No movement, no noise...

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Greaaaat. Nicely done, Bethany. Now she and the crazy-after-all guy were best friends. Some of that old blind luck had stuck around, however: he knew what she looked like, but he didn't know Beth's name. Fat chance finding her without it. She could be very sneaky.

"Dumb. Door. Open." This floor had the worst stairwell. A thick pelt of goop was soaked into the push-bar, gluing it closed until she paid the greasy price and launched herself at it. Three times out of ten, the door peeled free, but unfailingly smeared its gummy mucus on her arm. Centuries ago, someone spilled a stew or something else sticky. Nobody acted surprised that management still hadn't scraped it up. "Open!"

It did after a long slurp. Beth's shoulder throbbed. She irritably massaged it and padded down the gray stairs. Thank you, couch, for being home to collapse on face-first. Her lungs burned, her eyes stung, her heart hammered and her stomach slowly hemmed and hawed about uncurling from a knot. She essentially spent that conversation holding her breath, but hooray, she talked to him. She checked it off the mental list. She would've liked to have done the same with her art, but she appreciated progress nonetheless.

All right, a tiny bit less.

Beth rolled over on her blanketed couch. She studied the tubes taped to her ceiling. No movement, no noise... She guessed it meant he was resting.

Strange person. She felt bad for him. He might've been crazy, but that didn't stop his wonky relationship – the one she'd effectively ignored for as long as he'd lived here – from flecking her paintings with multi-coloured, acrylic drops of moral guilt. He needed help, probably. He didn't want help, but that went hand-in-hand with these situations. Yet here she lay, hungry and alert for the first twitch of more, selfishly praying they picked up the pace if she planned on delivering nine finished canvasses.

It hurt. Having his bruises and stammered panic to put to the fights she heard upstairs made Beth feel dirty and exploitative. She never expected to be a creep, building her work on the backs of the less fortunate. Technically, she was the less fortunate. Her creditors thought so. Her parents said so. Jessica plainly danced around the subject but gave Beth a delicate smile and paid for lunch. Rage Against the Rooms didn't finance gold cars or silver toilets. RAR covered bills: her food, utilities, supplies, taxes – real things. It was called 'life', but when someone offered their assistance in surviving it, the right answer was a grateful acceptance. Beggars couldn't afford to slam doors.

Still... she did feel bad. He'd been so jumpy and off-guard. He didn't know her; she shouldn't take the rejection this personally when he had no reason to trust that she'd help. After all, why the sudden interest? Couldn't she have called the cops months ago? Or now? Had he asked her to in his own stupid joke of a way?

Her phone rang. Perfect timing! Leave it to technology to take her mind off social responsibility.

"Hello?"

"Beth? It's Terry. Do you have a minute?"

Beth sat up fast enough to pull something in her lower back.

"Terry! I – sure! Absolutely," she sang. "Anything for my favourite curator!" But, she reminded herself, he shouldn't want anything except her art and they'd already set an implicit deadline. Two days left. "Ah... everything okay?"

"There's been a bit of an awkward turn, actually." If memory served, that was British for 'brace yourself, Beth'. "The exhibition's fine – no trouble with the venue and the plans are all on schedule." That translated to 'I'm about to be your second-favourite curator'. "The artists, meanwhile..." And that was 'Somebody's ruining everything, especially RAR'.

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