded-up wells
Unsightly to look at, and filled with mold
And rats and creeping crawling things.
They would be a blemish on her if she ever let them out.
Her tongue's a revolver,
Shooting diamond bullets from the ruby-red, poison-swelled barrel of her lips.
You're pathetic, she says to her son
Sprawled on the carpet, a wet dog
With bruises -scales - scales - bruises -
Painted over his face in a harlequin's mask
Stitched up by her fists.
Can you see the boy behind the bruises
Or the thick sweeps of concealer it takes
To turn the smudges into shadows, that then completely vanish?
But my little curvaceous feline
(With the jewel-green slitted eyes of a nighttime huntress)
Is tired of her little brown mouse
(Whose puncturing cries never penetrate her rawhide heart)
And she pulls on my shirt
(Her lacquered nails are claws)
And orders me to bed.
We copulated desperately
Like little chocolate people
How could the same hands
That touched me so erotically
Cause such pain?
I had a woman carved out of caramel
But then she filled with alcohol
And turned cold
Not the same woman
That I held in my arms at first.
And so I left her screaming
And insulting my manhood
While the same beautiful boy she had beaten
Watched with sorry eyes
Under the umbrella of his sister
"If you had a wife who was a drunk, would you pass her off as a maid?"
"Well, a lush is more presentable than a fruit!"
But what they never said
Is how hard
Alcoholics are
To live with.
YOU ARE READING
Gillian
PoetryA metaphor poem written by me at Columbia University during the CSPA Fall Conference 11\5\12 during a session with the poetess Erica Miriam Fabri. Anyone who has read Karissa or its sequel Lost Sheep will know the character that I wrote this poem ab...